Книга - The Lost Relic
The Lost Relic
Scott Mariani
THE MASTER BESTSELLER RETURNS WITH A SUPER-CHARGED THRILLER THAT WILL SET YOUR HEART POUNDING AND YOUR PULSE RACING.A WEB OF DECEIT.AND BEN HOPE IS CAUGHT UP IN THE MAYHEM…Whilst visiting a former SAS comrade in Italy, a distracted Ben nearly runs over a young boy – and unwittingly walks into his deadliest mission yet.Ben’s involvement with the boy’s family runs deeper as he witnesses their brutal murder at a gallery robbery. A seemingly worthless Goya sketch was the principal target in the bloodbath heist. Now it’s up to Ben to find out the truth behind the elusive painting.Wrongly accused of murder and forced to go on the run, he must get to the heart of the conspiracy while he still has the chance…BEN HOPE is one of the most celebrated action adventure heroes in British fiction and Scott Mariani is the author of numerous bestsellers. Join the ever-growing legion of readers who get breathless with anticipation when the countdown to the new Ben Hope thriller begins…
SCOTT MARIANI
The Lost Relic
Copyright (#ulink_e9888603-3622-5343-b393-e4517b824635)
Published by Avon an imprint of
HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
This ebook edition published by HarperCollins Publishers 2016
First published in paperback by HarperCollinsPublishers, 2011
Copyright © Scott Mariani 2011
Cover design © Henry Steadman 2016
Scott Mariani asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication
Ebook Edition © May 2016 ISBN 9780007342778
Version: 2018-07-18
Dedication (#ulink_517c172a-7bed-5e72-abff-3295287ab09e)
To Noah Lukeman
Contents
Cover (#u7c2112d6-568b-5958-8ce5-ea0a1a614e23)
Title Page (#ua94f5c0b-82ce-5e9e-9807-58f5b84c34eb)
Copyright (#u8744340a-905a-5fbe-a4c2-9a511deb1388)
Dedication (#u4389efc2-b1e7-5562-86d7-400e36b801e4)
Prologue (#uc195a875-d321-56f9-9839-44d437f9e563)
Chapter One (#uaf48a470-16df-592e-bddb-69cb0e339a95)
Chapter Two (#ueba7c538-bcbf-5c8c-8f6d-34a4ab189eb9)
Chapter Three (#u98905413-9223-5fd0-ab22-c7cdc24cdcd6)
Chapter Four (#ud608f82c-f600-5ab7-9035-40344b06827d)
Chapter Five (#ua6d0e56d-8ee3-501c-b0a4-871a6c431a4c)
Chapter Six (#u6bcff5b2-96d2-56b4-91f7-77dedeaf1c21)
Chapter Seven (#u0f2f28e5-c45f-510d-9416-1c8074631db2)
Chapter Eight (#uadeee62f-cb81-57ac-a2ed-88078a6f0fac)
Chapter Nine (#u68e750db-fa00-529c-ae37-4d2f2e1455df)
Chapter Ten (#u6de89dd7-7296-5f66-9dd3-6ba31e25d3e4)
Chapter Eleven (#u6be1df6e-5101-5023-bfbe-34adda454290)
Chapter Twelve (#ue02345dc-20b2-52fa-b349-6e3998beafc7)
Chapter Thirteen (#ub571e071-0342-5f33-9a5a-630be2074a32)
Chapter Fourteen (#ucd3a7635-5595-5778-a4f0-f648817dde1d)
Chapter Fifteen (#u96844e9e-7e23-5580-9e2d-f0afb4c7fbab)
Chapter Sixteen (#u8a8c6750-d1b8-5a9f-b6f2-e74e66ffda67)
Chapter Seventeen (#uaeaedc69-92b6-5248-b157-0f14df145c3e)
Chapter Eighteen (#uc771262f-297d-5d92-affe-a3459b931375)
Chapter Nineteen (#u0e8444c9-7be2-5c3e-9c76-878c261bf2b9)
Chapter Twenty (#u5d297fbd-8494-5d43-8601-7aa9a53fdb8d)
Chapter Twenty-One (#u15e62407-aef5-5242-baf3-fdecbf6bc454)
Chapter Twenty-Two (#litres_trial_promo)
Chapter Twenty-Three (#litres_trial_promo)
Chapter Twenty-Four (#litres_trial_promo)
Chapter Twenty-Five (#litres_trial_promo)
Chapter Twenty-Six (#litres_trial_promo)
Chapter Twenty-Seven (#litres_trial_promo)
Chapter Twenty-Eight (#litres_trial_promo)
Chapter Twenty-Nine (#litres_trial_promo)
Chapter Thirty (#litres_trial_promo)
Chapter Thirty-One (#litres_trial_promo)
Chapter Thirty-Two (#litres_trial_promo)
Chapter Thirty-Three (#litres_trial_promo)
Chapter Thirty-Four (#litres_trial_promo)
Chapter Thirty-Five (#litres_trial_promo)
Chapter Thirty-Six (#litres_trial_promo)
Chapter Thirty-Seven (#litres_trial_promo)
Chapter Thirty-Eight (#litres_trial_promo)
Chapter Thirty-Nine (#litres_trial_promo)
Chapter Forty (#litres_trial_promo)
Chapter Forty-One (#litres_trial_promo)
Chapter Forty-Two (#litres_trial_promo)
Chapter Forty-Three (#litres_trial_promo)
Chapter Forty-Four (#litres_trial_promo)
Chapter Forty-Five (#litres_trial_promo)
Chapter Forty-Six (#litres_trial_promo)
Chapter Forty-Seven (#litres_trial_promo)
Chapter Forty-Eight (#litres_trial_promo)
Chapter Forty-Nine (#litres_trial_promo)
Chapter Fifty (#litres_trial_promo)
Chapter Fifty-One (#litres_trial_promo)
Chapter Fifty-Two (#litres_trial_promo)
Chapter Fifty-Three (#litres_trial_promo)
Chapter Fifty-Four (#litres_trial_promo)
Chapter Fifty-Five (#litres_trial_promo)
Chapter Fifty-Six (#litres_trial_promo)
Chapter Fifty-Seven (#litres_trial_promo)
Chapter Fifty-Eight (#litres_trial_promo)
Chapter Fifty-Nine (#litres_trial_promo)
Chapter Sixty (#litres_trial_promo)
Chapter Sixty-One (#litres_trial_promo)
Chapter Sixty-Two (#litres_trial_promo)
Chapter Sixty-Three (#litres_trial_promo)
Chapter Sixty-Four (#litres_trial_promo)
Chapter Sixty-Five (#litres_trial_promo)
Chapter Sixty-Six (#litres_trial_promo)
Chapter Sixty-Seven (#litres_trial_promo)
Chapter Sixty-Eight (#litres_trial_promo)
Chapter Sixty-Nine (#litres_trial_promo)
Chapter Seventy (#litres_trial_promo)
Chapter Seventy-One (#litres_trial_promo)
Chapter Seventy-Two (#litres_trial_promo)
Chapter Seventy-Three (#litres_trial_promo)
Chapter Seventy-Four (#litres_trial_promo)
Chapter Seventy-Five (#litres_trial_promo)
Chapter Seventy-Six (#litres_trial_promo)
Epilogue (#litres_trial_promo)
Acknowledgements (#litres_trial_promo)
About the Author (#litres_trial_promo)
Also by Scott Mariani (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
Prologue (#ulink_a0321667-c255-504b-bc57-a9571330f6b0)
Italy
October 1986
The old woman was alone that night, just as she had lived alone in her rambling country house near Cesena for many years. She’d spent the evening in her studio, as she did most evenings, surrounded by her precious paintings and her beautiful things, putting the final touches to a piece of artwork she believed to be the finest she had produced in a long while.
The work that was to be her last.
It was just after ten, and the old woman was thinking about going to bed,when she heard the crash of breaking glass and the six armed men stormed into her home. They grabbed her roughly, forced her down into a chair, held guns to her head. Their leader was a big, burly man with a nose that had been broken more than once. He wore a suit and his greying hair was cropped like a brush.
The last time she had heard an accent like his had been a lifetime ago. She’d been young and beautiful then.
‘Where is it?’ he shouted at her, over and over, with his face so close to hers she could feel the heat of his fury when she said she didn’t know, that she didn’t have it. She’d never had it, never even laid eyes on it.
They let her go then, and she collapsed gasping to the floor. As she lay there shuddering with terror and clutching her racing heart, the six men tore apart her home with a violence she hadn’t seen in all her seventy-eight years.
By the time the men had realised they wouldn’t find what they’d come so far to obtain, the old woman’s heart had given out and she was dead.
What they found instead was a cracked old diary that she had kept close to her for over six decades. The leader of the men flipped hungrily through its pages, running his eye down the faded lines of the old woman’s elegant handwriting.
His long search was only just beginning.
Chapter One (#ulink_9352e48b-c860-5576-af9f-fb331788c859)
Western Georgia
250 kilometres from the Russian border
The present day
A warm September breeze rippled softly through the conifers in the mountain ravine. The air was sweet with the scent of pine, and the late morning sunlight twinkled off the faraway snowy peaks. The mother lynx had come padding down from the forest to quench her thirst from a stream, keeping a watchful eye on her cubs as they played and wrestled in the long grass by the bank.
As she bent to lap at the cool water, her body went suddenly rigid, her acute senses alerting her to an alien presence. Her tufted ears pricked up at the unrecognisable sound that was coming out of nowhere and rising alarmingly fast. She quickly drew away from the water’s edge while her cubs, sensing their mother’s apprehension, grouped together and scampered behind her.
The terrifying noise was on them in moments, blasting, roaring, filling their ears. The cats bolted for the safety of the forest as two huge black shapes streaked violently overhead, shattering the tranquillity of the ravine. Then, as suddenly as they’d come hurtling over, the monsters were gone.
More dangerous predators than big cats were out hunting today.
Four kilometres across the forest, standing alone on a rocky knoll, was a craggy old stone shack. A century ago, maybe two, it might have been the humble home of a peasant farmer or shepherd. But those days were history, and nobody had lived there for a long time. It had been years since anyone had even set foot in there, until that morning.
It was cool and shady inside the windowless building. The only furnishings within its walls, spaced out in a row and crudely but securely nailed down to the floorboards, were three wooden chairs. The three occupants of the chairs sat quietly, breathing softly, tuned into their shared silence. They knew each other well, but it was some time since they’d all run out of things to say – and in any case there seemed little point in conversation. Even if they’d been able to free themselves from the ropes that bound each of them tightly to his seat, and remove the hoods that their captors had placed over their heads, they knew that the door was heavily chained. Nobody was going anywhere.
So they just waited, each of them alone with his thoughts, in the stillness that comes with true resignation to an irreversible fate. The same kinds of thoughts were running through each of their minds. Wistful thoughts of wives and girlfriends they wouldn’t be seeing again. Memories of good times. Each of them knew that he’d had a good run. It tasted bittersweet now, in retrospect, but they’d all known this time would come round eventually, one way or another. They’d all known who they were dealing with. In the world they’d long ago chosen for themselves, it was just the way things were.
As long as it was over quickly. That was all they could ask for now.
The pair of identical Kamov Ka-50 Black Shark combat helicopters were closing rapidly in on their target. Behind their mirrored visors, the pilots calmly checked their readouts and readied the weapons systems that bristled across the undersides of their aircraft. Two kilometres away, their automatic laser-guided target tracking systems locked in, and a sharp image of the shack appeared simultaneously on the monitors inside each cockpit, enlarged enough to count the links in the chain that was padlocked to the door. The pilots armed their missiles and prepared to fire.
There had been no word from base. That meant the operation was a go.
The pilots hit their triggers, and felt the recoil judder their aircraft as their weapons launched simultaneously. Just under three metres long and weighing forty-five kilos each, the Vikhr anti-tank missiles could travel at six hundred metres a second. The pilots watched them go, hunting down their target with deadly accuracy. Three long seconds as the four white vapour trails snaked and twisted through the blue sky, lancing down towards the trees. They hit in rapid succession, with blinding white flashes as the fragmentation warheads detonated on impact. The shack was instantly blown into pieces of whirling debris.
The pilots closed in on the smashed target and activated their side-mounted 30mm cannons. It was complete overkill, but this was a demonstration and the boss was watching. The boss wanted it to look good, and if the boss said he wanted a show of firepower, he’d get a show. The machine cannons raked and strafed the ground with hammering shellfire. Billowing clouds of dust were churned into whirling spirals by the downdraft of the rotors as the choppers roared over the devastated scene. As the clouds slowly settled, the plot that the shack had once stood on now looked like a ploughed field.
Whatever remained of the three men, come nightfall the wild animals would soon claim it.
Chapter Two (#ulink_74dbaf6f-7ee8-5971-a33e-2619ee410a0d)
The man watching from behind the black-tinted, bulletproof windows of his Humvee lowered his binoculars and smiled in satisfaction at the climbing wisp of smoke across the valley. His eyes narrowed against the sun, following the line of the choppers as they banked round to head back to their secret base. Back to where they’d be well hidden from their original owners.
The man’s name was Grigori Shikov. They called him ‘the Tsar’. He was seventy-four years old, grizzled and tough. For half a century his business ethos had been based on practicality. He liked things kept simple, and he liked loose ends to be tied up. Three of them had just been tied up permanently. That was what happened to men who tried to conflict with Grigori Shikov’s interests.
Shikov twisted his bulk around to stare at the camcorder operator in the back seat. ‘Did you get that?’
‘Got the whole thing, boss.’
Shikov nodded. His clients were people you didn’t want to disappoint – but not even they could fail to be impressed. He was sure they’d find their own uses for their new toys, once the deal was wrapped and the goods changed hands. The negotiations were in the closing stages. Everything was looking good.
‘OK, let’s go,’ Shikov muttered to his driver. At that moment his phone buzzed in his pocket, and he reached for it. He insisted on having a new phone every few days, but disliked this latest piece of tin. It was too small for his fist and his fingers were clumsy on the tiny keys. He answered the call with a grunt. He rarely spoke on phones: people told him what he needed to hear and he listened. His unnerving way of remaining silent was one of the things he was known for. Like never sleeping. Never blinking. Never hesitating. No regrets and no apologies, never once, in a lifetime spent climbing to the top of the hardest business on the planet, and staying there. Challenged, yes, many times. But never defeated and never caught.
Shikov had been expecting a different call and he was about to hang up impatiently, but he didn’t. The caller was a man named Yuri Maisky, and he was one of Shikov’s closest aides. He also happened to be his nephew, and Shikov kept his family close – or what remained of it since the death of his wife three years earlier.
So he listened to what Maisky had to say, and he felt his heartbeat lurch up a gear as the importance of what he was hearing sank in.
‘You’re sure?’ he rumbled.
It was not a casual question. Maisky knew all too well that the boss didn’t waste words on idle chat. There was a tinge of a quaver in his voice as he replied, ‘Quite sure. Our contact says it will be there, no question. It is definitely the one.’
The old man was silent for several seconds, holding the phone away from his ear as he digested this unexpected news.
It had turned up at last. After all these years waiting, just like that.
Then he spoke again, quietly and calmly. ‘Where is my son?’
‘I don’t know,’ Maisky said after a beat. The truthful answer was that Anatoly’s whereabouts could be narrowed down fairly accurately to any one of three places: he’d either be lounging drunk on the deck of his yacht, gambling away more of his father’s fortune in the casino, or making a pig of himself in the bed of some ambitious hottie somewhere. It was wiser to lie.
Shikov said, ‘Find him. Tell him I have a job for him.’
Chapter Three (#ulink_f795f59e-b950-5547-b583-ef49654ae789)
Italy
Six days later
Ben Hope glanced at the roughly drawn map clipped to the dashboard and steered the four-wheel-drive in through the gate. The track ahead traced a winding path through the sun-bleached valley. He couldn’t see the house but guessed it must be beyond the rise about a kilometre away.
He’d had a feeling that old Boonzie McCulloch could be trusted to pick a spot that was fairly inaccessible, and was glad he’d had the instinct to hire the sturdy Mitsubishi Shogun for the drive out here. Mid-afternoon, and it was hot enough to need all the windows wound down, even up here in the hill country near Campo Basso. Ben gazed around him at the scenery as the car lurched along the rutted, rocky track.
Beyond a stand of trees, the little farmhouse came into view. It was pretty much exactly what he’d expected, a simple and neat whitewashed block with shutters and a wooden veranda, red terracotta tiles on the roof. Behind the house stood a cluster of well-kept outbuildings, and beyond those was a sweep of fields. Sunlight glittered off a long row of greenhouses in the distance.
Ben pulled up, killed the engine and stepped down from the dusty Shogun. The chickens scratching about the yard parted hurriedly as a Doberman came trotting over to investigate the visitor. From somewhere round the back, Ben heard a woman’s voice call the dog’s name. It paused a second to eye him up, then seemed to decide he wasn’t a threat and went bounding back towards the house.
The front door opened, and a tall man in jeans and a loose-fitting khaki shirt stepped out onto the veranda. His gaze landed on Ben and the moustached face cracked into a grin.
‘Hello, Boonzie,’ Ben said, and he was transported back nearly seventeen years to the day they’d first met. The day a young soldier had turned up at Hereford with over a hundred other hopefuls dreaming of wearing the coveted winged dagger badge of the most elite outfit in the British army. The wiry Glaswegian sergeant had been one of the stern, grim-faced officers whose job it was to put the fledglings through unimaginable hell. By the time the selection process had done its worst and Ben had been one of just eight tired, bruised survivors, his gruff, granite-faced tormentor had become his mentor, and a friend for life. The Scotsman had been there, grinning like a proud father, when Ben had been awarded his badge. And he’d been there, calm and steady and dependable, when Ben had experienced his first serious battle.
They’d served together in the field for three years, before Boonzie had moved on to training recruits full-time. Ben had sorely missed him.
It had been four years after that, Ben now an SAS major stationed in Afghanistan, when he’d heard the unlikely rumours: that mad Scots bastard McCulloch had cracked. Gone soft in the head, found love, quit the army and set up home in the south of Italy, milking goats and growing crops. It had seemed bizarre.
But now, looking around him and seeing his old friend walking down the steps of the house with a warm grin and the sun on his tanned, creased face, Ben understood perfectly what had drawn Boonzie here.
The man hadn’t changed a great deal physically over the years. He had to be fifty-eight or fifty-nine now, a little more grizzled but still as lean and wiry as a junkyard hound, with the same work-toughened look of a man who’d spent most of his life doing things the hard way. Something inside had softened, though. Those hard grey eyes had a diamond twinkle to them now.
‘It’s grand to see ye again, Ben.’ Boonzie was one of those Scots who could go the rest of his life without ever returning to the old country but would go on wearing his accent proudly like a flag until the day he died.
‘You look good, Boonzie. I can see you’re happy here.’
‘You wouldn’t have believed this dour auld fucker could find true bliss, would you?’
‘When did I ever call you a dour old fucker?’
Boonzie’s grin widened an inch. ‘What brings you all the way out here, Ben? You didn’t say much on the phone. Just that you wanted to talk to me about something.’
Ben nodded. He’d wanted this to be face to face. ‘Here, come in out of the sun.’
The house was as simple inside as it was out, but it was homely and inviting. As Boonzie ushered him through to a sitting room, a door opened and Ben turned to see a deeply tanned Italian woman walking into the room. She stood only chest-high to Boonzie, who put his hand on her shoulder and squeezed her affectionately to his side. The smile she flashed at Ben was broad and generous, like her figure. A mass of curly black hair with just a few silver strands tumbled down onto the shoulders of her blouse.
‘This is my wife Mirella,’ Boonzie said, gazing lovingly down at her.
Ben put out his hand. ‘Piacere, Signora.’
‘I am pleased to meet you too,’ Mirella replied in hesitant English. ‘Please call me Mirella. And I must practise my English, as Archibald only speaks Italian to me now that he has learned.’
Archibald! In all the years in the army together, Ben had never asked what his real name was. Ben shot a glance at Boonzie, who was staring in horror at his wife, and couldn’t resist breaking out into a grin that quickly threatened to spill over into a laugh. ‘You and Archibald have a beautiful home,’ he said.
Boonzie soon got over it. While Mirella returned to the kitchen, strictly forbidding any male to enter until dinner was prepared, Ben had a cold bottle of Peroni beer pressed into his hand and was given the tour of the smallholding.
‘Nine acres,’ Boonzie said grandly, sweeping an arm across his land. ‘Place was just a rocky wasteland when I found it. Not what you’d call a farm, but it keeps us going. The greenhouses are for basil, the rest of it is my tomato crop.’
Ben was no farmer. He shrugged and looked blank. ‘Just basil and tomato?’
‘That’s our wee business,’ Boonzie explained. ‘Mirella’s one hell of a cook. Her secret recipes for basil pesto and tomato sauce are like you wouldn’t believe, old son. I grow the stuff, she cooks it all up and we bottle it. Once a week I go out in the van and do the rounds of the local restaurant trade. Campo Basso, the whole area. It’ll never make us millionaires, but look at this place. It’s heaven, man.’
Ben gazed around him and found it hard to disagree. Running his eye across the neat rows of greenhouses, he noticed a gap between them that was just a rectangle of freshly-dug earth marked out with string. A shovel stood propped against a wheelbarrow, beside it a pile of aluminium framing and glass panels wrapped in plastic, some bags of ready-mix cement and a mixer.
‘New greenhouse,’ Boonzie explained, slurping beer. ‘Can’t build enough of the damn things. Need to finish putting it up.’
‘How about I give you a hand right now?’
It took a lot of persuading, but Boonzie finally relented and ran back to the house to fetch another shovel and more beer to keep them cool while they worked. Ben didn’t wait for him. He rolled up his sleeves, grabbed the shovel and dug in.
As the sun rolled by overhead, the greenhouse gradually took shape and Boonzie reminisced about the old days. ‘Remember that time Cole almost shat himself in the boat?’ he smiled as he bolted together a section of frame.
The legendary episode, retold countless times since, had happened during winter training up in Scotland, not long after Ben had joined 22 SAS. He, Boonzie, and two other guys named Cole and Rowson had found themselves stranded in the middle of a misty Highland loch when the outboard motor on their dinghy had cut out. Drifting through impenetrable curtains of fog, Boonzie in his mischievous way had begun working on unnerving the lads with ripping yarns of the strange, terrible creatures that lurked in the depths. As Cole bent over the motor trying to get it started and muttering irritably at Boonzie to shut up, a black shape had suddenly exploded out of the water right in his face, sending Cole into a screaming panic that almost made him fall overboard. The ‘monster’ had turned out to be a seal.
Ben, Boonzie and Rowson, SAS hard guys draped in weapons, trained to kill, had been so weak with laughter that they’d hardly been able to paddle the damn dinghy back to shore.
Those were the stories you carried in your heart. Not like the darker memories, the tales of dead friends, ravaged battle zones, the horror and futility of war. The things nobody reminisced over.
‘So what was it you wanted to talk to me about?’ Boonzie asked as Ben poured a fresh load of cement into the barrow. ‘You didn’t come all the way here to shovel shite.’
‘Mirella seems like a lovely lady,’ Ben replied, avoiding the question.
‘Love at first sight, Ben, if ye could believe in such a thing. There I was in Naples. It was only meant to be a weekend away from getting soaked to the bollocks on some fucking God-forsaken hillside somewhere training a bunch of ignorant squaddies. I’m sitting in this wee restaurant sucking up spaghetti like there’s no tomorrow and wondering how the fuck I’d got by on pot noodles and ketchup for all those years, when I hear screams from the kitchen and this guy comes running out like the hounds of hell’re tearing at his arse. Then next thing a saucepan flies out the door after him and almost takes my ear off.’
‘You’re kidding me,’ Ben chuckled.
‘I look up,’ Boonzie went on tenderly, ‘and there’s this fuckin’ apparition standing there in the kitchen doorway, still in her apron. Never seen a woman so wild. And I thought, Boonzie, that’s the one you’ve been looking for. Three days later, we were engaged and I’d put in my resignation. Hitched by the end of the month. I haven’t been back to Blighty since. And I dinnae miss it, either.’
‘I can see that. You picked a perfect spot, Boonzie.’
‘Isn’t it?’
‘How did Mirella take to country life after Naples? She doesn’t feel too isolated out here?’
Boonzie used the back of his shovel to spread wet cement over the footings of the greenhouse. ‘When she first saw the place she was a wee bit worried about intruders and the like. Some friends of hers got burgled down in Ríccia.’ He grinned up at Ben, and his eye sparkled. ‘But she’s got no worries with me, Ben. I have my peace of mind, if you know what I mean.’
Ben did. He didn’t need to ask.
‘What about you?’ Boonzie said.
‘Me?’
‘Aye, did you ever settle down?’
‘I lived in Ireland for a while. Live in France now.’
‘What about a woman?’
Ben hesitated. The face that instantly flashed up in his mind’s eye belonged to a woman called Brooke. He held the image there for a long moment, seeing her warm smile, the auburn curls falling across her eyes as she laughed. He could almost smell her perfume, almost feel his hands stroking her skin. ‘Yeah, there’s someone,’ he said, and then went quiet.
Silence for a beat, and then Boonzie asked, ‘So are you going to tell me what you’ve come all this way for?’
‘It’s not important now.’
‘Ben, you’re like a son to me. Don’t force me to beat it out of you with this shovel.’
Ben gave a shrug. ‘OK. I came here to offer you a job.’
Chapter Four (#ulink_37f3017b-d4c7-5f7c-80f4-c96695e17574)
Georgia
Grigori Shikov’s private study was a place few people were allowed to visit. For some it was a privilege; for others a summons to the luxurious boathouse in the villa’s sprawling grounds, escorted by silent men in dark suits, spelled doom.
The dark-panelled room was filled with the treasures Shikov had assiduously collected over forty or more years. The vast antique sideboard behind him was dominated by a magnificent lapis lazuli bust of Frederick the Great. On an eighteenth-century gilt-bronze rococo commode by André-Charles Boulle stood a globe that had once belonged to Adolf Hitler; but it was the extensive collection of artefacts from Imperial Russia, dating between 1721 and 1917, reflecting Shikov’s lifelong passion for what he proudly regarded as his homeland’s golden era, that had earned him the nickname ‘the Tsar’. And it fitted him perfectly.
Of all the historic objects in Shikov’s study, the most physically impressive and intimidating was the immaculate 1910 Maxim water-cooled heavy machine gun, complete with its original wheeled carriage. It occupied the corner of the room, its snout aimed directly towards whomever might be sitting across from him at his massive desk. Between the fixed stare of the machine gun muzzle and the hard glower of the grizzled old mob boss, nobody could fail to be shrivelled to a pulp.
Nobody except Anatoly, Shikov’s only son, who at this moment was lounging in the plush chair as the old man leaned heavily on his desk and outlined the job he wanted done for him.
The third man present at the meeting was Yuri Maisky, Shikov’s nephew. He stood by the desk with his hands clasped behind his back, keeping quiet as his uncle did the talking. Forty-seven years old, small and wiry, Maisky secretly attributed his thinning hair and the deep worry lines on his brow to the strain of working for Shikov’s organisation for most of his adult life. He loved his uncle, but he also feared him.
There weren’t many men whom Maisky feared more than his boss. One was the boss’s son. When the old man looked at Anatoly all he saw was his beloved only child, his pride and joy; Maisky saw a thirty-four-year-old psychopath with a blond ponytail. The face was long and lean and chiselled, the eyes were quick and dangerous. Maisky’s belief that Anatoly Shikov was clinically insane was one he kept closely to himself.
Shikov could sense the tension emanating from his nephew. He knew that most of his associates and employees lived in dread and loathing of Anatoly. That just made him prouder of his only child, although he would never have shown it. Outwardly, he acted gruff and commanding.
‘Are you paying attention?’ Shikov snapped at Anatoly, interrupting himself.
‘Sure.’
‘Have you been drinking?’
‘Of course not,’ Anatoly lied. The Tsar abhorred alcohol. Anatoly did not. He shifted in the chair and glanced down to admire the hand-tooled perfection of his latest purchase, the alligator-skin boots he’d been trying to show off all day by turning up the legs of his Armani jeans. But not even Anatoly would have dared to put his feet up on the old man’s desk. ‘I’m listening. Go on.’
Anatoly had done plenty of jobs for his father, and it was something he enjoyed being called upon to do. Most guys he’d known who had worked for their dads had to go to the office, wear a suit and tie, attend meetings and conferences, sell shit of one kind or another. Not him. He felt highly privileged to be a valued member of the family firm. He and his old buddy Spartak Gourko had once kept a snitch alive for seventeen days under hard torture to extract a list of names of traitors in their organisation. Another time, Anatoly had spread-eagled a man between four posts in the ground, chains around his wrists and ankles, and lit a cigarette as Gourko drove a pickaxe through the guy’s sternum. When old Spartak got going, he was something to behold.
Anatoly enjoyed his work. He never asked questions about his father’s business, partly because you just didn’t ask the Tsar questions about his business, and partly because Anatoly didn’t really give a damn why things got done the way they did. The only questions he generally asked in life were ‘Can I own it?’; ‘Can I fuck it?’; ‘Can I kill it?’. If the answer to any of the above was negative, he quickly lost interest.
This new job sounded like fun, though.
‘Our sources tell us that the piece of artwork in question will definitely be part of the exhibition,’ Maisky said.
‘And I want it,’ Shikov finished in his gravel voice. ‘I will have it.’
The sheaf of papers spread out across the desk was the report on the gallery’s security system, put together by one of the many experts on Shikov’s payroll, a usefully corruptible Moscow security tech engineer who had leaned on contacts in Milan to get the information they needed. The seventeen-page document contained the technical data on the bespoke alarm system recently installed into the gallery building whose photographs, taken with a powerful telephoto lens from a variety of angles just days before, were clipped together in a file next to the report.
Anatoly hadn’t heard the old man doing this much talking in years. Half-listening as his father went on, he flicked through the series of photos. The location in Italy was printed at the bottom. He could see that the gallery was an extension of a much older building. The kind of new-fangled architecture that appealed to arty types. It had only just been built; in the pictures that showed the rear of the gallery, he could see that the groundworks weren’t fully finished, with patches of freshly-dug earth and a half-built ornamental fountain. There was a works van present in two of the pictures, a slightly battered Mercedes with the company name SERVIZI GIARDINIERI ROSSI just about visible on the side.
Italy, Anatoly thought. That was cool. He’d never been there before, but currently had two Ferraris, one red, one white, and most of his wardrobe came from there as well. He even spoke a bit of the language, mostly aped from the Godfather movies. Girls loved it. Yes, Italy was fine by him. Anatoly could appreciate art, too, as long as it involved depictions of naked female flesh.
Sadly, the item his father seemed so desperate to acquire depicted nothing of the sort. Anatoly glanced at the glossy blow-up taken from the exhibition brochure. Just some colourless drawing of a guy on his knees praying. Who would desire such a thing? Obviously it was worth some serious cash, strange though that might seem.
‘You’re not listening to me, boy.’
‘You were saying the alarm system’s a bastard.’
Maisky cleared his throat and cut in politely. ‘That’s putting it mildly. The perimeter protection system is state of the art. If you can get through it, the building is filled with cameras watching from every possible vantage point. The inside of the gallery itself is scanned constantly by photo-infrared motion sensors that could pick up a cockroach. The whole thing is automated, and the only way to override it is to enter a set of passcodes that are kept under lock and key in three separate locations. You need all three to disable the system. Furthermore, the passcodes are randomly re generated each day by computer, in staggered intervals so that the combination’s constantly changing. Any breach of the system will trigger the alarms as well as sending an instant signal to the police.’
‘Seems impossible,’ Anatoly ventured.
‘Nothing is impossible, boy.’ Shikov snatched a printed sheet from his desk and flipped it over.
Anatoly picked it up. There were three names on the sheet, all Italian, all unknown to him. De Crescenzo, Corsini, Silvestri. Beside each name was an address and a thumbnail picture. De Crescenzo was a gaunt-looking man with thinning black hair. Corsini was round and fat. Silvestri looked like a preening popinjay, a man in love with himself even when he didn’t know his picture was being taken. ‘Who are they?’
‘The three men who hold the passcodes,’ Maisky told him.
‘Now here’s the plan,’ Shikov said. ‘Tomorrow evening is the inaugural opening of the gallery. Invitation only, some local VIPs and art critics, people like that, about thirty-five in all. All three passcode holders will be present. Your team will be waiting as they leave, and follow them home. At 3 a.m., you’ll snatch them simultaneously from their homes, bring them back to the gallery and make them enter the codes. How you do it is up to you, but you keep them alive.’
‘Right. And then we go in and grab what we came for.’
Maisky had been waiting for the first sign that the hotheaded young punk was going to handle this in his usual reckless way. Here we go, he thought.
‘It’s not that simple,’ he said. ‘Because the only time the owners might have to override the alarm system would be an emergency situation such as a fire, earthquake or other potential threat to the valuable contents of the gallery, the system’s designers built in a function that will send an automatic alert to the police should the override codes be entered. That function is hard-wired into the system and can’t be disabled remotely in any way. It uses a broadband frequency via the optic fibre landline, with cellular backup in the event that the main lines are down. So it’s essential that before you go in, you ensure that the landline is chopped. And that you use this.’ He pointed at a device sitting on a side table. Anatoly had been eyeing it, wondering what it was. A plain black box, about twelve inches long, wired up to four patch antennas.
‘It’s an 18-watt ultra-high power digital cellphone jammer,’ Maisky explained. ‘It will work in all countries and block the signal from any type of phone, including 3G, over a radius of 120 metres. With this in place, the police won’t have a clue what’s going on.’
‘And if any of the owners decides to get smart and punch in a duress signal that could trip the silent alarm, they’re wasting their time,’ Shikov added.
‘So then I can pop them.’
‘Not until you have the item safely in your possession,’ Maisky said as patiently as he could. ‘Once you’re in, you have to take care of the secondary system as well. Each painting is rigged so that any attempt to remove it from the wall will set off a separate alarm.’
‘So what? If the phones are down—’
‘It also fires the automatic shutter system. A sensitive electronic trigger is hooked up to a hydraulic ram system that will slam shutters down to protect the artwork. The shutters will resist attack from bullets, blowtorches, and cutting blades. They will also automatically block every possible exit and imprison the intruder like a trapped rat until the police come and take them away. And there’s no override code for that. It can’t be reversed.’
‘Are you following all of this, Anatoly?’ Shikov said, watching his son closely from across the desk.
Anatoly shrugged, as if to say all this kind of stuff was child’s play to him.
‘Good. Go and assemble four of your best men. I’m thinking of Turchin, Rykov, Petrovich—’
‘And Gourko,’ Anatoly cut in.
Oh no, Maisky thought, his heart going icy. Not Gourko. Anatoly’s closest crony, the scarred bastard who’d been dishonourably drummed out of the Russian army’s Spetsnaz GRU Special Forces unit for beating one of his officers half to death with a rifle butt. The kind of gangster who gave gangsters a bad name, and one of the few other people who frightened Maisky even more than his boss.
‘You have two hours,’ Shikov said. ‘And then you’re on your way to Italy. You’ll rendezvous with our friends on the ground.’
‘How many in the team?’
‘Ten. Eight men inside, two on the outside.’
Anatoly nodded. ‘Hardware?’
‘Everything you need.’
Anatoly smiled. He could trust his father to be thorough on that score.
When Anatoly had left the room a few minutes afterwards, Shikov gathered up the scattered paperwork and slid it into a drawer. It would be burned later. Maisky circled the desk, frowning. His head was full of things he wanted to say. Things like, ‘Are you so sure you can trust Anatoly with this? He’s wild and irresponsible and his friends are all maniacs, especially Spartak Gourko. How can you be so blind, uncle?’ But he had the good sense to say nothing at all.
Yuri Maisky wasn’t the only one keeping his thoughts to himself. As Anatoly walked away from the boathouse, flipping his Ferrari keys in his hand, he was already thinking about how overcomplicated and boring his father’s plan was.
He had other ideas.
Yup, this was going to be fun.
Chapter Five (#ulink_cc298dbf-1736-5bc2-8828-15912af8e63b)
‘A job?’ Boonzie said, raising his eyebrows.
The sun was beginning to dip over the hills, throwing a wash of dramatic reds and purples across the skyline. Ben nodded. Crouching on the ground beside the new greenhouse foundations, he fished out his Zippo lighter and a pack of the same Gauloises cigarettes he always smoked.
‘Those fuckers’ll kill you,’ Boonzie muttered.
‘If something else doesn’t beat them to it. Want one?’
‘Aye, why not. Chuck them across.’ Boonzie kicked over the empty barrow and used it as a seat while he lit up.
‘At the place where I live in France, I run a business,’ Ben explained. ‘We’re out in the countryside; not so different from this place in a lot of ways. But we don’t make pesto sauce. We do K and R training work.’
Boonzie didn’t need Ben to spell out that K and R stood for kidnap and ransom. Ben went on talking, and Boonzie listened carefully.
In the seven years since Ben had quit the army, locating and extracting victims of kidnapping, often children, had become his speciality. He’d called himself a Crisis Response Consultant – a deliberately vague euphemism for someone who went out and solved problems that lay way beyond the reach of normal law enforcement agencies. His work had taken him into a lot of dark corners. His methods hadn’t always been gentle, but he’d got results that few other people in his line of work could have achieved.
The bottom line, always, was helping those in need. After many successes and a few too many scrapes, he’d left the dangers of active field work behind to focus on passing on the skills and knowledge he’d acquired – still helping the innocent victims of ruthless criminals across the globe, but now doing it from behind a desk instead of from behind a gun.
The facility he’d set up, nestled in the Normandy countryside, was called Le Val. It had been growing busier by the month. Police and military units, hostage negotiation specialists, kidnap insurance execs, close-protection services personnel, had all flocked to attend the courses he ran there with his assistant, ex-SBS officer Jeff Dekker, and a couple of other ex-military guys. Dr Brooke Marcel, half French, half English, an expert psychologist based in London, had been his consultant and regular visiting lecturer in hostage psychology until – three months or so ago – their stumbling relationship had developed into something deeper.
In terms of the success of the business, Ben couldn’t have asked for more. Le Val was lucrative, it was filling a very real need, and it was safe.
But there was a problem. It had started as just a grain of discomfort, like a tiny niggling itch he couldn’t scratch. Through the long, hot summer, it had grown until it followed him like a shadow and he couldn’t sleep at night for thinking of it.
Why he felt this way, where the demons that were driving him so crazy with restlessness had come from, he had no idea. All he knew, with a certainty that frightened him, was that the life he’d created in France was one he no longer wanted.
Boonzie McCulloch was the first person he’d chosen to confess his secret to, and even after thinking about little else for days it wasn’t easy to do. When he’d finished outlining the work he and his team did at Le Val, he took a deep breath and came right out with it.
‘Thing is, I’m giving serious thought to leaving it all behind,’ he admitted with a frown. ‘I don’t mean I want to sell up. Just walk away, leave it in Jeff’s hands. He can run the place, no problem, with a little help from the other guys, and Brooke. And you, if you’re interested.’
Boonzie took a draw on his cigarette, said nothing. His eyes were narrowed to slits against the falling sun.
‘You were the best instructor I ever knew,’ Ben said. ‘I can’t think of anyone I’d rather have come and take over the number two position.’
‘What about you?’ Boonzie asked. ‘Where are you going?’
Ben was quiet for a moment. ‘I don’t know,’ he said. ‘I’m not sure what I want. Maybe I need some time to figure that out.’
‘Every man has to settle down sometime, Ben. It comes to us all.’
‘I don’t know if I’m the settling kind. God knows I’ve tried. Just doesn’t seem to work for me.’
‘You never were happy unless your arse was on fire,’ Boonzie chuckled, and then looked serious. ‘What about this Brooke lassie? Sounds like you and she have something going.’
Ben glanced down at his feet. ‘That’s what I thought, too,’ he muttered. ‘Sometimes I’m not so sure. For a while she’s been acting—’ His voice trailed off. He bit his lip.
‘What?’
Ben let out a long sigh. ‘Listen, I don’t want to lay my personal problems on you. What do you think about my offer? Is it something you’d ever consider?’
Boonzie didn’t reply. He thoughtfully stubbed out the butt of his cigarette on the belly of the upturned barrow.
Ben already knew the answer. He’d known it the moment he’d got here, and it had been so obvious and predictable that he almost hadn’t asked the question. So he wasn’t very surprised when after a few more moments’ deliberation, looking genuinely pained, Boonzie shook his head.
‘Flattered you should ask me …’
‘But no?’
‘That’s the way it has to be. I’m sorry, Ben.’
‘Say no more, old friend.’
‘Would you leave this?’
‘Not in my right mind, I wouldn’t.’ Ben stood up and dusted himself off.
‘No hard feelings, then?’ Boonzie said, concern in his eyes.
‘Don’t be daft. I’m happy for you.’
‘You’ll stay for dinner, though, aye? Be our guest for the night?’
‘Of course.’
Boonzie had been right about Mirella’s cooking. Dinner was a simple dish of tagliatelle mixed with a basil pesto sauce of the most vivid green, topped with grated parmesan and accompanied by a local wine. It was as far from fancy cuisine as you could get, but just about the best thing Ben had ever tasted and he ate a mound of it with relish under the chef’s approving gaze. As they sat up until late around the plain oak table in the small dining room, he almost managed to forget all the troubling thoughts that had been on his mind lately. Boonzie told stories, more wine was poured, the fresh night air breezed in through the open windows and the cicadas chirped outside. It was after one when Ben insisted on helping the couple clear up the dishes, and Mirella showed him up to the guest bedroom.
He was awake long before dawn, edgy and feeling the need to go for a run. He slipped out quietly and spent an hour jogging in the open countryside, pausing a while to watch the sunrise before returning to the house to shower and put on clean jeans and a light denim shirt over a navy T-shirt that said ‘TYRELL Genetic Replicants – More Human than Human’. A present from Brooke. She was a big Blade Runner fan. Ben hadn’t seen the movie.
Breakfast was in the kitchen, eggs laid that morning scrambled with butter and toast as Mirella fussed and Ben kept protesting that he’d had enough delicious food to last him a week.
‘No hard feelings,’ Boonzie said again, frowning at him over a steaming cup of espresso. ‘About what we discussed?’
‘None whatsoever, Archibald,’ Ben said.
‘Piss off. So where’s next? S’pose you’ll be heading back to France?’
Ben shook his head. ‘I have a flight booked from Rome to London tomorrow afternoon.’
‘Business trip?’
‘It’s a long story.’
Boonzie and Mirella waved as Ben climbed into the Shogun. He waved back, took a last glance at the tranquil haven they’d made their home and then drove off down the bumpy track towards the road.
Chapter Six (#ulink_1194e5dd-2cd2-5b64-b85b-91bc76a9b857)
Ben headed roughly south-southwest with the rising sun behind him, aiming more or less in the direction of Naples with the intention of veering slowly towards Italy’s west coast. From there, he’d follow the coastal road through a hundred seaside towns and villages until eventually he reached Rome.
For a man who’d been running this way and that for most of his life, always with a precisely calculated plan in mind, always battling the clock, it felt strange to be at something of a loose end. Strange, yet welcome too – because, for the first time, he wasn’t looking forward to his trip to visit Brooke in London. A month earlier, he’d have been racing to get there.
What had changed? That was the question in his mind as he drove. For the hundredth time he raked back in his mind through all their conversations, things he might have said to upset her, anything he might have done wrong. He couldn’t think of a single reason. There’d been no arguments between them. No falling out, nothing to explain why things should be less than deliriously perfect. Almost three months of what he’d thought was a happy, loving, warm relationship.
So what had gone wrong? What had been eating her lately? She’d seemed to withdraw from him, obviously preoccupied but refusing to talk about what was on her mind. Not so long ago, they’d taken every opportunity to be together, whether it was him travelling to London or her coming down to see him at Le Val. But suddenly she’d seemed less interested in leaving her place in Richmond, even cancelling the last couple of lectures in hostage psychology she’d been due to give for his clients. All of a sudden she was hard to get on the phone, and when he did manage to get through to her, he was sure he could detect a tone in her voice that hadn’t been there before. Nothing had been said. It was as though she was hiding something from him.
What exactly he thought he was going to achieve by springing this surprise visit on her in London, he wasn’t quite sure. Did he mean to have it out with her? Challenge her? Level with her about how much he cared for her and ask her to be straight with him in return?
Maybe the problem wasn’t with her, he thought as he drove on. Maybe it was with him. Wasn’t he the one who’d come to Italy looking for ways to get out of his situation at Le Val? Wasn’t he the one who wanted to walk away from the stability he’d worked so hard to build? Maybe Brooke had sensed something in him, some change in him, or a lack of commitment. That thought hurt him, and he asked himself over and over again whether there was any truth in it. Was there? He didn’t think so, but maybe there was.
A Paris cop called Luc Simon had once said something to Ben that had stayed with him ever since:
‘Men like us are bad news for women. We’re lone wolves. We want to love them, but we only hurt them. And so they walk away …’
Ben stayed on the minor roads, trying to hold himself down to a steady pace but finding the car’s speed constantly creeping up on him. After a while he just settled back and let it go as fast as it wanted. The blast from the open windows tore at his hair, and he found a radio station that was playing live jazz – hard-driving, frenetic, with shrieking saxes and thunderous drums that suited his mood.
In the few hours it took him to reach the west coast, passing through the sun-soaked hills of the rich Campania region, he’d managed to mellow somewhat. It was early afternoon when he caught his first glimpse of the blue Tyrrhenian Sea, boats and yachts dotted white on the glittering waters. He meandered on for a few more kilometres and then found an ancient fishing village just a little to the north of Mondragone, unspoilt by the tourists, where he pulled over. He checked his phone for any messages from Brooke. There were none.
After a few minutes of wandering the crumbling streets he found a restaurant that overlooked the beach – a quiet family-run place with small tables, chequered tablecloths and a homely menu that almost compared with the delights of Casa McCulloch. The wine tempted him but he drank less than a full glass before moving on.
Chapter Seven (#ulink_78b96e4e-85f8-5a9e-aa5b-f499b8a4bca1)
Normally, nobody would have known or cared where the van was going. It was an ordinary Mercedes commercial vehicle, dirty white, battered and rattly with SERVIZI GIARDINIERI ROSSI in faded letters on its flanks. One of a million vans that came and went every day and attracted no attention. There was nothing remarkable or unusual about the driver and the two guys sitting up front with him in the cab, either. Their names were Beppe, Mauro and Carmine and they all worked for the small firm based outside Ánzio that sold garden supplies and landscaping materials. Their last job today was hauling a load of ornamental slabs and edging stones to the Academia Giordani, the art school place out in the sticks where they’d been delivering a lot of stuff lately.
At just after four in the afternoon they were heading down a narrow country road that was deserted apart from a black Audi Q7 behind them. It had been sticking with them for a few kilometres, and every so often Beppe glanced in his wing mirror and scowled at the way the big SUV was hanging so close up his arse. Mauro was smoking a cigarette and contentedly enjoying the peace before he’d have to pull on his work gloves and get down to unloading the heavy stuff in the back. In the window seat, Carmine was brooding as usual.
Without warning, a pickup truck lurched out of a side road thirty metres ahead and Beppe’s attention was snatched away from the irritating Audi behind them. He braked sharply. Mauro was caught unawares and spilled forwards in his seat, his cigarette falling into his lap.
‘Son of a—’
The pickup rolled out across the road and then, inexplicably, it stopped. There was no way to drive around it. It was a chunky four-wheel-drive Nissan Warrior, five guys inside. Beppe honked his horn angrily for them to get out of the way, but the only response was a flat stare from the driver. His window was rolled down and a forearm thicker than a baseball bat was draped casually along the sill. This was a guy with at least a decade of serious toil invested in the weights room. The width of his jaw hinted at steroid use. His eyes were hidden behind mirrored wraparound shades, but he appeared to be gazing calmly right at the van.
‘What the fuck are they doing?’ Mauro said.
‘Out the way, moron!’ Beppe shook his fist, fired some abuse out of the open window, and when that didn’t elicit any further response he threw open his door and jumped down from the cab. Carmine and Mauro exchanged glances and then got out and followed. The pickup truck doors opened slowly and the two guys in front stepped out and began to walk over. The driver towered head and shoulders over his passenger. Mauro swallowed as they got closer.
‘Hey, fuckhead. Can’t you see you’re blocking the road?’ Beppe shouted at them. Carmine and Mauro prepared to back him up as the pickup guys kept on approaching. Road rage, Italian style. This wasn’t the first time for them. But it wasn’t just the size of the big guy that was unsettling. It was the way all the pickup guys looked so completely calm. The three still inside the vehicle hadn’t moved a muscle, seemingly unperturbed by what was happening. Beppe’s stride faltered just a little as he drew closer. ‘So you going to move that truck out the way or what?’ Maybe negotiation was better than outright aggression.
The big guy just smiled, and then quite casually came out with a string of obscenities so appalling and confrontational that Beppe reeled as if he’d been slapped. That was when the argument kicked off in earnest, insults flying back and forth as Beppe and his companions squared up to the pickup guys, toe to toe in the middle of the road.
The three were so taken up with yelling and threatening, prodding and shoving that they’d forgotten all about the black Audi Q7 that had been following them. Too preoccupied to notice that, like the Nissan pickup, it had two men up front and three sitting calmly in the back. And none of them noticed when the Audi’s front doors opened quietly.
The driver of the Audi was Spartak Gourko. Sitting next to him in the passenger seat was Anatoly Shikov. Gourko’s hair was freshly razed to his scalp in a severe buzz-cut. While Anatoly liked to look stylish, Gourko didn’t make the effort. There was little point, not with the disfigurement of the mass of scar tissue that extended down the left side of his face from temple to jaw. An old fragmentation grenade wound from the first Chechen War, it twisted his mouth and brow into a permanent scowl that made him look even more pissed off than he nearly always was.
Anatoly was pleased with his little scheme so far. It was a lot more inventive than his father’s. The idea of getting one of their Italian associates to call up pretending to order more materials for the art gallery grounds had occurred to him on the flight. Naturally, the Italians were under the impression that the whole thing was his father’s idea, so nobody questioned anything.
And this way was going to be so much more fun.
OK, so the old man might be a little pissed off at him for altering one or two minor details of the plan – but as long as he got what he wanted in the end, what did it really matter? Ends and means, and all that. Wasn’t like his father hadn’t done some crazy shit himself, back in the day when he was coming up. Anatoly was well versed in the legend of the hardest son of a bitch who’d ever walked the earth. He only wanted to measure up, that was all. And have fun doing it.
Anatoly smiled quietly to himself as he climbed out of the car and he and Gourko walked unnoticed up behind the arguing Italians. He nodded to the pickup driver. The big guy’s name was Rocco Massi, and he was one of their main contacts over here. Anatoly wasn’t exactly sure, but he thought Massi’s boss was a friend of his old man’s. The rest of the Italian crew were called Bellomo, Garrone, Scagnetti and Caracciolo. Anatoly couldn’t remember which was which. He trusted them well enough, though not as much as his own guys. Gourko of course, then Rykov, Petrovich, Turchin. Only Petrovich knew much Italian. Rykov seemed not to speak anything at all. But Anatoly hadn’t picked them for their communication skills. They were the hardest, meanest, nastiest bunch of motherfuckers you could find anywhere in Russia. Apart from the old man, naturally.
Anatoly’s hand darted inside his jacket and came out with an automatic pistol fitted with a long sound suppressor. Without pausing a beat, he raised the gun at arm’s length and blew off the back of Beppe’s head at point-blank range.
In the open air, the sound of the silenced gunshot was like a muffled handclap.
Beppe went straight down on his face.
Before Mauro and Carmine could react, Spartak Gourko had reached for the pistol holstered under his jacket and Rocco Massi had produced an identical weapon from behind the hip of his jeans. Gourko’s bullet took Carmine between the eyes; Mauro got one in the chest. Carmine was dead instantly and his body slumped across Beppe’s, their blood intermingling on the road.
Mauro didn’t die right away. Groaning in agony, he tried to crawl back towards the Mercedes, as if somehow there was some hope of getting in and escaping. Rocco Massi was about to finish off Mauro with another bullet when Anatoly shook his head and made a sharp gesture. ‘I do it.’ His Italian was primitive, but the warning tone in his voice was clear.
He stepped over to the dying man. Flipped him over with the toe of his expensive alligator boot and stared down at him for a moment as he lay there helplessly on his back, gasping, blood welling from the bullet hole in his chest. Then Anatoly raised his right foot, smiled and stamped the heel down on Mauro’s throat. It crushed his trachea as if squashing a roach. Mauro gurgled up gouts of blood, then his eyes rolled back in their sockets and he was dead.
The road was still deserted. The three passengers from each ambush vehicle got out and quickly cleaned up the scene. Few words were exchanged between the Italians and the Russians, but they worked together quickly and efficiently. The bodies were dragged over to the pickup, where zip-up coroner’s bodybags were waiting for them. Earth was sprinkled over the blood pools on the road. In less than two minutes, every last trace of the killings was erased.
Four bulging holdalls were transferred from the Audi to the van. Anatoly and Gourko clambered into the back of the Mercedes together with Rykov, Turchin and Scagnetti. Rocco Massi switched over to take the van’s wheel and was joined up front by Bellomo and Garrone. Carraciolo and Petrovich took their places in the Nissan and the Audi. Doors slammed in the still, hot air. The convoy took off.
Exactly seven minutes after the van had been intercepted, it was back en route to its destination. They’d stop on the way for their final briefing, to make sure everyone knew exactly what they were doing, and to wait until the time was right.
Then it was game on.
Chapter Eight (#ulink_2cfbb68c-5850-5cd2-8275-a34023334ea6)
Ben Hope loved beaches. Not the heaving nightmare of scorched flab and sun tan lotion it was so hard to avoid all up and down the coasts of Europe from May through September, but the secluded kind of place where you could sit and watch the tide hiss in over the sand and be alone with your thoughts for a while. After his lunch he’d taken a long stroll down by the shore, carrying his shoes in his hand and letting the cool water wash over his bare feet. Shielding his eyes from the sun, he’d looked out across the Gulf of Gaeta. Due west, the nearest land was Sardinia.
Then he’d retraced his steps back to the car, wiped the sand from his feet and started making his way further up the coastal road.
It was getting on for six in the afternoon, and the sun was beginning to dip lower in the sky by the time he entered a colourful-looking village a few kilometres from the town of Aprilia. He felt tired of driving. Maybe it was time to think about stopping, parking up somewhere and exploring the place for a nice, quiet hotel. It felt a little decadent to be taking things this easy, but the last thing he wanted was to hit Rome too early and have to deal with the oppressive heat and noise of the place with nothing else to do but sit around waiting for his flight tomorrow afternoon, fretting about Brooke and what the hell he wanted to do with his life.
Those were the thoughts in Ben’s mind when a black cat suddenly streaked out of a concealed entrance behind a hedge and darted across the road in front of him.
Followed closely by a running child.
Ben slammed his foot urgently on the brake pedal. He felt the percussive kickback of the ABS system against the sole of his shoe as the Shogun’s tyres bit hard into the dusty tarmac and brought the car to a skidding halt barely a couple of metres from the kid.
The young boy was maybe nine or ten years old. He stood rooted in the middle of the road, staring wide-eyed with shock at the big square front of the Mitsubishi. Ben flung open the car door, jumped out and stormed up to him.
On the other side of the road, the black cat paused to stare a moment, then slunk away into the bushes.
‘Didn’t your mother teach you to look where you’re going?’ Ben raged at the kid in Italian. ‘You could have got yourself killed.’
The boy hung his head and stared down at his feet. His hair was longish and sandy, his eyes blue and his face a lot paler than it had been just a moment ago. He looked genuinely sorry, and more than a little shaken. Softening, Ben crouched down in front of him so that he wouldn’t seem like a huge big angry adult towering over him. ‘What’s your name?’ he said in a gentler tone.
The kid didn’t reply for a moment, then glanced up nervously from his feet and muttered, ‘Gianni.’
‘Was that your pet cat you were chasing after, Gianni?’
A shake of the head.
‘Do you live around here?’ He was too neatly dressed to have come far, and Ben could see he wasn’t some kind of street urchin running wild about the place.
Gianni pointed through the trees at the side of the road.
‘Are your parents at home?’
Gianni didn’t reply. He could obviously see where this was leading, and was scared of getting into trouble. His eyes began to mist up, and he sniffed, and then again. There was a trace of a quiver in his lower lip.
‘Nobody’s going to yell at you,’ Ben said. ‘I promise.’ He stood up and looked around him. There was no sign of anyone around. They were on the village outskirts. The kid’s home must be the other side of the woods. ‘I think we need to find your mother,’ he said, guiding the boy to the verge. ‘Now stay there and don’t move.’ He quickly jumped back into the car and pulled it into the side of the road. It was too warm to wear his leather jacket. He left it on the passenger seat. ‘Let’s go,’ he said, taking the kid’s arm gently but firmly, bleeping the car locks as they set off on foot.
It wasn’t until they’d walked down the side of the road for some hundred metres that Ben spotted the large, imposing mansion through the trees in the distance, nestled within what looked like its own piece of parkland behind a stone wall. Jutting out from behind the old part of the building was an ultra-modern extension, an enormous steel and glass construction that looked as if it had only recently been completed, judging by the unfinished grounds.
There were no other homes in sight.
‘Is that your house?’ Ben said to Gianni.
No reply.
‘You don’t say a lot, do you?’ Ben asked, and when there was still no response he smiled and added, ‘That’s OK. You don’t have to.’
They walked on, and a few metres further down the road came to a bend and then a gap in the wall. The iron gates were open and a winding private lane led up through the trees towards the isolated house.
From the number of cars parked outside the building, and the two guys in suits hanging around near the trimmed hedge who seemed to be there in some kind of official capacity, Ben realised it wasn’t a residential property. It looked as if some kind of function or gathering was happening inside.
‘Are we in the right place?’ he asked the boy. Gianni gave a slight nod, resigned by now to the terrible punishment that was in store for him.
Ben led the boy towards the building. As they approached, he could see people milling around inside the main entrance, smiling, greeting one another, hands being shaken and a great deal of excited chatter. There were no signs anywhere, nothing to indicate what the event was. Ben was nearing the door, still holding Gianni’s arm, when one of the official-looking guys in suits peeled himself away from the hedge and stepped up. Close-cropped hair, crocodile features, expressionless button eyes, arms crossed over his belly, the suit cheap and wrinkled: typical security goon. Ben had dealt with a million of them.
‘May I see your invitation, sir?’
‘I don’t have an invitation,’ Ben said, meeting his stony gaze. ‘I found this boy out on the road and I think his family are inside.’
‘This is a private exhibition, not open to the public. Nobody can enter without an invitation,’ the guy replied as if programmed.
‘I’m not interested in the exhibition.’ Ben didn’t try to hide the irritation in his voice. ‘Didn’t you hear what I just said? I need to return this boy to his parents, and I’m not leaving until I do. So either let me in or go find them. I don’t care which.’
The security guard’s moustached colleague walked over. ‘Can I be of assistance?’
Ben glanced him up and down. He didn’t seem quite as much of a specimen as the other, but Ben figured he could do better than this. ‘Who’s the manager here?’
‘Signor Corsini.’
‘Then I’d like to speak with Signor Corsini, please.’
‘He’s inside. He’s busy.’
Ben was ready with a tough reply when a female voice cried out through the buzz of chatter inside the building. The crowd parted and a woman squeezed through in a hurry. She was maybe twenty-nine, thirty, dressed in a bright yellow frock, a fashionable handbag on a gold strap across her shoulder. Ben saw the resemblance to Gianni right away, the same blue eyes and sandy hair worn in a bob. She came running out, arms wide. ‘I was so worried! Where did you disappear off to?’ Her gaze switched across to Ben. ‘Signore, did you find him?’
‘Yes, and if I’d found him half a second later he’d have been plastered across the front of my car,’ Ben said.
She glared at her son, hands on hips. ‘Gianni, is this true?’
‘Yes, Mama.’
‘What did I tell you about crossing the road?’
‘I know, Mama.’
‘Wait till I tell your father,’ she scolded, and the boy’s shoulders sagged further as though his worst fears had been confirmed. He was for it. But Ben could see from the light in the young mother’s eyes that she was more relieved than angry. She turned to him, overflowing with gratitude, pleading that he absolutely must come inside for a glass of wine. ‘I beg you, it’s the least I can do.’
Ben thanked her, made eye contact with the first security goon who was still standing there and said pointedly, ‘It seems I don’t have an invitation.’
‘Nonsense,’ she protested. Turning to the security guys, she took a slip of paper from her handbag and thrust it at them. ‘My husband’s invitation. He’s allowed two guests. I’m one, and this gentleman is the other.’
Ben hesitated for a moment, then shrugged. What the hell, he thought. It’s not like I have anywhere else to go right now. Plus, a glass of wine sounded like a decent idea at this moment. It wasn’t every day he almost flattened a kid, and the after-effects of the shock were still jangling through his system.
‘Well, if you insist,’ he said with a smile, and shouldered past the goons as she led him inside.
Chapter Nine (#ulink_794091bf-5074-5ef1-babf-bd3ffee0f33b)
Richmond, London
The grass prickled Brooke’s knees as she leaned over her flower bed, reached out with the can and sprinkled water on the amaranthus, careful not to drown it. She loved the cascading red flowers of the plant she’d nurtured from a seedling, but it needed a lot of care and wasn’t completely suited to the soil of her tiny garden in Richmond.
Saturday, even a beautiful early autumn afternoon like this one, wasn’t normally a day of leisure for Brooke. She had a thousand other things to attend to that she knew she was neglecting, including repainting the kitchen of her ground-floor apartment in the converted Victorian red-brick house – but spending time in the garden relaxed her and that was something she needed badly right now.
As she stood up, brushing bits of grass from her bare knees and gazing at the colourful borders, she couldn’t help but let her mind drift back, as it had been doing obsessively of late, to the event a month earlier that was the cause of all her troubles.
Phoebe’s invitation to the fifth wedding anniversary party had seemed a wonderful opportunity to catch up with the sister Brooke was so close to but didn’t get to see often enough. Their schedules seldom allowed it: Brooke was either too busy with her London clients or off in France; or else Phoebe and her husband Marshall were away on one of the frequent exotic vacations with which an investment banker and a Pilates instructor to the celebs could indulge themselves. Skiing in Aspen, snorkelling off Bermuda, high-rolling in whichever of the world’s best hotels and restaurants were currently fashionable with the Serious Money Club. The couple had only recently moved into their latest acquisition, an insanely expensive eight-bedroom mock-Tudor house in Hampstead that Brooke hadn’t seen until the night of the party.
And what a party. The huge house was milling. A trad jazz band were playing in the corner of one palatial room, people were dancing, champagne was flowing. If anyone there hadn’t been a stockbroker or a top barrister, a billionaire banker or a PR guru, Brooke must have missed it. All she’d really wanted was to get some time alone with her sister, but Phoebe was taken up with playing the hostess and they’d barely been able to snatch more than a few words by the time the champagne was going to Brooke’s head and she’d headed for the kitchen to get herself a drink of water.
Not surprisingly, the kitchen was gigantic. Miles of exotic hardwood worktop and every conceivable cooking gadget known to man – despite the fact that Phoebe and Marshall ate out almost every night – but finding something as simple as a water glass wasn’t so easy. As Brooke was searching yet another cupboard, she heard the kitchen door open and turned to see Marshall come into the room, smiling at her. He clicked the door shut behind him, closing out the noise of the band and the party buzz. He’d walked up to her and leaned against the worktop, watching her. Standing a little close, she’d thought – but made nothing of it at the time.
‘I was just looking for a glass.’
He pointed. ‘In there. Oh, there’s Evian in the fridge,’ he added as she picked out a tumbler and went to fill it at the sink.
‘Great party,’ she’d said, opening the fridge and helping herself to the chilled water. She took a sip, and when she looked back at Marshall he’d moved a little closer. Was that a little odd, or was she just imagining things?
‘I’m so glad you were able to make it,’ he said. ‘It seems so long since we last saw you, Brooke. Keeping busy? Still going over to France to teach at that place – what’s it called?’
‘Le Val.’ She nodded. ‘More often than ever.’
Marshall’s smile had wavered a little then. ‘I suppose you’re still seeing that soldier fellow?’
‘Ben’s not exactly a soldier.’
‘Anyway, it’s good to see you again, Brooke,’ he’d said. ‘Tonight wouldn’t have been the same without you.’
‘Don’t be silly. Tonight is all about you and Phoebe. I’m really happy for you both.’
‘No, I mean it.’
‘Well, it’s sweet of you to say.’
They’d gone on chatting for a few moments. Brooke had noticed that Marshall was a little red in the face. Must be the champagne, she thought – until suddenly he pulled a serious frown, cleared his throat and interrupted their small talk by blurting out, ‘I really did mean it, you know. I’ve been looking forward to seeing you again, a lot. In fact, I’ve been having trouble thinking about anything else the last few weeks. Or anyone else,’ he added meaningfully.
‘Marshall, are you drunk? You shouldn’t be talking that way.’
‘I married the wrong sister,’ he stammered. ‘I realise that now.’
‘You’ve had too much to drink. Let me make you a coffee.’
‘I’m not drunk,’ he’d protested, moving even closer and making her back away. ‘I think about you all the time. I can’t concentrate at work. I can’t sleep at night. I’m in love with you, Brooke.’
His earnestness was shocking. She’d been opening her mouth to yell at him to stop it and back off when the door had opened again and Phoebe had walked into the kitchen. Marshall wheeled abruptly away from Brooke and planted himself against the edge of the kitchen table, trying to act normal.
Phoebe didn’t appear to notice anything was wrong. ‘There you are,’ she’d said brightly. ‘I was wondering where the two of you had vanished off to.’
‘I just came in for a glass of water,’ Brooke explained, heart fluttering, holding up her glass as if somehow she needed to provide evidence. Why the hell did she feel she had to justify herself? She was furious with herself, and even angrier with Marshall for putting her in this situation. The fact that she’d hidden it perfectly only made her feel more absurdly complicit.
Exit Marshall, in a hurry, suddenly in urgent need to attend to the guests. Brooke had swallowed hard and spent a while catching up on things with her sister as though nothing had happened. Twenty minutes later, she’d made her excuses and gone home, upset and confused.
One morning a week after the party, Brooke had been driving to work when Phoebe had called her sounding emotional and asking if they could have coffee that day. They’d met at Richoux in Piccadilly, and taken a small table in the corner of the tearoom. Brooke had known right away that something was up. Her sister looked suddenly much older than her thirty-eight years, gaunt and strung out. Over far more than her usual share of cream scones, she’d come out with it:
‘Marshall’s having an affair.’
‘What?’
‘I’m sure of it.’
‘How do you know?’
‘I just do. He’s stopped paying me any attention. He comes home late. He’s irritable and restless.’
Jesus. Under the table, Brooke’s toes had been curling. ‘He has a stressful job, Phoebe. It could be work related. Problems at the office. It doesn’t have to mean—’
‘There’s more,’ Phoebe cut in. ‘He bought jewellery. I found a receipt in his pocket. Tiffany’s. Three grand. Who’s that for, eh?’
‘Maybe he wants to surprise you.’
‘A week after our anniversary? Christmas is miles away and my birthday’s not for another seven months. It isn’t for me, Brooke. I know it.’ Phoebe had burst into tears at that point. ‘I couldn’t bear it if he left me. I’d die.’
Brooke had done her best to reassure her sister that nothing was wrong. Everything would soon go back to normal.
She could have murdered Marshall.
Then, two nights after that, the first of the phone calls. ‘It’s me. Are you alone?’
‘Of course I’m alone. I live alone. It’s three in the morning, Marshall. Go to sleep.’
‘I can’t sleep.’
‘Good bye.’
Eleven, twelve, thirteen more times he’d tried to call that night, keeping her from sleep until dawn. The next evening had come the knock on the door that she’d been dreading. Marshall had looked wrecked there on the doorstep, demanding to know why she wouldn’t answer the phone. Worried he was going to make a scene, she’d let him come inside the flat.
Big mistake.
‘The way you talk to me. The way you look at me, the way you laugh when I tell a story. I know you like me. Admit it. You have feelings for me.’ She could smell the alcohol on his breath.
‘You’re crossing the line, Marshall,’ she shouted. ‘I’m not going to let you hurt Phoebe like this.’
‘Not going to let me? This is all your fault!’ Digging in his pocket, he came out with a small packet. ‘Look. Let’s not fight. I bought you a present.’
Brooke had stared in horror, knowing what it was. ‘I don’t want it.’
‘It’s from Tiffany.’
‘Give it to Phoebe. My sister. Your wife, remember?’
‘Phoebe and I are finished.’
‘Not according to her. You ought to be ashamed of yourself.’
‘But—’
‘Listen to me, Marshall. Your behaviour with me is completely irrational. It’s clear you’re going through some kind of crisis, and I think you need to seek professional help. Now, I can give you some numbers to call—’
‘Yeah, I’m mad,’ he’d grunted. ‘Mad about you.’ And put out his hand to touch her cheek.
She flinched away. ‘Don’t. I think you should get out now.’
‘I can’t. I love you.’
‘That’s ridiculous, Marshall.’
‘Oh, right. You love him. The soldier.’
‘Ben. He’s not—’ But there was no point in correcting him. ‘Yes, I do.’
He flushed. ‘How can you be in any kind of proper relationship with someone who lives in another country? Now that’s ridiculous.’
‘That might not be for long, because I’m thinking of moving there to be with him full time. Not that it’s any of your bloody business.’
‘Has he asked you? Bet he hasn’t.’
‘Get out, Marshall!’
Finally, with threats and as much force as she could use without physically attacking him, she’d managed to get her brother-in-law out of the flat and chained the door in his face. He’d ranted and pleaded a while on the doorstep, then skulked back across the street to his turbocharged Bentley.
In the weeks since, Brooke had been feeling increasingly powerless and confused, angry, even guilty. On the pretext of wanting to spend more time together, she’d arranged to meet Phoebe several times in town for coffee, never at the house or at her own place. It made her feel better to be there for her sister, protecting and supporting her in her time of need; yet at the same time she was more and more miserable for hiding the truth.
Meanwhile, Marshall’s barrage went on. She was terrified even to check her emails and texts in case it would be him, and she avoided the phone almost all of the time. Once or twice it had been Ben calling her, wondering how she was and why she hadn’t been in touch. Her excuses had been thin, unconvincing at best. She’d kept conversation to a minimum, afraid that she might let something slip. Briefly, during one of her sleepless nights, she’d considered telling him the truth about what was going on with Marshall. But that had been an idea she’d very quickly dismissed.
Ben would be on the first flight to London to beat the crap out of him.
It wasn’t that Marshall didn’t have it coming – it was the ugly mess that would ensue. She could see it all. Assault charges. Police. Explanations. Ben in trouble. Phoebe devastated.
No chance.
And now, standing here on this beautiful warm sunny day surrounded by the flowers in her garden, Brooke felt completely walled in.
What am I going to do?
Chapter Ten (#ulink_bb005863-b437-5209-91d0-ccf6d3dc6919)
Once inside the elegant old house, Ben saw he’d entered a private art exhibition. The entrance foyer was filled with stands of posters, pamphlets and guides, and framed prints around the walls gave a taste of what lay inside. He felt very out of place in his jeans and denim shirt. Scanning the crowd he counted roughly thirty-five guests. Apart from one or two elderly couples, most of the people were in their mid-to-late thirties or older, many sporting a carefully-cultivated arty look. With the exception of one or two bohemian scruffs, everyone was very well dressed, and being Italians there was an unspoken war going on as to who could look the most chic. Probably the winner out of the whole bunch was the square-jawed guy in the Valentino blazer who’d clearly been dividing his time between working on his tan and studying old Robert Redford movies. Mr Dashing. Ben smiled to himself and shook his head.
After Gianni, the youngest person in the room was a sullen teenage girl with long curly blond hair, who was doing everything possible to distance herself from her parents and make it clear that she’d rather be anywhere but here.
‘Donatella Strada,’ the boy’s mother said warmly, keeping a tight hold of her son with her left hand while extending her right.
‘Ben Hope.’ He took her hand. It was slender and felt delicate in his. Donatella was small and petite, almost elfin. He liked the sharp look of intelligence in her eyes. She didn’t have that air of pretension that he could sense in many of the others.
‘You are English? But your Italian is excellent.’
‘Half Irish,’ he said. ‘I’ve travelled a bit, that’s all.’
‘Well, Signor Hope, I must thank you again. Are you living nearby?’
‘Just passing through,’ he said. ‘What is this place?’
‘The Academia Giordani,’ she said. ‘One of the most established and respected schools of fine art in the region. They’re celebrating the opening of the brand new exhibition wing, which has just been finished.’
‘The modern bit. I saw it from the road.’
She smiled. ‘Modern monstrosity, you wanted to say.’
‘No, modern is fine. So is old. I like all kinds of architecture.’
‘What about art, Signor Hope? Is it something you appreciate?’
‘Some. What little I know about it. Not sure I go for sheep in formaldehyde, or unmade beds and dirty underwear – or does that make me a philistine?’
Donatella seemed to approve of his taste. ‘Not in my book. You’ll be pleased to know there is nothing like that here. No gimmicks, no publicity stunts or con tricks. Just pure art. The owners have put together a wonderful collection of works from across the centuries, on loan from galleries all over the world.’
‘Hence the high security,’ Ben said. He’d already noticed the glassy eyes of the CCTV system watching from well-concealed vantage points around the room.
‘Oh, yes. Smile, you’re on camera. A state-of-the-art system, apparently. Not surprising that the galleries would insist on it, when you have hundreds of millions of euros hanging on your walls.’
‘So, do I take it you’re part of the art scene around here?’ Ben asked as he followed her through the crowd towards where the staff were checking invites and ushering guests through an arch leading to a glass walkway. He guessed it connected the old part of the building to the new wing.
‘My husband Fabio is. He’s one of the region’s top art and antiquities restorers. I just dabble in it, which is nice for me because I get to go to all the exhibitions with him.’
‘Is he here today?’
‘He’s supposed to be,’ she said. ‘But he phoned earlier to say he might not be able to get here. His company are helping to restore an old church outside Rome, and they ran into some kind of delay. He’ll be very disappointed if he can’t make it. And he’ll be sorry he didn’t get to thank you personally for what you did.’
‘I didn’t do that much,’ Ben said.
Donatella showed her ticket, explained to the woman at the desk that Ben was her guest, and they were ushered through the arched entrance to the glass corridor. At the end of it, they stepped into a bright, airy, ultramodern space that was the pristine new exhibition wing of the Academia Giordani. The floor was gleaming white stone, laid out with strips of red carpet that wove around the displays. The paintings were encased behind non-reflective glass, arranged by artist and period. A number of guests had already started doing the rounds of the exhibition, talking in low voices and pointing this way and that. As more people filtered inside behind Ben and Donatella, the murmur of soft conversation gradually filled the sunlit room. Some seemed impressed by the new building, though one or two faces showed disapproval.
‘It’s hideous,’ a stringy, white-haired woman in a blue dress was muttering to her husband. He was about ninety and walked with a stick. ‘Maybe not quite as offensive as the Louvre pyramid,’ she went on, ‘but hideous just the same.’
‘I find the concept has a very … organic quality, don’t you?’ one of the bohemians commented loudly to the woman he was with. ‘I mean, it’s so … what’s the word?’ He was padding about the gallery in open sandals, which together with his unkempt hair and beard probably attracted more offended glances from the other Italians than the design of the building. The Redford clone ignored him altogether.
‘So what do you think, Signor Hope?’ Donatella asked.
‘Like I said, I really don’t know that much about art,’ Ben said. But he knew enough to understand now why galleries across the world had been jittery about lending their pieces for this exhibition. The canvases around the walls bore enough famous signatures to pop any art lover’s cork. Picasso, Chagal, Monet. ‘And Da Vinci,’ he said, raising his eyebrows.
‘Oh yes,’ Donatella chuckled. ‘All the big names are here. They really wanted to put on a show to launch the centre. Fabio told me they wanted to get a Delacroix too, but they didn’t have the wall space.’ She touched Ben’s arm and pointed across the gallery at a man in an immaculate silk suit, forties, carefully groomed. ‘That’s Aldo Silvestri, one of the owners. And see that man over there, standing beside the Picasso?’
‘That little fat guy there?’
‘I’m sure he’d love to hear you say that. Luigi Corsini is Silvestri’s business partner. But the real money comes from Count Pietro De Crescenzo. Without his influence, the gallery would not have been possible, and certainly not an exhibition of this calibre.’
Donatella pointed out the man to Ben. Late fifties, tall and gaunt with thin oiled hair, he could have passed for an undertaker if it hadn’t been for the dapper bow tie. He was standing with a group of people on the far side of the room, sipping a glass of wine. ‘The De Crescenzos are one of the oldest aristocratic families of this region, with quite a colourful history,’ she filled in.
‘You know them?’
She nodded. ‘The count has funded several of Fabio’s projects in the past.’
De Crescenzo seemed to sense them talking about him. Giving Donatella a smile, he excused himself from the group and approached. Donatella explained to the count that Fabio had been held up, and introduced Ben. ‘Please call me Pietro,’ De Crescenzo said as he shook Ben’s hand. ‘I only use the title to open doors and impress stuffy politicians and museum boards. So, Signor Hope, I gather despite your extremely fluent Italian that you are not from these parts.’
‘I’m just passing through,’ Ben said.
‘You are on vacation? Remaining a few days in Italy?’
‘Sadly not. I’ll be flying to London tomorrow.’
De Crescenzo shuddered. ‘Air travel. I cannot bring myself to get on one of those things. Quite irrational, I know.’
‘It’s a very impressive setup you have here,’ Ben said.
De Crescenzo smiled widely, showing uneven, grey teeth. ‘Thank you, thank you. We have been extremely fortunate in securing such a fabulous and eclectic range of wonderful pieces.’
‘Have your family always been patrons of the arts?’ Ben asked, knowing his supply of cultural small talk was going to run out fast.
‘Far from it. My grandfather, Count Rodingo De Crescenzo, was a boorish and tyrannical man who despised culture with almost as much passion as he loathed the artistic genius of his first wife, Gabriella. It is to her that we owe the artistic heritage of my family. After doing everything in his power to suppress her talent, my grandfather ironically did the most to nurture it when he expelled her from the family home in 1925, leaving her destitute. Freed from his controlling influence, she eventually went on to find fame and fortune painting under her maiden name, Gabriella Giordani.’
Ben nodded and smiled politely, a little taken aback by De Crescenzo’s somewhat dramatic account of his family past. When he suddenly realised that the count was waiting for him to react to the mention of the name Gabriella Giordani, he shrugged apologetically and said, ‘As I was telling Donatella, my knowledge of art is pretty limited. I’m afraid I haven’t come across your grandmother’s work.’
De Crescenzo frowned sadly and shook his head. ‘Rodingo and Gabriella had no children. My father was born only after Rodingo had remarried, to a woman of great beauty but little else. Otherwise, I might have had the honour of being related in more than name to the most accomplished and admired Italian female artist of the twentieth century.’ He swept an arm enthusiastically behind him at a section of the exhibition.
Ben gazed in the direction he was pointing. ‘And that one too?’ he said, motioning at an oil portrait of a striking-looking man of about thirty, in a red velvet jacket with a high collar.
‘You have a keen eye for style, Signor Hope,’ De Crescenzo said. ‘Yes, that is also a Giordani.’
Ben took a step closer to the portrait and examined it for a moment. There was something aristocratic about the man in the painting, yet not supercilious or arrogant. The artist seemed to have captured a real sense of humility and gentleness in her subject. The little plaque below the edge of the frame simply said ‘Leo’, with the date 1925. Ben wondered who Leo had been.
‘Just one of her many celebrated works here on display,’ De Crescenzo said. ‘Including a quite incredible recent discovery.’ He said this in a hushed tone of reverence, as though referring to the finger-bone of Christ. Ben waited for more.
‘During the recent restoration of my ancestral home, the Palazzo De Crescenzo – it is far too large to live in, of course – workmen came upon a secret room where it seems the young and terribly unhappy countess carried on her art behind her husband’s back. He had forbidden her to paint, you see. We found several previously unknown works of hers, which are being exhibited here today for the very first time.’ Looking even more excited, De Crescenzo added, ‘And sensationally, among the pieces we discovered in her personal collection were several items by other artists – including a most magnificent miniature charcoal sketch by the artist Goya that had long been believed lost.’
Ben turned to look as he pointed out the piece of artwork across the room. It was a small, simple, shaded monochrome image of a solitary man kneeling humbly to pray inside what could have been a monastic cell.
Again Ben could feel De Crescenzo’s eyes on him and felt expected to comment knowledgeably, but he just nodded appreciatively and tried not to think about that glass of wine Donatella had promised him. He fought the urge to glance at his watch.
‘Naturally it is almost worthless compared to some of the other works here on display,’ De Crescenzo went on rather too grandly. ‘But I founded this academy in April 1987 to honour Gabriella Giordani’s sad passing the previous year, and I cannot tell you how thrilled we are to be able to mark the inauguration of our new centre with a display of her very own collection. For me, it is what makes this exhibition so special.’
‘I’m very pleased for you,’ Ben said. ‘Congratulations.’
‘You’ll be wanting that wine now,’ Donatella whispered as they left the count to carry on the rounds of the guests.
‘I don’t know what gives you that impression,’ Ben said. What a character, he was thinking.
Donatella smiled slyly. ‘This way.’ She led him through the crowd to the far side of the gallery, where two doors led off from the main space. One was shut and marked ‘Private’. The other was open, leading into a side room where a long table was covered in expensive finger food and drinks. The glasses were crystal, the white wine was on ice and the red had been opened in advance to breathe at room temperature. Catering done properly. Donatella chose white, while Ben helped himself to a glass of excellent Chianti and suddenly felt much better.
Gianni was allowed to wander about the exhibition on strict orders to behave himself and stay within sight. Away from the chatter of the guests, Ben and Donatella sipped their drinks and talked for a few minutes. She was warm, vivacious and smiled a lot. He found her company relaxing and enjoyable. She told him a little more about her husband’s church restoration project, and then asked him about his own business. Ben had long ago learned to answer those kinds of questions without sounding evasive but without getting too specific about the kind of training that went on at Le Val. She’d visited that part of France a few years earlier and was curious to know if his home was anywhere near to Mont Saint Michel, which he told her it was.
As they talked and the minutes went by, neither of them noticed the white Mercedes van that was pulling up outside, or the men who were getting out.
Chapter Eleven (#ulink_31315dbc-4442-5168-82c3-0a495155c0b1)
It was exactly 6.45 p.m. when the van appeared on the driveway and drew up in the forecourt outside the entrance of the Academia Giordani. The window rolled down as the two security guys swaggered up to the vehicle, putting on their best officious frowns. Ghini, the one with the moustache, was the first to notice the intimidating bulk of the van driver as he leaned out to talk to them. He could see himself and his colleague, Buratti, reflected like a couple of dorks in the mirror lenses of the guy’s wraparound shades. He folded his arms across his chest to make them look bigger, tried to act tough and let Buratti do the talking.
‘Think you’re in the wrong place, guys,’ Buratti said.
The driver looked puzzled, shook his head. ‘This is the Academia Giordani, yeah? Delivery for you.’
‘Not that I was told about.’
The big guy produced a yellow printed sheet from his bulging breast pocket. ‘See for yourself.’
Buratti studied it carefully. It did indeed look as if the goods had been ordered. ‘We have a problem. There’s an exhibition on here now.’
‘So?’
‘So can’t you see there are people inside? I can’t have a bunch of workmen spoiling the view from the gallery windows. You’re gonna have to come back tomorrow.’
‘No way. Not till next month, pal. We’re booked solid.’
‘We’ll see about that when I talk to your boss.’
‘I am the boss.’
Buratti chewed his lip, his brow twisted in thought. Turning the delivery away was bound to wind up with him getting an earful from someone. ‘OK. But make it quick. I want that stuff unloaded and this van out of here in five minutes.’
‘Fine.’
Buratti waved the van through and it drove around the side of the building, tyres crunching on gravel, followed the path round the back and pulled up in view of the new modern wing. The diesel died with a shudder.
Rocco Massi swung open his door and jumped down. Bellomo and Garrone did the same, nobody saying a word. Through the tall glass windows Rocco could see the people inside, milling about staring at a bunch of paintings. Chattering, pointing, admiring, one or two standing around sipping wine. Bunch of smug shits. All too preoccupied to notice anything. He grinned. Five minutes from now, things would be a whole lot different for these good folks.
The two security guards were watching impatiently from near the entrance. Rocco jerked his head as if to call them over, and they came stomping across the gravel. Their tough guy act deflated with every step. He was a foot taller than either of them, and the tight black T-shirt showed every muscle. Bellomo and Garrone leaned up against the side of the van, watching in silence.
‘What is it?’ Buratti said.
‘Change of plan, fellas,’ Rocco said. ‘If you want us out of here fast, you’re gonna have to help us unload.’
‘What?’
‘Won’t take long if there’s five of us.’ Rocco motioned to the rough patch of ground that the builders had left in the wake of the construction project. ‘Over there OK?’
‘You’re shitting us.’
‘Nope. There’s a lot of stuff here. See for yourself.’ Rocco beckoned them round the back of the van, where they were out of sight of the guests inside the gallery.
Buratti was working hard to look fierce and professional, and failing. ‘Listen, pal. You do your job and we’ll do ours. We’re not paid to unload garden equipment. We have a job to do.’
‘Yeah,’ Ghini said. ‘What do we look like to you?’
Rocco gazed at them impassively from behind the curved shades. ‘Like a couple of dead assholes,’ he said, and opened the back door of the van.
The first thing Ghini saw inside the van was the last thing he’d ever see in this world. Spartak Gourko was crouching just inside the door, watching him impassively. Ghini stared at him, then stared at the strange-looking knife in his hand. The man was pointing it at Ghini’s chest, but he didn’t move. Then there was a sudden crack and the knife blade was propelled like a missile. Its razor-sharp point drove deep into him, shattering a rib and plunging into his heart. He was dead before he hit the ground.
Buratti backed away in a panic, then let out a wheezing gasp as Bellomo stepped up behind him and buried a combat dagger in his back. He slumped down on top of Ghini.
Spartak Gourko jumped down from the van. In his hand was the hilt of his knife, a long steel spring protruding where the blade should be. A trophy from his Spetsnaz days. He kicked over the bodies and retrieved the detachable blade from Ghini’s chest. Slipping it into a metal sheath, he compressed it back inside the hilt with an effort before replacing the weapon in his belt.
Anatoly Shikov jumped out of the van next, followed by the other three Russians, each holding a large black canvas holdall. Strong hands grasped Ghini and Buratti by their collars and belts and bundled them messily into the back of the Mercedes.
The ornamental slabs and edging stones were lying in a ditch miles away.
Anatoly slammed the doors shut, peeled back the sleeve of his jacket, checked the dial of his shiny Tag Heuer. Dead on time, the radio gave a splurt and a fizz. He snatched it up. Petrovich’s voice, transmitting from somewhere beyond the woods.
‘You’re good to go,’ Petrovich said in Russian. ‘Landline dead?’
‘As disco.’
‘OK. You and what’s-his-name stand by.’
‘Caracciolo. Copy. See you when it’s done, boss.’
Anatoly shut off the radio. He unzipped a plain black gym bag, took out the cellphone blocker his father had given him, set it down on the van’s passenger seat and activated it. Just like that, all communication to and from the Academia Giordani was cut off. Also in the gym bag was the padded case his father had given him, tailored to the dimensions of the Goya sketch. Anatoly put the strap around his shoulder.
The eight men walked fast across the gravel and paused outside the entrance to unzip the holdalls. First, out came the black balaclavas, standard three-hole military issue. Rocco didn’t like to remove his shades, but couldn’t wear them over the mask. He took them off reluctantly and slipped them into his pocket. Next came the tight-fitting leather gloves; and finally the weapons. Five Steyr TMP ultra-compact 9mm machine pistols with twenty-round magazines; Anatoly grabbed one of those like a kid in a sweet shop, while Rocco Massi helped himself to one of the two AR-15 assault rifles fitted with 40mm underbarrel grenade launchers. Gourko claimed the other. The last firearm to be handed out was the short-barrelled Remington 12-gauge autoloader with folding stock. Good for blowing locks and generally blasting apart anything at close range. That one fell to Garrone.
Between them, it added up to enough firepower to hold off a regiment.
Once everyone was kitted up, all eyes fell on Anatoly. Waiting for his command. He loved this moment.
Chapter Twelve (#ulink_3ff6041e-91d6-57d1-83ec-99b12f6ee99f)
There was a limit to how much Ben could discuss about fine art, but it turned out that Donatella shared his love of Bartók’s music and that was what they were talking about when Gianni came up to complain he was thirsty. While she fussed over the boy and went to the refreshments table to get him a glass of fruit juice, Ben stepped casually across to the window and gazed out at the grounds and the woods that surrounded the property. He noticed the white Mercedes van parked up outside, which hadn’t been there before. It looked like a builder’s van, well used and streaked with road dirt. Whoever had left it there while he and Donatella had been talking had disappeared out of sight.
Ben didn’t give it a second thought as he stood sipping his drink, surrounded by the growing buzz of conversation. The refreshments room was filling with people, wine being poured, the finger food rapidly disappearing from the table. The sullen teenage girl was moping alone in a corner, huffing in exasperation whenever her parents came within a few metres of her. Ben could hear Donatella in the background talking to her boy, and decided that now was the moment for him to make his excuses and get away. She was a charming host, Gianni was a sweet kid and he wasn’t sorry to have spent a while with them, but he needed to get back to his own affairs.
Just then, someone bumped into him from behind and a voice said, ‘Oh, I’m so sorry.’ Ben looked around to see Mr Dashing, the Robert Redford-a-like, standing there with half a canapé in his hand and the other half partially chewed in his open mouth. Ben felt the wetness against his skin. He glanced down at the big dark red patch all down the front of his denim shirt and realised he’d spilled wine over himself. ‘Thanks for that,’ he said, dripping.
‘I’m so sorry,’ Mr Dashing repeated.
‘Don’t worry about it.’
Donatella joined him at the window. She was frowning at the slim phone in her hand. ‘I just tried to call Fabio to see what was happening, but I can’t get through. My phone’s gone dead.’
‘Battery?’
‘No, it’s fine,’ she said, puzzled. ‘Fully charged, and I’m getting good reception. It just doesn’t—’ She stopped and looked down at his shirt. ‘What happened? You’re covered in wine.’
‘Just an accident. Not a big deal. It’ll dry.’
She shook her head. ‘You should go and wash it out before it stains. There are toilets in the foyer but you’ll find a bathroom upstairs, on the first floor.’ She wrinkled her nose at the stain. ‘Really, I think you should. It’s a nice shirt.’
Ben was about to explain that a spot on his shirt didn’t bother him in the least – but he relented, thinking he didn’t want to be soaked in alcohol and smelling like a brewery when he went to find a hotel later. He excused himself and made his way back out through the glass corridor.
Anatoly Shikov was perfectly calm as he led the way into the building. Spartak Gourko followed close behind him, then Rocco Massi, both clutching their bulky AR-15 rifles. Rykov was the last man in, and locked the door behind him.
The entrance foyer was deserted now that all the guests had been shown inside the exhibition, which disappointed Anatoly. He’d been anticipating the squeals of terror from the women at the desk as eight masked and heavily armed men suddenly burst in to blow their cosy little world apart. He’d wanted to see the fear in their eyes, knowing that they were in his power.
It didn’t matter. The fun would begin soon enough. Anatoly did a final check of his machine pistol, and then turned to his guys. ‘Let’s get started,’ he said in Russian.
Ben soon found the bathroom near the first floor landing, at the end of a shadowy passage. The door was ajar. He walked in to find an elderly gentleman he recognised as the husband of the woman in the blue dress, stooped over the marble sink. The old fellow’s walking stick was propped up against the surface next to him as he washed down a handful of pills with a glass of water. Ben apologised for interrupting him, but the elderly man smiled and replied that he was just leaving. ‘Il mio cuore,’ he said, showing Ben the tube of heart pills. ‘The doctor says I have to take these every couple of hours, or I’ll die pretty soon. Then again, what does he know? Maybe I’ll outlive the bastard.’
The elderly man introduced himself as Marcello Peruzzi. They exchanged brief small-talk about the exhibition. ‘My wife doesn’t think much of it,’ Marcello said ruefully. ‘But then she always hates everything. Married fifty-two years,’ he added, and Ben wasn’t quite sure whether he meant it with pride or bitterness. With a wave of his hand, Marcello turned towards the door and started making his wobbly way back towards the stairs. Ben asked him if he needed any help, but Marcello assured him he could manage fine, thanks.
The bathroom was large and plush, with French windows leading out onto its own little balcony with a view of the grounds. Once he was alone, Ben went over to the sink and stripped off his wine-stained shirt. The TYRELL Genetic Replicants T-shirt under it was only slightly wet, and he decided it didn’t need washing.
He had the shirt bundled under the hot tap and was rubbing the dark red stain out of the material when he heard the first gunshots blasting out from somewhere down below.
And then came the screams.
Chapter Thirteen (#ulink_45325e23-38b6-55b5-9987-d0a50e8a15b1)
Ben froze. It took him less than a second to process what he was hearing.
The sound was unmistakable, one he’d heard many times in the past. It was the harsh snorting rip of 9mm submachine gun fire, and it was coming from the direction of the gallery wing. Two sustained bursts. Then another. More screams. Pandemonium cutting loose among the exhibition guests.
He wrenched open the bathroom door as he heard more shots reverberate through the building. He glanced left, then right.
Marcello Peruzzi, the elderly man he’d encountered a moment earlier in the bathroom, had made it as far as the top of the stairs when the shooting started. He was standing there paralysed with shock, a frail hand gripping the banister rail.
He wasn’t alone. As Ben watched, a pair of men came sprinting up the stairs. From the black ski-masks and the stubby Steyr machine pistols in their fists he guessed they didn’t have invites to the exhibition either.
One of them slung his weapon behind his back and grabbed Marcello Peruzzi roughly by the arm while the other jabbed the muzzle of his gun at his head. ‘Downstairs with the others, grandpa,’ he snarled in Italian.
Marcello struggled weakly, protesting, and tried to lash out with his walking stick. The gunman clubbed him hard across the face with the butt of his weapon, twice, beating him down to his knees. He collapsed onto his belly and the second guy let go of his arm as he began convulsing.
Watching the scene in horror from the shadows of the passage, Ben remembered the heart pills.
The masked men stared down at Marcello as he folded up in agony on the carpet. ‘He’s having an attack,’ one of them said.
‘Fuck him, he’s dead anyway.’ The man pointing the gun casually placed the muzzle against Marcello’s neck and touched off the trigger. A deafening triple-shot burst crackled out across the landing and up the passage. The 9mm bullets ripped into Marcello’s body and his distressed heart stopped for ever.
Ben recoiled into the bathroom, unseen, and turned the lock.
Down below, Anatoly and the rest of his team had rounded up the crowd of exhibition guests. The gallery was filled with shouts of rage and frightened screams and the blast of fully-automatic fire as the intruders let off bursts into the ceiling. It was a technique intended for one purpose only – to strike terror into their victims and reduce them into a state of complete helplessness – and it was very effective. The thirty-five or so guests gave no resistance, allowing themselves to be herded like sheep across the gallery, their shoes crunching on the broken glass from shattered overhead lighting. It took under half a minute to shove everyone into the corner of the side room and make them huddle on the floor across from the refreshments table. The white-haired woman in the blue dress was looking around desperately for her husband and wailing loudly in panic. Rocco yelled at her to shut up, and when she kept on wailing Anatoly grabbed a half-finished bottle of Chianti from the refreshments table, took a long swig out of it and then hurled it at her. The base of the bottle caught her across the forehead and she fell back with a gasp. Another woman and the bearded guy in the sandals caught her as she keeled over.
‘How dare you!’ the bearded guy shouted. ‘This is an outrage!’
Gourko delivered a kick to his stomach that folded him double before slamming a knee into his face. He collapsed, wheezing, blood pouring out of his busted nose into his beard.
Gourko laughed.
The Robert Redford type in the Valentino blazer glowered at him, but did nothing. Crouching among the other hostages, Count De Crescenzo exchanged looks of horrified disbelief with his business partners Corsini and Silvestri. The bearded guy huddled into the arms of the woman he was with. The woman in the blue dress was slumped against the wall in shock, blood running from the cut on her forehead.
‘Am I going to get any shit from you fuckers?’ Anatoly screamed in Russian at the cringing assembly. ‘Am I?’ He didn’t care that they wouldn’t understand him. They’d understand this. He aimed his machine pistol at the table and let off a rattling blast that smashed bottles and plates into flying pieces. ‘Am I?’ he screamed again. Wine and food spilled onto the floor. The hostages cowered in terror.
Gianni Strada was pale and shaking as he clung to his mother. The boy was holding her so tightly that it hurt. Donatella struggled to contain her own panic as the armed men strode up and down the room. The one who frightened her the most was this maniac with the blond ponytail sticking out from under his mask. Was that Russian he was talking? Sounded like it to her. What was happening? How could this be happening? Was no alarm being raised?
Gianni suddenly let out a strange, high-pitched keening sound that dissolved into racking sobs. He clung to her even tighter, grasping handfuls of her hair. She could feel his tears wet against her neck.
‘You. Make that little ratshit quiet or he dies in the next two seconds,’ Anatoly raged, jabbing the gun an inch from her face.
Donatella didn’t need a translator. She closed her eyes and stroked her son’s hair, murmuring words of comfort in his ear. Gianni’s sobs quietened to a low whimper.
Anatoly unslung the padded case from his shoulder and laid it down on the table. He beamed at the hostages.
‘Good. Now let’s get down to business,’
Chapter Fourteen (#ulink_f018de84-cda2-5bfd-be64-e8fd28456cbb)
Ben paced the bathroom, thinking hard. There was no telling how many armed men were down there, and how many other people had been hurt. He dug in his jeans pocket for his phone.
It was a rare thing for Ben to call the cops. In the kinds of situations his work had often involved him in the past, the last thing he needed was the police getting under his feet. But today he was just a tourist. He was unarmed, he had no idea what was happening, and he had no other options.
He punched 112 into the phone keypad, the emergency number for the Carabinieri. Italy’s paramilitary gendarmerie were widely disliked but in a situation like this, with their rapid firearms response capability, they were the best people for the job. Fractions of seconds felt like drawn-out minutes as he waited for the dial tone.
And nothing happened. His phone was dead, just like Donatella’s. His battery was about three-quarters charged and he was getting a good reception. Yet the phone was utterly useless. There was only one explanation, and that was that the intruders were using a cellphone blocker. The kind of equipment that police and counterterror units used to isolate cells of suspects before moving in. Which meant that what was happening downstairs was no ordinary armed raid – and with no way to call for outside help, Ben was going to have to deal with it on his own.
Another burst of shots from down below made him think of Donatella and Gianni Strada. He imagined the boy’s terror. Felt his blood turn from icy cold to burning hot at the thought of anyone harming either of them. He thought of old Marcello Peruzzi lying dead at the top of the stairs. Thought of all those other people down there, helpless, vulnerable, frightened. His teeth clenched so hard that they hurt.
The muffled clump of footsteps running up the passage was audible through the bathroom door. Voices outside.
Ben glanced around him. In a moment like this, just about any household item could be turned into an improvised weapon. His gaze locked on the mirror above the sink. He was just about to smash the glass with the heel of his shoe when he heard the marching footsteps run right up to the bathroom door.
The handle turned. The door rattled furiously. That flimsy lock wasn’t going to last long.
As the first heavy kick pounded the door, Ben leaped across the room and out through the French windows onto the balcony. It was too high to jump down to the concrete below without risking injury. He craned his neck upwards and saw that there was another balcony window directly above. The old house was built from solid stone, and the masonry had been expertly pointed, with recesses between the blocks that looked just about deep enough to climb.
As more kicks thudded violently against the bathroom door, he jumped up onto the balcony rail, turned to face the wall and dug his fingers into the cracks in the stonework to the left of the window. He swung his legs off the balcony. For a few painful seconds, his fingertips took his weight as he brought up his knees and scrabbled against the wall with the toecaps of his shoes until he found a crack. He was clear of the window now, clinging to the sheer wall like a spider. He reached up with his right arm, groped for another hand-hold and found it. Then the left foot, feeling around for a good purchase, then pulling himself up so he could grab another hold with his left hand. The second floor window was still tantalisingly far above him. He climbed faster.
Down below, the bathroom door burst open with a crash and the two gunmen rushed in, weapons at the hip, knees bent to brace themselves against the recoil. A storm of automatic fire shattered tiles and blasted apart the sink, riddling the walls with holes. Before the men even realised the room was empty, it was destroyed. One of them motioned to the French windows. They ran over to them and burst out onto the balcony.
Ben was clambering over the rail of the balcony above when he looked down and saw the masked gunmen below him, craning their necks down at the ground. They hadn’t spotted him. For a moment he was tempted to jump down and try to take them both – but some kinds of heroics could get you killed in a hurry.
By the time they’d looked up from the balcony below, Ben had disappeared out of sight and was going in through the second floor window.
The two men heard the smash of glass above them and knew what it meant. One grabbed a radio handset from his pocket, hit the press and talk button and said in Italian, ‘This is Scagnetti. I’m with Bellomo. We have a runner.’
The reply that came over the radio was ‘Find him. Kill him.’
Chapter Fifteen (#ulink_8780e992-cf0e-5dbd-b082-d03d287eb7b4)
It didn’t take Anatoly long to find the piece of artwork his father had sent him all the way to Italy to obtain. The framed Goya sketch looked pretty much the way it had in the photo he’d seen in the old man’s study. Just a plain and, to him, frankly pretty fucking boring picture of some scraggy dude crouched down on his knees. The poor bastard was barefoot and had a desperate expression on his thin face. He was wearing a shapeless robe that could have been a bit of old sacking material, and his hands were clasped together in supplication as he prayed fervently to God for something or other. Salvation, Anatoly supposed. Or maybe just a decent suit of clothes.
Anatoly looked at the picture for a long time and the same two questions kept coming back to him. Why would anybody bother drawing such a dull and depressing picture? And why the fuck would anybody want to own it? You’d have thought the old man would have picked something better.
There was a small plaque on the wall next to the display cabinet that housed the picture. It said Francisco Goya, 1746 – 1824. Underneath was a blurb about how it had recently been rediscovered after being thought to have been lost for years, blah, blah, blah. Anatoly gave it only a cursory glance. Shaking his head, he moved away and spent a few moments gazing pensively at the other paintings around the walls of the gallery. Big, bold, rich-looking oils and ornate gilt frames.
Now this was more like it. He didn’t much rate this kind of stuff but he’d heard of fancy names like Da Vinci. Who hadn’t? And you didn’t have to be an art snob to know there was a bloody fortune hanging on these walls, right here for the taking. Just a single one of these others would surely fetch him the cost of a new Lamborghini, even after deducting the fence’s cut. It made him wonder all the more why he’d been sent to steal a poxy colourless drawing of a skinny bloke saying his prayers. It didn’t even have a nice frame, just a plain black wood surround.
But what the hell. Anatoly sighed and turned back to the Goya. Raising his Steyr, he was about to whack the protective glass casing when he remembered what that prick Maisky had said about the impregnable security shutters that would come slamming down to seal off the whole place if anyone messed with the artwork. Before it could be taken off the wall they had to enter the three codes to disable the secondary alarm system. Right. Some parts of his father’s plan did make sense.
Anatoly walked back to the side room, swinging his gun as he went. Passing the food table he scooped a handful of stuffed olives from one of the plates he hadn’t blown apart earlier on. He popped it through the mouth hole of his balaclava and chewed noisily as he approached the clustered hostages. Gourko and Rykov were standing over them with their weapons trained menacingly. Turchin was over by the window, refilling a magazine from loose rounds in his pocket. Rocco Massi and one of his guys were slumped in a couple of canvas chairs, holding their guns loosely across their laps. The two Italians Rocco had sent upstairs hadn’t returned yet.
Anatoly popped another olive and surveyed the crowd of frightened faces, feeling supremely in control. His gaze stopped at the young girl who was in the arms of her mother. Her face was hidden by a mass of blond curls, but running his eye down the curve of her body he liked what he saw. The strap of her pretty little dress was just off the shoulder, showing the flimsy bra strap underneath. She couldn’t be more than fifteen, he thought, and wondered if she was still a virgin. A budding little flower, just waiting to be plucked by ol’ Anatoly. Nice. Very nice.
A couple of the hostages gasped in fear as he stepped forward and reached down abruptly to grab the girl’s bare arm. She let out a whimper as she felt his fingers close tightly on her skin. He hauled her away from her mother, yanking her body round so he could see her face. So adorable. He stroked her cheek lightly. It was sticky with half-dried tears, and that really turned him on. He cocked his head a little to the side, looked into those sweet, moist blue eyes and gave her a crooked smile. ‘Later, babe, later,’ he muttered in Russian.
First, though, he had more pressing matters to take care of. He dumped the girl back down on the floor. Scanning the rest of the hostages he quickly picked out the faces of the three men whose photos his father had shown him. ‘You, you and you,’ he said, pointing with his Steyr.
Rocco Massi stood and jerked his thumb at the three men. ‘Get up,’ he barked in Italian. De Crescenzo, Corsini and Silvestri nervously got to their feet, stiff and rumpled from crouching on the floor. The count was deathly pale. Silvestri dusted off his suit and tried to look dignified. Corsini’s chubby face flushed with indignation; he opened his mouth to say something, but it never came out, because Gourko slapped him hard across the face and then grabbed a fistful of his collar and shoved him brutally towards the door. Corsini stumbled, and Anatoly aimed the toe of his boot at those fat buttocks, sending him sprawling on his face through the doorway.
‘There is no need whatsoever for this violence,’ De Crescenzo stammered. ‘Whatever it is you want, we’re more than happy to comply.’
‘Oh, we know that,’ Rocco Massi said. De Crescenzo and Silvestri were prodded through the door at gunpoint as Corsini picked himself up with a moan.
Anatoly pointed at the closed door a few metres along the end wall. ‘Ask them what’s in there,’ he said to Rocco. The big Italian translated. De Crescenzo cleared his throat and replied, ‘That is the office from which we control the security system.’
‘Open it.’
The count fumbled in his pocket, took out a key ring and unlocked the office door. Anatoly shoved it open and led the way inside. The room was small and quite bare, except for a couple of steel filing cabinets, a worktop with a bank of computer equipment and some office chairs.
The three gallery owners were made to sit. Anatoly leaned against a filing cabinet, twirling his weapon. Rocco stepped up to Corsini’s chair, bent down so that his nose was just inches from the man’s sweaty face, and said, ‘Each of you has a separate passcode to disable the secondary alarm system. You have five seconds to enter it.’ He grabbed the back of the chair and wheeled the fat man brusquely over to the worktop. The computer was on standby mode and the screen popped up into life as Rocco nudged its wireless mouse. He tapped a few keys and an empty box opened up, a blinking cursor at its far left inviting someone to enter the code.
‘I won’t do it,’ Corsini mumbled.
‘What did the fucker say?’ Anatoly asked, raising an eyebrow.
‘He says he won’t do it,’ Rocco said.
‘Thought so. We’ll see about that.’ Anatoly walked purposefully past the seated men and out of the office. There was a commotion from next door. Moments later, Anatoly came back into the room, dragging a kicking, screaming woman by the wrist – the girlfriend of the bearded guy whose nose Gourko had broken. Anatoly kicked the office door shut, let the struggling woman slump to the floor and knocked her half senseless with a backhand blow to the jaw. Standing over her, he racked the bolt of his Steyr. Pressed the muzzle to her head.
Corsini had turned from purple to white. Silvestri and De Crescenzo both stared at him.
‘Luigi,’ De Crescenzo said in a trembling hoarse whisper. ‘For the love of God, do as he asks.’
Corsini looked from his colleagues to the woman, from the woman to Anatoly. His face twisted with the agony of responsibility. A nervous tic made his left eye flutter wildly.
‘The code,’ Rocco Massi said.
Chapter Sixteen (#ulink_0bf40184-2bec-5c39-ac59-7e4881fa8b3e)
Every second that ticked by was a torment as Ben explored his new surroundings on the second floor. The room he was in might have been a plush bedroom at one time during the building’s history, with ornately carved ceiling beams and a magnificent double doorway. In its more recent past, the owners of the art academy had converted it into a classroom. A large oak table at the side of the room bore a slide projector and a portable TV hooked up to a VCR. Bookshelves were stacked high with books and old video cassettes with titles like Art of the Renaissance and Grand Masters of Florence. Rows of chairs faced the teacher’s desk, on which lay assorted pens and writing pads, a heavy paper punch, a roll of tape.
Ben glanced out into the corridor, thinking hard and fast because he knew the gunmen were combing the building every moment he hesitated. He could almost hear their running steps closing in on him. He snatched the paper punch from the desk, weighing it in his hand and imagining its best use as a weapon.
He desperately needed to gain some kind of advantage. Escape was an option – it was only a few minutes’ sprint back to the village he’d passed through earlier. If he could get to a phone, he could alert the Carabinieri; but he couldn’t stop thinking about what could happen to those people down there during the precious minutes he’d be gone.
A few metres down the corridor, an antiquated fire hose on a big red metal reel the size of a tractor wheel was fixed to the wall. It looked as though it had been sitting there unused since the war. Next to it, held by steel clips behind a panel of dusty glass, was an old fire axe. Ben ran over to it, used the paper punch to break the glass and tore the axe away from the wall. The hickory shaft felt thick and solid in his hands.
Now he really could hear footsteps. They were some way off, resonating through the empty building, but approaching fast.
He propped the axe handle against the wall and tore a strip of cloth from the hem of his T-shirt. Sorry, Brooke. Snatching a long, pointed shard of broken glass from the floor, he wrapped the cloth around its base to create an improvised knife. With a hard spin of the reel, metres of pipe spilled like entrails over the floor. He used his makeshift blade to slash four lengths of the thick rubber, then spun the reel back the other way to wind up the trailing hose. Grabbing the axe again, he sprinted back towards the classroom.
‘Luigi,’ Count Pietro De Crescenzo repeated urgently. ‘Do what he says.’ Corsini seemed paralysed with indecision. His eyes bulged as he glanced back and forth between his colleagues, the gently stirring woman on the office floor and the submachine gun that Anatoly had pressed hard up against the back of her skull.
‘Too slow,’ Anatoly said. He touched off the trigger of the Steyr. De Crescenzo’s cry of protest was drowned out by the ripping blast of the three-shot burst.
Corsini’s jaw gaped. Silvestri rocked back and forth in his chair, jamming his fist in his mouth to keep from screaming in horror. De Crescenzo stared in numb despair as the last twitches of the woman’s central nervous system made her limbs jerk and the smell of death and cordite filled the small room. Vomit erupted in his throat like hot lava and he threw up.
Rocco Massi said calmly to Corsini, ‘We can keep doing this all day until you give us the code.’
The fat man had had enough. There were tears in his eyes as he grabbed the remote computer keyboard and tapped in a series of numbers, swallowed hard, and hit the enter key.
Anatoly nodded in satisfaction as the screen flashed up a ‘CODE VALID’ message. He pointed at Silvestri. ‘Now it’s your turn.’
Chapter Seventeen (#ulink_ce37f7fc-823e-5383-9db2-73f44cf4b532)
Scagnetti and Bellomo tore through the second floor of the house, kicking open every door as they went. Bellomo was a couple of metres ahead when he held up a clenched fist and jerked his head towards the end of the corridor as if to say, ‘Wait. I hear something.’
Up ahead in the shady corridor was a carved double doorway. The doors were open inwards a few inches, sunlight streaming into the room from the window beyond. The men listened. Behind the doors, a man’s voice was talking. He spoke in rapid Italian, something about Botticelli. The voice sounded tinny and reedy, and they realised it was coming from a TV speaker.
‘That just came on now,’ Scagnetti whispered. Bellomo nodded. As they listened, the sound stopped abruptly, as if whoever had turned it on by mistake was turning it off again in a hurry.
The two gunmen kicked open the doors and raced into the room.
Straight into a massive impact that knocked them sprawling backwards and their weapons spinning out of their hands.
Ben rode the heavy oak table as it came swinging violently down from its perch over the double doors. The lengths of rubber hose he’d tied from two of its legs to the classroom’s ceiling beams brought it down in a perfect arc so that the thick tabletop rammed into the men’s bodies as they entered the room and laid them flat. It was as if they’d been hit by a train. He leaped off, landed nimbly on his feet, and stepped out of the way as the table swung back towards him.
One of the men was out cold; the other was groaning and struggling to raise himself up off the floor. His face was bloodied. Ben remembered him as the one who’d murdered Marcello Peruzzi as calmly as stepping on a beetle. He picked up the fire axe from inside the door and placed its blunt nose against the man’s throat, pressing him back down.
‘What’s your name?’ he asked softly.
‘Go fuck yourself.’
Ben put some more weight behind the axe blade, and the guy’s face turned a mottled purple. Blood dribbled downwards from the corners of his mouth where the table had smashed his lips against his teeth.
‘What’s your name?’ Ben said again.
‘Scagnetti.’
‘You’re in the wrong place, Scagnetti. You have a first name?’
‘Antonio.’
‘What about him?’
‘Bruno Bellomo.’ It came out as a groan as Ben leaned a little harder on the axe.
‘Who are you working for?’
Scagnetti spat blood at him and snorted. Ben lifted the axe away from his throat. He took a grip on the smooth hickory handle and swung it down with a loud crash of steel on floorboards. Wood splintered. Blood flew, and with it the four severed fingers of Scagnetti’s left hand.
‘That’ll save you money on guitar lessons,’ Ben said.
Scagnetti’s screams echoed down the corridor as he writhed and rolled in agony, his bleeding hand clamped hard under his right armpit.
‘I think you were just telling me who you work for,’ Ben said, crouching beside him with the axe handle against his shoulder.
‘The Russian,’ Scagnetti whimpered. ‘I don’t know his name. I swear.’
Ben knew the look on the man’s face. It was the look of a guy who’d just realised exactly what he was dealing with: an enemy perfectly willing to take him apart, calmly, piece by piece. That was one scary moment, even for a cold killer like Antonio Scagnetti. In Ben’s experience, someone in that seriously rattled state of mind was willing to say anything to make the horror go away. The first thing out of their mouths was generally the truth.
Ben stood up. ‘OK, Antonio, I believe you. You can save the rest for the cops. Time for a nap now.’ He swung the axe at Scagnetti’s head, side on so that the flat face of the blade whacked into his skull with a meaty thud. Certainly not hard enough to kill him, unlikely to cause permanent damage, but he’d have something to help take his mind off his sore hand for a while.
Ben stepped over the unconscious body to the other guy, who was beginning to come to. Sweet dreams, Bruno. Crack.
Putting aside the axe, Ben frisked the men and found two identical radio handsets. He tossed one aside and examined the other. It was a wide-band VHF Motorola, a complex pro-level device covered with knobs and switches. Ben made a mental note of the channel it was set to, then used its scanning facility to skip through multiple frequencies in search of a police channel. The Carabinieri, officially part of the Italian military, used encrypted frequencies that couldn’t be unscrambled on a civilian radio set, but after a minute or so of scanning through white noise and static, he hit on a channel that sounded like a Polizia Municipale control room. The Italian municipal cops were mainly a civilian force, limited to directing traffic, enforcing minor local laws, getting stuck kittens out of trees – but that was good enough right now.
Or so he hoped. He kept his voice low and calm as he explained to the stunned operator on the other end that heavily armed robbers had taken control of the Academia Giordani near Aprilia, had taken hostages and were acting with lethal intent. He repeated that last part again, slowly and carefully.
‘This is not a hoax. People are being shot. You must alert the nearest Carabinieri station immediately and have as many rapid response units sent here as poss—’
Ben was able to say no more before the signal dissolved into fuzz and static. He could only pray that the municipal cops would take it seriously and relay the alert to the Carabinieri. This was Italy. No telling how efficient their systems were. Until something happened, if anything did, he was on his own.
Silvestri had been quick to snatch the computer keyboard away from Corsini, who was slumped in his chair weeping openly with shock and guilt. A moment later, the second security code had been entered and accepted by the computer. Then Anatoly thrust the keyboard towards Pietro De Crescenzo with a sneer.
The count took a deep breath, looked at the Russian with bloodshot eyes, poised his long, thin fingers over the keys and typed in the third and last set of numbers to disarm the secondary security system. His hand shook over the enter key. By pressing it he was enabling this gang of ruthless thugs to walk away with every single piece of artwork in the gallery. A massive cross-section of five centuries of the pinnacle of human cultural achievement, delivered at a stroke into the hands of men like these. If he’d been made to launch nuclear missiles, he’d have felt no worse.
He pressed the key. In his mind, its tiny click sounded like the crack of doom. He hung his head and closed his eyes. When he opened them, a new message had appeared on the computer screen: ‘SECURITY DEACTIVATED’
‘There,’ De Crescenzo groaned. ‘It’s done. Take what you want and go.’
‘We’re not finished yet,’ Anatoly told him.
Chapter Eighteen (#ulink_ed64b7ae-6ac7-571a-9bbb-3cc64df37725)
Ben dragged Scagnetti’s unconscious body through the classroom, leaving a trail of blood from the guy’s mangled hand all the way to the balcony. He heaved him upright and slung him half over the parapet, so that just a light shove would send him tumbling over the edge. He did the same with the other man, Bellomo, then ran back to the corridor, unravelled more of the fire hose and slashed off a length. Back out on the balcony, he quickly knotted one end of the thick rubber around their ankles. He estimated the drop to the ground below, subtracted three metres and then secured the other end of the hose to the balcony before shoving both men over the edge. They dropped over the side like the world’s calmest bungee jumpers and then were jerked up short by the hose’s elasticity before their brains could be dashed all over the ground.
Ben peered down at the two swinging bodies. They weren’t going anywhere. He slung one of the Steyrs over his shoulder, stripped the magazine from the other and stuck it in his back pocket. Tossed the empty weapon off the balcony together with one of the radios, and moved quickly on.
Glass flew as the butt of Anatoly’s Steyr smashed into the display cabinet that protected the Goya drawing. He used the weapon to knock away the jagged pieces around the edge, then slung it over his shoulder and reached in with both hands to grasp the sides of the plain black wooden frame.
He gave a hard yank and felt something give. The piece of artwork came away easily from the wall, and he lifted it out of the broken cabinet and stepped back.
Nothing happened. No alarms, no slamming down of steel shutters. He grinned to himself. It was his.
And so was the rest of the stuff, as much as he could carry out of here. The old man might be nuts, but he, Anatoly, wasn’t.
Anatoly strolled back into the office, holding the Goya against his chest. Rocco Massi was fiddling with his radio, frowning through the mask. ‘I can’t raise Bellomo and Scagnetti.’
Anatoly ignored him. ‘Thank you for your co-operation, gentlemen,’ he said in Russian to the three gallery owners. ‘That will be all.’ He set the frame down on a filing cabinet, then unslung his Steyr and turned to Corsini. The fat man’s face was covered with sweat. He began to raise his hands, and his eyes widened in horror as he saw the gun muzzle swing his way. Anatoly made a clucking sound with his tongue, stretched a grin and the gun jolted in his hand. Corsini sprawled heavily backwards, tipping up his chair and crashing to the floor. Anatoly swivelled the Steyr towards Silvestri and pulled the trigger.
‘Shit.’ He looked at his gun. ‘Empty.’
Rocco Massi tossed him a spare mag. Anatoly grunted, dumped the empty one, slotted the new one into the receiver and racked the cocking mechanism.
‘You animals,’ Silvestri said. His next words were drowned out by the blast of gunfire that spilled him sideways out of his seat and misted blood up the wall behind him.
Pietro De Crescenzo was curled up in a ball like a trapped animal, shaking with terror as Anatoly turned towards him. A thin wisp of smoke curled out of the barrel of the Steyr. Anatoly blew it away and laughed. He took a step closer to De Crescenzo.
‘Bellomo, Scagnetti, come in. Where the fuck are you? Over,’ Rocco Massi said into his radio.
Ben was walking fast down a corridor when he turned on the radio handset and dialled it back to the frequency the gunmen had been using. He heard the harsh voice crackle out of the speaker. ‘Bellomo, Scagnetti, come in. Where the fuck are you? Over.’
The red plastic rocker switch on the side of the radio was the press and talk button. Ben thumbed it and said, ‘Uh, I’m afraid Antonio and Bruno won’t be joining us. They’re kind of tied up at the moment.’
Stunned silence.
‘I want to talk to the Russian,’ Ben said. ‘Now.’
There was another moment’s silence, then another voice rasped out of the radio. Speaking Italian, but with a heavy accent. The Russian. ‘Who the fuck is this?’
Ben’s Russian wasn’t as fluent as his Italian, but good enough to get his point over. ‘If you’re here to steal artwork, it’s my guess you’re interested in doing business. Correct? Over.’
Pause. ‘Go on,’ the voice rasped.
‘I have a business offer for you,’ Ben said. ‘Here are the terms. The police are on their way. You and your men put down your weapons and surrender to me immediately, and you have my word that eventually you’ll live to be a free man. Not for a couple of decades, maybe, but eventually. And I hear the food’s very good in Italian prisons. Over.’
The pause was longer this time. ‘Interesting. What if I decide to take my chances?’
‘Harm any more of those people down there, and today is the last day of your life.’
‘I see. You must be one of those one-man armies, that right? You’re gonna kick my ass, and the asses of all my friends down here? All on your own.’
‘Scagnetti and Bellomo didn’t take much.’
‘You don’t know who you’re dealing with. I think you’re the one who should surrender to me. I’d like to meet you.’
‘Maybe you will.’
‘Maybe I’ll just go on shooting hostages until you turn yourself in.’
‘Then I’ll withdraw my offer. You and all your men die.’
‘That’s a bold statement.’
‘It’s a promise,’ Ben said. ‘The offer is on the table. Think about it.’ He turned off the radio.
Chapter Nineteen (#ulink_38c9b948-6bd1-5d3d-902f-fac839707756)
Anatoly tossed away the radio with a snort. He’d forgotten all about Pietro De Crescenzo, who was still cringing in his chair, shaking badly and expecting a bullet at any moment.
‘Who is this bastard?’ Rocco Massi said.
‘How the hell should I know who he is?’
Spartak Gourko had walked into the office, cradling his rifle in his arms. He barely glanced down at the bodies of the woman and the two dead men, or the blood that was pooling all over the floor.
‘He called the Carabinieri?’ Rocco said.
‘Fuck the police,’ Anatoly said, and Gourko let out a short laugh.
‘We should get out of here,’ Rocco said.
Anatoly snatched the Goya. ‘Come with me,’ he muttered, and burst out of the office. The others followed as he strode into the side room where Rykov, Turchin and Garrone were guarding the rest of the hostages. The guests were all much more subdued now, just a quiet sobbing from the young boy as his mother rocked him gently in her arms. A few faces peered up in fear as Anatoly walked in. He stuffed the Goya into its tailor-made case. It fitted perfectly, lying snug against the padding. He zipped it shut, then motioned to Rykov and Turchin. ‘Ilya, Vitaliy, some bastard is loose upstairs and thinks he’s John Wayne. Get him for me.’
‘He could be anywhere in the building,’ Rocco said. ‘You’ve got what you came for. Now let’s go.’
Anatoly gave him a long, hard stare. ‘You too. Get up there now. And you,’ he snapped at Garrone. The four men swapped glances, then headed for the gallery exit.
Now it was just Anatoly and Spartak Gourko left in the room. The fear among the hostages had intensified palpably.
‘Spartak, you stay here and make sure these pieces of shit keep still,’ Anatoly said. ‘Give me your knife.’
Gourko drew the weapon from his belt and tossed it to him. ‘Where are you going?’
‘I came to Italy to have some fun and that’s what I’m going to do.’ Anatoly marched over to the hostages. The teenage girl he’d admired earlier was sitting with her parents, watching his every move and not daring to make a sound. He reached out, grabbed her arm. Her face creased in terror and she whimpered.
‘Let’s find somewhere nice and private we can get better acquainted,’ he said, dragging her to her feet. The girl’s mother began to howl and tried desperately to hang on to her daughter. Gourko knocked her back with a hard stamping kick to the chest, and aimed his gun at her father with a look that said, ‘Go on, make my day.’ The other hostages were silent, apart from Donatella who stared at the two Russians and muttered something under her breath.
‘Maybe when I’m done with this bitch I’ll come back for that one,’ Anatoly chuckled. Gourko’s lips twitched into a faint smile. Anatoly hauled the girl away from the others and dragged her, screaming and writhing, towards the gallery.
While Massi and Garrone headed up a backstairs that doubled as a fire escape, Rykov and Turchin stalked the main stairs to the first floor. On the landing was the body of the old guy who’d died there earlier, his blood soaked into a wide area of carpet. They stepped over him as though he were roadkill and made their way through the maze of corridors. Every door they came to, they kicked open, ready to blast anything the other side of it. They found storage spaces, lecture rooms, classrooms. All empty.
Pushing through a set of fire doors, they came to a short flight of steps and then to what looked like a ceramics department with a couple of large workshops flanking the corridor. One of them had display units filled with clay pots and vases, and long benches covered in materials and tools. The other room contained a row of heavy-duty iron kilns, like gigantic ovens with sturdy deadlocks to seal their doors tightly shut and thick layers of insulating material to protect the wall and nearby surfaces. Fat metal flues disappeared into the heat-discoloured wall.
The Russians took a brief glance around the workshop, just long enough to ascertain that the guy they were looking for wasn’t hiding under a table or in a cupboard. Satisfied, they were just about to turn to leave when they heard the soft voice behind them.
‘Hey.’
The Russians spun around.
Chapter Twenty (#ulink_b1fc520f-890a-562f-b32d-b896eb6dab49)
Ben had often wondered if you could improvise a silencer out of an empty plastic bottle. He’d never quite got around to experimenting, until now. The litre Pepsi bottle had been left in a waste bin, and he’d used some Sellotape he’d found to fix it to the muzzle of the Steyr. From the doorway of the workshop, he aimed down at the floor and let off a short flurry of muffled shots, sweeping left to right. The two men dropped their weapons and crumpled to the floor, shouting out in agony, clutching their feet.
Ben ripped the burst remains of the Pepsi bottle from his Steyr as he walked over to them. ‘That’s not bad, is it?’ he said, kicking away their fallen guns. The guy on the right let out a stream of obscenities in Russian. Ben silenced him with a kick to the throat and he went straight down on his back. He clubbed the other over the head with the Steyr, and suddenly the room was quiet again.
Crouching beside them, he checked them for hidden weapons and then relieved them of their radios. He stood up and swung open the door of the nearest kiln. It was all blackened inside, with metal grille shelves like those in a domestic oven, only much larger. He pulled out the shelves, tossing them aside with a clatter. There was plenty of space for both men in there, as long as they weren’t expecting comfort. He dragged each one inside in turn, kicked their legs out of the way of the door, then clanged it shut and rolled the heavy deadlock into place.
There was a big red power-on knob and a thermostat control on the bottom panel of the kiln. Of course, he was far too nice a guy to turn it up full blast and roast these bastards like turkeys inside.
Their lucky day.
Unless things went badly and they’d harmed more of those people down there. Then, he’d be back and things would be warming up.
Ben stepped over to the doorway, peered left and right and listened hard for a few seconds, then pressed on, running lightly and silently through the corridor. No sign of the cops yet. Of course. But maybe, just maybe, as long as he could maintain the element of surprise and keep taking down the gunmen two at a time, he could stop this thing.
That plan fell apart within twenty seconds when Ben rounded a corner and almost ran into another pair of masked thugs. One was a giant mastiff of a man. He was clutching an AR-15 military rifle at hip level, two thirty-round magazines taped back to back the way it used to look cool in mercenary movies. The other was lean and tough as rawhide, with a short black shotgun in his hands.
For an instant they all stared at one another. The big guy’s eyes were locked on Ben’s, and in that suspended instant of frozen time Ben noticed that his pupils were different colours, the right one dark brown and the left one hazel. It was a minor anomaly that most people would have missed, but Ben was so practised in taking in the physical details of any situation he found himself in that he spotted it right away.
But he didn’t have time to linger over it, because in the next half second the big guy’s teeth bared in a snarl and his fists tightened around his AR-15. The rifle muzzle lit up with strobing white flame and the deafening roar of automatic gunfire wiped out all thought. By then, Ben was already in mid-air, diving to avoid the high-velocity blast that ripped a snaking trail of devastation just one inch behind him.
One thing Anatoly Shikov valued was his privacy. He could have just flung the crying girl down on the floor of the art gallery and done her there – but not with Spartak Gourko and the others watching. That would just be barbaric. He dragged his struggling trophy out of the gallery, through the glass walkway and out into the old part of the house, looking for somewhere suitable. Across the hallway, a door lay open and the room beyond looked perfect for what he had in mind. Tightening his grip on the girl’s arm, he hauled her inside.
The room was a library or reading room. The walls were lined with high shelves of old books, the furniture was plush and the carpet was soft. There was an elegant marble fireplace, and in the corner was a velvet chaise longue. Anatoly dumped the girl on it. She brushed the tangle of blond curls away from her face and gaped up at him as he stood over her and pulled off his mask. Gourko’s knife dangled loosely in his other hand.
‘My name’s Anatoly,’ he said in his best Italian. ‘What’s yours?’
Chapter Twenty-One (#ulink_711d94d5-c8bb-5a1e-a7f2-58b0784c1c60)
The world erupted in a wall of noise. Ben hit the floor painfully on his shoulder and rolled twice as the hurricane of bullets and debris whipped all around him. There was no time to return fire. He lashed out with his foot, kicking open a fire door. Scrambling through it, he caught a glimpse of gleaming tiled steps spiralling steeply down below him in a tight square pattern. He realised he was on the landing of a fire escape stairwell.
In the next instant, the two gunmen crashed through the swinging fire door after him. Ben threw himself down the steps. The heavy boom of the shotgun resounded in the stairwell. A window shattered, showering Ben with broken glass as he went tumbling down the tiled steps. The next landing was just a few metres down. He hit it on his back and returned fire upwards, one-handed, feeling the snappy recoil from his Steyr twist his hand up and round. The three-shot burst caught the shotgunner across the chest and his knees buckled.
First kill. Ben hadn’t wanted it that way, but sometimes you didn’t get the choice.
The dead man came tumbling down the fire escape, carried forward by his own momentum, and landed on Ben with an impact that drove the air out of his lungs. The big guy straddled the top of the stairs with his feet apart and aimed the AR-15 down the stairwell. Ben knew all too well that those rifle bullets would punch effortlessly through car doors, toughened glass, even masonry. A human shield wasn’t going to slow them down much. He aimed the Steyr over the shoulder of the corpse and squeezed the trigger.
Nothing happened.
The whole problem with small automatic weapons was that they tended to shoot themselves dry in a matter of seconds. A twenty-round mag in a fast-cycling action like the Steyr’s didn’t last long at all. Worse, the spare he’d tucked in his jeans pocket had fallen out as he’d rolled down the steps. He could see it lying there halfway between him and the landing. No way to get to it in time.
But it wasn’t just Ben’s gun that had run empty. The big guy swore, released the taped-together mags of his rifle and reinserted them upside down. Before he could release the bolt and hose the stairwell with bullets, Ben had slid out from under the body of his colleague and was leaping down the stairs. He made it to the next bend before the big guy could get him in his sights again. Bullets hammered off the wall where he’d been a second ago. Leaping down the stairs, Ben spotted another landing with two doors leading off it. He made a split-second choice and ripped open one of the doors, praying it wasn’t a broom cupboard.
It wasn’t. A dark corridor opened up in front of him. Before the big guy could see which way he’d gone, Ben had slammed the door shut behind him and was sprinting hard down the corridor. He tore through another door, hit a fork in the corridor and took a right.
As he ran, he was getting his bearings. He was on the ground floor now, and had probably come down the same way the guys he’d locked in the kiln had come up. The second two must have come round the other way, heading him off in a pincer movement.
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- Жанр: Зарубежные приключения, Книги о приключениях, Современная зарубежная литература, Триллеры
- Язык: Книги на английском языке
- Объём: 400 стр. 1 иллюстрация
- ISBN: 9780007342778
- Дата выхода книги: 18 мая 2019
- Версия: 📚 Электронная книга
THE MASTER BESTSELLER RETURNS WITH A SUPER-CHARGED THRILLER THAT WILL SET YOUR HEART POUNDING AND YOUR PULSE RACING.A WEB OF DECEIT.AND BEN HOPE IS CAUGHT UP IN THE MAYHEM…Whilst visiting a former SAS comrade in Italy, a distracted Ben nearly runs over a young boy – and unwittingly walks into his deadliest mission yet.Ben’s involvement with the boy’s family runs deeper as he witnesses their brutal murder at a gallery robbery. A seemingly worthless Goya sketch was the principal target in the bloodbath heist. Now it’s up to Ben to find out the truth behind the elusive painting.Wrongly accused of murder and forced to go on the run, he must get to the heart of the conspiracy while he still has the chance…BEN HOPE is one of the most celebrated action adventure heroes in British fiction and Scott Mariani is the author of numerous bestsellers. Join the ever-growing legion of readers who get breathless with anticipation when the countdown to the new Ben Hope thriller begins…
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