Книга - Евгений Онегин / Eugene Onegin

Евгений Онегин / Eugene Onegin
Alexander Sergeyevich Pushkin


Предлагаем вниманию читателей роман в стихах А. С. Пушкина «Евгений Онегин», одно из самых значительных произведений русской литературы. Перевод на английский язык и комментарии Г. Сполдинга.



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Alexander Pushkin

Eugene Onegin





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Pétri de vanité, il avait encore plus de cette espèce d’orgueil, qui fait avouer avec la même indifférence les bonnes comme les mauvaises actions, suite d’un sentiment de superiorité, peut-être imaginaire.

    Tiré d’une lettre particulière.






Canto the First


‘He rushes at life and exhausts the passions.’

    Prince Viazemski




I


“My uncle’s goodness is extreme,
If seriously he hath disease;
He hath acquired the world’s esteem
And nothing more important sees;
A paragon of virtue he!
But what a nuisance it will be,
Chained to his bedside night and day
Without a chance to slip away.
Ye need dissimulation base
A dying man with art to soothe,
Beneath his head the pillow smooth,
And physic bring with mournful face,
To sigh and meditate alone:
When will the devil take his own!”




II


Thus mused a madcap young, who drove
Through clouds of dust at postal pace,
By the decree of Mighty Jove,
Inheritor of all his race.
Friends of Liudmila and Ruslan[1 - Ruslan and Liudmila, the title of Pushkin’s first important work, written 1817–1820. It is a tale relating the adventures of the knight-errant Ruslan in search of his fair lady Liudmila, who has been carried off by a kaldoon, or magician.],
Let me present ye to the man,
Who without more prevarication
The hero is of my narration!
Onegin, O my gentle readers,
Was born beside the Neva, where
It may be ye were born, or there
Have shone as one of fashion’s leaders.
I also wandered there of old,
But cannot stand the northern cold[2 - Written in Bessarabia.].




III


Having performed his service truly,
Deep into debt his father ran;
Three balls a year he gave ye duly,
At last became a ruined man.
But Eugene was by fate preserved,
For first “madame” his wants observed,
And then “monsieur” supplied her place[3 - In Russia foreign tutors and governesses are commonly styled “monsieur” or “madame”.];
The boy was wild but full of grace.
“Monsieur l’Abbé,” a starving Gaul,
Fearing his pupil to annoy,
Instructed jestingly the boy,
Morality taught scarce at all;
Gently for pranks he would reprove
And in the Summer Garden rove.




IV


When youth’s rebellious hour drew near
And my Eugene the path must trace —
The path of hope and tender fear —
Monsieur clean out of doors they chase.
Lo! my Onegin free as air,
Cropped in the latest style his hair,
Dressed like a London dandy he
The giddy world at last shall see.
He wrote and spoke, so all allowed,
In the French language perfectly,
Danced the mazurka gracefully,
Without the least constraint he bowed.
What more’s required? The world replies,
He is a charming youth and wise.




V


We all of us of education
A something somehow have obtained,
Thus, praised be God! a reputation
With us is easily attained.
Onegin was – so many deemed
[Unerring critics self-esteemed],
Pedantic although scholar like,
In truth he had the happy trick
Without constraint in conversation
Of touching lightly every theme.
Silent, oracular ye’d see him
Amid a serious disputation,
Then suddenly discharge a joke
The ladies’ laughter to provoke.




VI


Latin is just now not in vogue,
But if the truth I must relate,
Onegin knew enough, the rogue
A mild quotation to translate,
A little Juvenal to spout,
With “vale” finish off a note;
Two verses he could recollect
Of the Aeneid, but incorrect.
In history he took no pleasure,
The dusty chronicles of earth
For him were but of little worth,
Yet still of anecdotes a treasure
Within his memory there lay,
From Romulus unto our day.




VII


For empty sound the rascal swore he
Existence would not make a curse,
Knew not an iamb from a choree,
Although we read him heaps of verse.
Homer, Theocritus, he jeered,
But Adam Smith to read appeared,
And at economy was great;
That is, he could elucidate
How empires store of wealth unfold,
How flourish, why and wherefore less
If the raw product they possess
The medium is required of gold.
The father scarcely understands
His son and mortgages his lands.




VIII


But upon all that Eugene knew
I have no leisure here to dwell,
But say he was a genius who
In one thing really did excel.
It occupied him from a boy,
A labour, torment, yet a joy,
It whiled his idle hours away
And wholly occupied his day —
The amatory science warm,
Which Ovid once immortalized,
For which the poet agonized
Laid down his life of sun and storm
On the steppes of Moldavia lone,
Far from his Italy – his own.




IX


How soon he learnt deception’s art,
Hope to conceal and jealousy,
False confidence or doubt to impart,
Sombre or glad in turn to be,
Haughty appear, subservient,
Obsequious or indifferent!
What languor would his silence show,
How full of fire his speech would glow!
How artless was the note which spoke
Of love again, and yet again;
How deftly could he transport feign!
How bright and tender was his look,
Modest yet daring! And a tear
Would at the proper time appear.




X


How well he played the greenhorn’s part
To cheat the inexperienced fair,
Sometimes by pleasing flattery’s art,
Sometimes by ready-made despair;
The feeble moment would espy
Of tender years the modesty
Conquer by passion and address,
Await the long-delayed caress.
Avowal then ’twas time to pray,
Attentive to the heart’s first beating,
Follow up love – a secret meeting
Arrange without the least delay —
Then, then – well, in some solitude
Lessons to give he understood!




XI


How soon he learnt to titillate
The heart of the inveterate flirt!
Desirous to annihilate
His own antagonists expert,
How bitterly he would malign,
With many a snare their pathway line!
But ye, O happy husbands, ye
With him were friends eternally:
The crafty spouse caressed him, who
By Faublas in his youth was schooled[4 - Les Aventures du Chevalier de Faublas, a romance of a loose character by Jean Baptiste Louvet de Couvray (1760–1797), famous for his bold oration denouncing Robespierre, Marat and Danton.],
And the suspicious veteran old,
The pompous, swaggering cuckold too,
Who floats contentedly through life,
Proud of his dinners and his wife!




XII


One morn whilst yet in bed he lay,
His valet brings him letters three.
What, invitations? The same day
As many entertainments be!
A ball here, there a children’s treat,
Whither shall my rapscallion flit?
Whither shall he go first? He’ll see,
Perchance he will to all the three.
Meantime in matutinal dress
And hat surnamed a “Bolivar”[5 - À la “Bolivar”, from the founder of Bolivian independence.]
He hies unto the “Boulevard,”
To loiter there in idleness
Until the sleepless Breguet chime[6 - M. Breguet, a celebrated Parisian watchmaker – hence a slang term for a watch.]
Announcing to him dinner-time.




XIII


‘Tis dark. He seats him in a sleigh,
“Drive on!” the cheerful cry goes forth,
His furs are powdered on the way
By the fine silver of the north.
He bends his course to Talon’s[7 - Talon, a famous St. Petersburg restaurateur.], where
He knows Kaverine[8 - Paul Petrovitch Kaverine, a friend for whom Pushkin in his youth appears to have entertained great respect and admiration. He was an officer in the Hussars of the Guard, and a noted “dandy” and man about town.] will repair.
He enters. High the cork arose
And Comet champagne foaming flows.
Before him red roast beef is seen
And truffles, dear to youthful eyes,
Flanked by immortal Strasbourg pies,
The choicest flowers of French cuisine,
And Limburg cheese alive and old
Is seen next pine-apples of gold.




XIV


Still thirst fresh draughts of wine compels
To cool the cutlets’ seething grease,
When the sonorous Breguet tells
Of the commencement of the piece.
A critic of the stage malicious,
A slave of actresses capricious,
Onegin was a citizen
Of the domains of the side-scene.
To the theatre he repairs
Where each young critic ready stands,
Capers applauds with clap of hands,
With hisses Cleopatra scares,
Moina recalls for this alone
That all may hear his voice’s tone.




XV


Thou fairy-land! Where formerly
Shone pungent Satire’s dauntless king,
Von Wisine, friend of liberty,
And Kniajnine, apt at copying.
The young Simeonova too there
With Ozeroff was wont to share
Applause, the people’s donative.
There our Katenine did revive
Corneille’s majestic genius,
Sarcastic Shakhovskoi brought out
His comedies, a noisy rout,
There Didelot became glorious,
There, there, beneath the side-scene’s shade
The drama of my youth was played[9 - Denis Von Wisine (1741–1792), a favourite Russian dramatist. His first comedy The Brigadier, procured him the favour of the second Catherine. His best, however, is the Minor (Niedorosl). Prince Potemkin, after witnessing it, summoned the author, and greeted him with the exclamation, “Die now, Denis!” In fact, his subsequent performances were not of equal merit; Jacob Borissovitch Kniajnine (1742–1791), a clever adapter of French tragedy; Simeonova, a celebrated tragic actress, who retired from the stage in early life and married a Prince Gagarine; Ozeroff, one of the best-known Russian dramatists of the period; he possessed more originality than Kniajnine. Oedipus in Athens, Fingal, Demetrius Donskoi, and Polyxena, are the best known of his tragedies; Katenine translated Corneille’s tragedies into Russian; Didelot, sometime Director of the ballet at the Opera at St. Petersburg.].




XVI


My goddesses, where are your shades?
Do ye not hear my mournful sighs?
Are ye replaced by other maids
Who cannot conjure former joys?
Shall I your chorus hear anew,
Russia’s Terpsichore review
Again in her ethereal dance?
Or will my melancholy glance
On the dull stage find all things changed,
The disenchanted glass direct
Where I can no more recollect? —
A careless looker-on estranged
In silence shall I sit and yawn
And dream of life’s delightful dawn?




XVII


The house is crammed. A thousand lamps
On pit, stalls, boxes, brightly blaze,
Impatiently the gallery stamps,
The curtain now they slowly raise.
Obedient to the magic strings,
Brilliant, ethereal, there springs
Forth from the crowd of nymphs surrounding
Istomina[10 - Istomina – a celebrated Circassian dancer of the day, with whom the poet in his extreme youth imagined himself in love.] the nimbly-bounding;
With one foot resting on its tip
Slow circling round its fellow swings
And now she skips and now she springs
Like down from Aeolus’s lip,
Now her lithe form she arches o’er
And beats with rapid foot the floor.




XVIII


Shouts of applause! Onegin passes
Between the stalls, along the toes;
Seated, a curious look with glasses
On unknown female forms he throws.
Free scope he yields unto his glance,
Reviews both dress and countenance,
With all dissatisfaction shows.
To male acquaintances he bows,
And finally he deigns let fall
Upon the stage his weary glance.
He yawns, averts his countenance,
Exclaiming, “We must change ’em all!
I long by ballets have been bored,
Now Didelot scarce can be endured!”




XIX


Snakes, satyrs, loves with many a shout
Across the stage still madly sweep,
Whilst the tired serving-men without
Wrapped in their sheepskins soundly sleep.
Still the loud stamping doth not cease,
Still they blow noses, cough, and sneeze,
Still everywhere, without, within,
The lamps illuminating shine;
The steed benumbed still pawing stands
And of the irksome harness tires,
And still the coachmen round the fires[11 - In Russia large fires are lighted in winter time in front of the theatres for the benefit of the menials, who, considering the state of the thermometer, cannot be said to have a jovial time of it. But in this, as in other cases, “habit” alleviates their lot, and they bear the cold with a wonderful equanimity.]
Abuse their masters, rub their hands:
But Eugene long hath left the press
To array himself in evening dress.




XX


Faithfully shall I now depict,
Portray the solitary den
Wherein the child of fashion strict
Dressed him, undressed, and dressed again?
All that industrial London brings
For tallow, wood and other things
Across the Baltic’s salt sea waves,
All which caprice and affluence craves,
All which in Paris eager taste,
Choosing a profitable trade,
For our amusement ever made
And ease and fashionable waste, —
Adorned the apartment of Eugene,
Philosopher just turned eighteen.




XXI


China and bronze the tables weight,
Amber on pipes from Stamboul glows,
And, joy of souls effeminate,
Phials of crystal scents enclose.
Combs of all sizes, files of steel,
Scissors both straight and curved as well,
Of thirty different sorts, lo! brushes
Both for the nails and for the tushes.
Rousseau, I would remark in passing,[12 - “Tout le monde sut qu’il (Grimm) mettait du blanc; et moi, qui n’en croyait rien, je commencai de le croire, non seulement par l’embellissement de son teint, et pour avoir trouvé des tasses de blanc sur la toilette, mais sur ce qu’entrant un matin dans sa chambre, je le trouvais brossant ses ongles avec une petite vergette faite exprès, ouvrage qu’il continua fièrement devant moi. Je jugeai qu’un homme qui passe deux heures tous les matins à brosser ses ongles peut bien passer quelques instants à remplir de blanc les creux de sa peau”. (Confessions de J. J. Rousseau)]
Could not conceive how serious Grimm
Dared calmly cleanse his nails ’fore him,
Eloquent raver all-surpassing, —
The friend of liberty and laws
In this case quite mistaken was.




XXII


The most industrious man alive
May yet be studious of his nails;
What boots it with the age to strive?
Custom the despot soon prevails.
A new Kaverine Eugene mine,
Dreading the world’s remarks malign,
Was that which we are wont to call
A fop, in dress pedantical.
Three mortal hours per diem he
Would loiter by the looking-glass,
And from his dressing-room would pass
Like Venus when, capriciously,
The goddess would a masquerade
Attend in male attire arrayed.




XXIII


On this artistical retreat
Having once fixed your interest,
I might to connoisseurs repeat
The style in which my hero dressed;
Though I confess I hardly dare
Describe in detail the affair,
Since words like pantaloons, vest, coat,
To Russ indigenous are not;
And also that my feeble verse —
Pardon I ask for such a sin —
With words of foreign origin
Too much I’m given to intersperse,
Though to the Academy I come
And oft its Dictionary thumb.[13 - Refers to Dictionary of the Academy, compiled during the reign of Catherine II under the supervision of Lomonossoff.]




XXIV


But such is not my project now,
So let us to the ball-room haste,
Whither at headlong speed doth go
Eugene in hackney carriage placed.
Past darkened windows and long streets
Of slumbering citizens he fleets,
Till carriage lamps, a double row,
Cast a gay lustre on the snow,
Which shines with iridescent hues.
He nears a spacious mansion’s gate,
By many a lamp illuminate,
And through the lofty windows views
Profiles of lovely dames he knows
And also fashionable beaux.




XXV


Our hero stops and doth alight,
Flies past the porter to the stair,
But, ere he mounts the marble flight,
With hurried hand smooths down his hair.
He enters: in the hall a crowd,
No more the music thunders loud,
Some a mazurka occupies,
Crushing and a confusing noise;
Spurs of the Cavalier Guard clash,
The feet of graceful ladies fly,
And following them ye might espy
Full many a glance like lightning flash,
And by the fiddle’s rushing sound
The voice of jealousy is drowned.




XXVI


In my young days of wild delight
On balls I madly used to dote,
Fond declarations they invite
Or the delivery of a note.
So hearken, every worthy spouse,
I would your vigilance arouse,
Attentive be unto my rhymes
And due precautions take betimes.
Ye mothers also, caution use,
Upon your daughters keep an eye,
Employ your glasses constantly,
For otherwise – God only knows!
I lift a warning voice because
I long have ceased to offend the laws.




XXVII


Alas! life’s hours which swiftly fly
I’ve wasted in amusements vain,
But were it not immoral I
Should dearly like a dance again.
I love its furious delight,
The crowd and merriment and light,
The ladies, their fantastic dress,
Also their feet – yet ne’ertheless
Scarcely in Russia can ye find
Three pairs of handsome female feet;
Ah! I still struggle to forget
A pair; though desolate my mind,
Their memory lingers still and seems
To agitate me in my dreams.




XXVIII


When, where, and in what desert land,
Madman, wilt thou from memory raze
Those feet? Alas! on what far strand
Do ye of spring the blossoms graze?
Lapped in your Eastern luxury,
No trace ye left in passing by
Upon the dreary northern snows,
But better loved the soft repose
Of splendid carpets richly wrought.
I once forgot for your sweet cause
The thirst for fame and man’s applause,
My country and an exile’s lot;
My joy in youth was fleeting e’en
As your light footprints on the green.




XXIX


Diana’s bosom, Flora’s cheeks,
Are admirable, my dear friend,
But yet Terpsichore bespeaks
Charms more enduring in the end.
For promises her feet reveal
Of untold gain she must conceal,
Their privileged allurements fire
A hidden train of wild desire.
I love them, O my dear Elvine[14 - Elvine, or Elvina, was not improbably the owner of the seductive feet apostrophized by the poet, since, in 1816, he wrote an ode, “To Her,” which commences thus: “Elvina, my dear, come, give me thine hand,” and so forth.],
Beneath the table-cloth of white,
In winter on the fender bright,
In springtime on the meadows green,
Upon the ball-room’s glassy floor
Or by the ocean’s rocky shore.




XXX


Beside the stormy sea one day
I envied sore the billows tall,
Which rushed in eager dense array
Enamoured at her feet to fall.
How like the billow I desired
To kiss the feet which I admired!
No, never in the early blaze
Of fiery youth’s untutored days
So ardently did I desire
A young Armida’s lips to press,
Her cheek of rosy loveliness
Or bosom full of languid fire, —
A gust of passion never tore
My spirit with such pangs before.




XXXI


Another time, so willed it Fate,
Immersed in secret thought I stand
And grasp a stirrup fortunate —
Her foot was in my other hand.
Again imagination blazed,
The contact of the foot I raised
Rekindled in my withered heart
The fires of passion and its smart —
Away! and cease to ring their praise
For ever with thy tattling lyre,
The proud ones are not worth the fire
Of passion they so often raise.
The words and looks of charmers sweet
Are oft deceptive – like their feet.




XXXII


Where is Onegin? Half asleep,
Straight from the ball to bed he goes,
Whilst Petersburg from slumber deep
The drum already doth arouse.
The shopman and the pedlar rise
And to the Bourse the cabman plies;
The Okhtenka[15 - The milkmaid from the Okhta villages, a suburb of St. Petersburg on the right bank of the Neva chiefly inhabited by the labouring classes.] with pitcher speeds,
Crunching the morning snow she treads;
Morning awakes with joyous sound;
The shutters open; to the skies
In column blue the smoke doth rise;
The German baker looks around
His shop, a night-cap on his head,
And pauses oft to serve out bread.




XXXIII


But turning morning into night,
Tired by the ball’s incessant noise,
The votary of vain delight
Sleep in the shadowy couch enjoys,
Late in the afternoon to rise,
When the same life before him lies
Till morn – life uniform but gay,
To-morrow just like yesterday.
But was our friend Eugene content,
Free, in the blossom of his spring,
Amidst successes flattering
And pleasure’s daily blandishment,
Or vainly ’mid luxurious fare
Was he in health and void of care? —




XXXIV


Even so! His passions soon abated,
Hateful the hollow world became,
Nor long his mind was agitated
By love’s inevitable flame.
For treachery had done its worst;
Friendship and friends he likewise curst,
Because he could not gourmandise
Daily beefsteaks and Strasbourg pies
And irrigate them with champagne;
Nor slander viciously could spread
Whene’er he had an aching head;
And, though a plucky scatterbrain,
He finally lost all delight
In bullets, sabres, and in fight.




XXXV


His malady, whose cause I ween
It now to investigate is time,
Was nothing but the British spleen
Transported to our Russian clime.
It gradually possessed his mind;
Though, God be praised! he ne’er designed
To slay himself with blade or ball,
Indifferent he became to all,
And like Childe Harold gloomily
He to the festival repairs,
Nor boston nor the world’s affairs
Nor tender glance nor amorous sigh
Impressed him in the least degree, —
Callous to all he seemed to be.




XXXVI


Ye miracles of courtly grace,
He left you first, and I must own
The manners of the highest class
Have latterly vexatious grown;
And though perchance a lady may
Discourse of Bentham or of Say,
Yet as a rule their talk I call
Harmless, but quite nonsensical.
Then they’re so innocent of vice,
So full of piety, correct,
So prudent, and so circumspect
Stately, devoid of prejudice,
So inaccessible to men,
Their looks alone produce the spleen.




XXXVII


And you, my youthful damsels fair,
Whom latterly one often meets
Urging your droshkies swift as air
Along Saint Petersburg’s paved streets,
From you too Eugene took to flight,
Abandoning insane delight,
And isolated from all men,
Yawning betook him to a pen.
He thought to write, but labour long
Inspired him with disgust and so
Nought from his pen did ever flow,
And thus he never fell among
That vicious set whom I don’t blame —
Because a member I became.




XXXVIII


Once more to idleness consigned,
He felt the laudable desire
From mere vacuity of mind
The wit of others to acquire.
A case of books he doth obtain —
He reads at random, reads in vain.
This nonsense, that dishonest seems,
This wicked, that absurd he deems,
All are constrained and fetters bear,
Antiquity no pleasure gave,
The moderns of the ancients rave —
Books he abandoned like the fair,
His book-shelf instantly doth drape
With taffety instead of crape.




XXXIX


Having abjured the haunts of men,
Like him renouncing vanity,
His friendship I acquired just then;
His character attracted me.
An innate love of meditation,
Original imagination,
And cool sagacious mind he had:
I was incensed and he was sad.
Both were of passion satiate
And both of dull existence tired,
Extinct the flame which once had fired;
Both were expectant of the hate
With which blind Fortune oft betrays
The very morning of our days.




XL


He who hath lived and living, thinks,
Must e’en despise his kind at last;
He who hath suffered ofttimes shrinks
From shades of the relentless past.
No fond illusions live to soothe,
But memory like a serpent’s tooth
With late repentance gnaws and stings.
All this in many cases brings
A charm with it in conversation.
Onegin’s speeches I abhorred
At first, but soon became inured
To the sarcastic observation,
To witticisms and taunts half-vicious
And gloomy epigrams malicious.




XLI


How oft, when on a summer night
Transparent o’er the Neva beamed
The firmament in mellow light,
And when the watery mirror gleamed
No more with pale Diana’s rays[16 - The midsummer nights in the latitude of St. Petersburg are a prolonged twilight.],
We called to mind our youthful days —
The days of love and of romance!
Then would we muse as in a trance,
Impressionable for an hour,
And breathe the balmy breath of night;
And like the prisoner’s our delight
Who for the greenwood quits his tower,
As on the rapid wings of thought
The early days of life we sought.




XLII


Absorbed in melancholy mood
And o’er the granite coping bent,
Onegin meditative stood,
E’en as the poet says he leant.[17 - Refers to Mouravieff’s Goddess of the Neva. At St. Petersburg the banks of the Neva are lined throughout with splendid granite quays.]
‘Tis silent all! Alone the cries
Of the night sentinels arise
And from the Millionaya[18 - A street running parallel to the Neva, and leading from the Winter Palace to the Summer Palace and Garden.] afar
The sudden rattling of a car.
Lo! on the sleeping river borne,
A boat with splashing oar floats by,
And now we hear delightedly
A jolly song and distant horn;
But sweeter in a midnight dream
Torquato Tasso’s strains I deem.




XLIII


Ye billows of blue Hadria’s sea,
O Brenta, once more we shall meet
And, inspiration firing me,
Your magic voices I shall greet,
Whose tones Apollo’s sons inspire,
And after Albion’s proud lyre
Possess my love and sympathy.
The nights of golden Italy
I’ll pass beneath the firmament,
Hid in the gondola’s dark shade,
Alone with my Venetian maid,
Now talkative, now reticent;
From her my lips shall learn the tongue
Of love which whilom Petrarch sung.




XLIV


When will my hour of freedom come!
Time, I invoke thee! favouring gales
Awaiting on the shore I roam
And beckon to the passing sails.
Upon the highway of the sea
When shall I wing my passage free
On waves by tempests curdled o’er!
‘Tis time to quit this weary shore
So uncongenial to my mind,
To dream upon the sunny strand
Of Africa, ancestral land[19 - The poet was, on his mother’s side, of African extraction, a circumstance which perhaps accounts for the southern fervour of his imagination. His great-grandfather, Abraham Petrovitch Hannibal, was seized on the coast of Africa when eight years of age by a corsair, and carried a slave to Constantinople. The Russian Ambassador bought and presented him to Peter the Great who caused him to be baptized at Vilnius. Subsequently one of Hannibal’s brothers made his way to Constantinople and thence to St. Petersburg for the purpose of ransoming him; but Peter would not surrender his godson who died at the age of ninety-two, having attained the rank of general in the Russian service.],
Of dreary Russia left behind,
Wherein I felt love’s fatal dart,
Wherein I buried left my heart.




XLV


Eugene designed with me to start
And visit many a foreign clime,
But Fortune cast our lots apart
For a protracted space of time.
Just at that time his father died,
And soon Onegin’s door beside
Of creditors a hungry rout
Their claims and explanations shout.
But Eugene, hating litigation
And with his lot in life content,
To a surrender gave consent,
Seeing in this no deprivation,
Or counting on his uncle’s death
And what the old man might bequeath.




XLVI


And in reality one day
The steward sent a note to tell
How sick to death his uncle lay
And wished to say to him farewell.
Having this mournful document
Perused, Eugene in postchaise went
And hastened to his uncle’s side,
But in his heart dissatisfied,
Having for money’s sake alone
Sorrow to counterfeit and wail —
Thus we began our little tale —
But, to his uncle’s mansion flown,
He found him on the table laid,
A due which must to earth be paid.




XLVII


The courtyard full of serfs he sees,
And from the country all around
Had come both friends and enemies —
Funeral amateurs abound!
The body they consigned to rest,
And then made merry pope and guest,
With serious air then went away
As men who much had done that day.
Lo! my Onegin rural lord!
Of mines and meadows, woods and lakes,
He now a full possession takes,
He who economy abhorred,
Delighted much his former ways
To vary for a few brief days.




XLVIII


For two whole days it seemed a change
To wander through the meadows still,
The cool dark oaken grove to range,
To listen to the rippling rill.
But on the third of grove and mead
He took no more the slightest heed;
They made him feel inclined to doze;
And the conviction soon arose,
Ennui can in the country dwell
Though without palaces and streets,
Cards, balls, routs, poetry or fetes;
On him spleen mounted sentinel
And like his shadow dogged his life,
Or better, – like a faithful wife.




XLIX


I was for calm existence made,
For rural solitude and dreams,
My lyre sings sweeter in the shade
And more imagination teems.
On innocent delights I dote,
Upon my lake I love to float,
For law I far niente take
And every morning I awake
The child of sloth and liberty.
I slumber much, a little read,
Of fleeting glory take no heed.
In former years thus did not I
In idleness and tranquil joy
The happiest days of life employ?




L


Love, flowers, the country, idleness
And fields my joys have ever been;
I like the difference to express
Between myself and my Eugene,
Lest the malicious reader or
Some one or other editor
Of keen sarcastic intellect
Herein my portrait should detect,
And impiously should declare,
To sketch myself that I have tried
Like Byron, bard of scorn and pride,
As if impossible it were
To write of any other elf
Than one’s own fascinating self.




LI


Here I remark all poets are
Love to idealize inclined;
I have dreamed many a vision fair
And the recesses of my mind
Retained the image, though short-lived,
Which afterwards the muse revived.
Thus carelessly I once portrayed
Mine own ideal, the mountain maid,
The captives of the Salguir’s shore[20 - Refers to two of the most interesting productions of the poet. The former line indicates the Prisoner of the Caucasus, the latter, The Fountain of Baktchiserai. The Salguir is a river of the Crimea.].
But now a question in this wise
Oft upon friendly lips doth rise:
Whom doth thy plaintive Muse adore?
To whom amongst the jealous throng
Of maids dost thou inscribe thy song?




LII


Whose glance reflecting inspiration
With tenderness hath recognized
Thy meditative incantation —
Whom hath thy strain immortalized?
None, be my witness Heaven above!
The malady of hopeless love
I have endured without respite.
Happy who thereto can unite
Poetic transport. They impart
A double force unto their song
Who following Petrarch move along
And ease the tortures of the heart —
Perchance they laurels also cull —
But I, in love, was mute and dull.




LIII


The Muse appeared, when love passed by
And my dark soul to light was brought;
Free, I renewed the idolatry
Of harmony enshrining thought.
I write, and anguish flies away,
Nor doth my absent pen portray
Around my stanzas incomplete
Young ladies’ faces and their feet.
Extinguished ashes do not blaze —
I mourn, but tears I cannot shed —
Soon, of the tempest which hath fled
Time will the ravages efface —
When that time comes, a poem I’ll strive
To write in cantos twenty-five.




LIV


I’ve thought well o’er the general plan,
The hero’s name too in advance,
Meantime I’ll finish whilst I can
Canto the First of this romance.
I’ve scanned it with a jealous eye,
Discovered much absurdity,
But will not modify a tittle —
I owe the censorship a little.
For journalistic deglutition
I yield the fruit of work severe.
Go, on the Neva’s bank appear,
My very latest composition!
Enjoy the meed which Fame bestows —
Misunderstanding, words and blows.




Canto the Second


“O Rus!”

    Horace




I


The village wherein yawned Eugene
Was a delightful little spot,
There friends of pure delight had been
Grateful to Heaven for their lot.
The lonely mansion-house to screen
From gales a hill behind was seen;
Before it ran a stream. Behold!
Afar, where clothed in green and gold
Meadows and cornfields are displayed,
Villages in the distance show
And herds of oxen wandering low;
Whilst nearer, sunk in deeper shade,
A thick immense neglected grove
Extended – haunt which Dryads love.




II


‘Twas built, the venerable pile,
As lordly mansions ought to be,
In solid, unpretentious style,
The style of wise antiquity.
Lofty the chambers one and all,
Silk tapestry upon the wall,
Imperial portraits hang around
And stoves of various shapes abound.
All this I know is out of date,
I cannot tell the reason why,
But Eugene, incontestably,
The matter did not agitate,
Because he yawned at the bare view
Of drawing-rooms or old or new.




III


He took the room wherein the old
Man – forty years long in this wise —
His housekeeper was wont to scold,
Look through the window and kill flies.
‘Twas plain – an oaken floor ye scan,
Two cupboards, table, soft divan,
And not a speck of dirt descried.
Onegin oped the cupboards wide.
In one he doth accounts behold,
Here bottles stand in close array,
There jars of cider block the way,
An almanac but eight years old.
His uncle, busy man indeed,
No other book had time to read.




IV


Alone amid possessions great,
Eugene at first began to dream,
If but to lighten Time’s dull rate,
Of many an economic scheme;
This anchorite amid his waste
The ancient barshtchina replaced
By an obrok’s[21 - The barshtchina was the corvee, or forced labour of three days per week rendered previous to the emancipation of 1861 by the serfs to their lord. The obrok was a species of poll-tax paid by a serf, either in lieu of the forced labour or in consideration of being permitted to exercise a trade or profession elsewhere. Very heavy obroks have at times been levied on serfs possessed of skill or accomplishments, or who had amassed wealth; and circumstances may be easily imagined which, under such a system, might lead to great abuses.] indulgent rate:
The peasant blessed his happy fate.
But this a heinous crime appeared
Unto his neighbour, man of thrift,
Who secretly denounced the gift,
And many another slily sneered;
And all with one accord agreed,
He was a dangerous fool indeed.




V


All visited him at first, of course;
But since to the backdoor they led
Most usually a Cossack horse
Upon the Don’s broad pastures bred
If they but heard domestic loads
Come rumbling up the neighbouring roads,
Most by this circumstance offended
All overtures of friendship ended.
“Oh! what a fool our neighbour is!
He’s a freemason, so we think.
Alone he doth his claret drink,
A lady’s hand doth never kiss.
‘Tis yes! no! never madam! sir!”
This was his social character.




VI


Into the district then to boot
A new proprietor arrived,
From whose analysis minute
The neighbourhood fresh sport derived.
Vladimir Lenski was his name,
From Gottingen inspired he came,
A worshipper of Kant, a bard,
A young and handsome galliard.
He brought from mystic Germany
The fruits of learning and combined
A fiery and eccentric mind,
Idolatry of liberty,
A wild enthusiastic tongue,
Black curls which to his shoulders hung.




VII


The pervert world with icy chill
Had not yet withered his young breast.
His heart reciprocated still
When Friendship smiled or Love caressed.
He was a dear delightful fool —
A nursling yet for Hope to school.
The riot of the world and glare
Still sovereigns of his spirit were,
And by a sweet delusion he
Would soothe the doubtings of his soul,
He deemed of human life the goal
To be a charming mystery:
He racked his brains to find its clue
And marvels deemed he thus should view.




VIII


This he believed: a kindred spirit
Impelled to union with his own
Lay languishing both day and night —
Waiting his coming – his alone!
He deemed his friends but longed to make
Great sacrifices for his sake!
That a friend’s arm in every case
Felled a calumniator base!
That chosen heroes consecrate,
Friends of the sons of every land,
Exist – that their immortal band
Shall surely, be it soon or late,
Pour on this orb a dazzling light
And bless mankind with full delight.




IX


Compassion now or wrath inspires
And now philanthropy his soul,
And now his youthful heart desires
The path which leads to glory’s goal.
His harp beneath that sky had rung
Where sometime Goethe, Schiller sung,
And at the altar of their fame
He kindled his poetic flame.
But from the Muses’ loftiest height
The gifted songster never swerved,
But proudly in his song preserved
An ever transcendental flight;
His transports were quite maidenly,
Charming with grave simplicity.




X


He sang of love – to love a slave.
His ditties were as pure and bright
As thoughts which gentle maidens have,
As a babe’s slumber, or the light
Of the moon in the tranquil skies,
Goddess of lovers’ tender sighs.
He sang of separation grim,
Of what not, and of distant dim,
Of roses to romancers dear;
To foreign lands he would allude,
Where long time he in solitude
Had let fall many a bitter tear:
He sang of life’s fresh colours stained
Before he eighteen years attained.




XI


Since Eugene in that solitude
Gifts such as these alone could prize,
A scant attendance Lenski showed
At neighbouring hospitalities.
He shunned those parties boisterous;
The conversation tedious
About the crop of hay, the wine,
The kennel or a kindred line,
Was certainly not erudite
Nor sparkled with poetic fire,
Nor wit, nor did the same inspire
A sense of social delight,
But still more stupid did appear
The gossip of their ladies fair.




XII


Handsome and rich, the neighbourhood
Lenski as a good match received, —
Such is the country custom good;
All mothers their sweet girls believed
Suitable for this semi-Russian.
He enters: rapidly discussion
Shifts, tacks about, until they prate
The sorrows of a single state.
Perchance where Dunia pours out tea
The young proprietor we find;
To Dunia then they whisper: Mind!
And a guitar produced we see,
And Heavens! warbled forth we hear:
Come to my golden palace, dear![22 - From the lay of the Russalka, mermaid of the Dnieper.]




XIII


But Lenski, having no desire
Vows matrimonial to break,
With our Onegin doth aspire
Acquaintance instantly to make.
They met. Earth, water, prose and verse,
Or ice and flame, are not diverse
If they were similar in aught.
At first such contradictions wrought
Mutual repulsion and ennui,
But grown familiar side by side
On horseback every day they ride —
Inseparable soon they be.
Thus oft – this I myself confess —
Men become friends from idleness.




XIV


But even thus not now-a-days!
In spite of common sense we’re wont
As cyphers others to appraise,
Ourselves as unities to count;
And like Napoleons each of us
A million bipeds reckons thus
One instrument for his own use —
Feeling is silly, dangerous.
Eugene, more tolerant than this
(Though certainly mankind he knew
And usually despised it too),
Exceptionless as no rule is,
A few of different temper deemed,
Feeling in others much esteemed.




XV


With smiling face he Lenski hears;
The poet’s fervid conversation
And judgment which unsteady veers
And eye which gleams with inspiration —
All this was novel to Eugene.
The cold reply with gloomy mien
He oft upon his lips would curb,
Thinking: ’tis foolish to disturb
This evanescent boyish bliss.
Time without me will lessons give,
So meantime let him joyous live
And deem the world perfection is!
Forgive the fever youth inspires,
And youthful madness, youthful fires.




XVI


The gulf between them was so vast,
Debate commanded ample food —
The laws of generations past,
The fruits of science, evil, good,
The prejudices all men have,
The fatal secrets of the grave,
And life and fate in turn selected
Were to analysis subjected.
The fervid poet would recite,
Carried away by ecstasy,
Fragments of northern poetry,
Whilst Eugene condescending quite,
Though scarcely following what was said,
Attentive listened to the lad.




XVII


But more the passions occupy
The converse of our hermits twain,
And, heaving a regretful sigh,
An exile from their troublous reign,
Eugene would speak regarding these.
Thrice happy who their agonies
Hath suffered but indifferent grown,
Still happier he who ne’er hath known!
By absence who hath chilled his love,
His hate by slander, and who spends
Existence without wife or friends,
Whom jealous transport cannot move,
And who the rent-roll of his race
Ne’er trusted to the treacherous ace.




XVIII


When, wise at length, we seek repose
Beneath the flag of Quietude,
When Passion’s fire no longer glows
And when her violence reviewed —
Each gust of temper, silly word,
Seems so unnatural and absurd:
Reduced with effort unto sense,
We hear with interest intense
The accents wild of other’s woes,
They stir the heart as heretofore.
So ancient warriors, battles o’er,
A curious interest disclose
In yarns of youthful troopers gay,
Lost in the hamlet far away.




XIX


And in addition youth is flame
And cannot anything conceal,
Is ever ready to proclaim
The love, hate, sorrow, joy, we feel.
Deeming himself a veteran scarred
In love’s campaigns Onegin heard
With quite a lachrymose expression
The youthful poet’s fond confession.
He with an innocence extreme
His inner consciousness laid bare,
And Eugene soon discovered there
The story of his young love’s dream,
Where plentifully feelings flow
Which we experienced long ago.




XX


Alas! he loved as in our times
Men love no more, as only the
Mad spirit of the man who rhymes
Is still condemned in love to be;
One image occupied his mind,
Constant affection intertwined
And an habitual sense of pain;
And distance interposed in vain,
Nor years of separation all
Nor homage which the Muse demands
Nor beauties of far distant lands
Nor study, banquet, rout nor ball
His constant soul could ever tire,
Which glowed with virginal desire.




XXI


When but a boy he Olga loved
Unknown as yet the aching heart,
He witnessed tenderly and moved
Her girlish gaiety and sport.
Beneath the sheltering oak tree’s shade
He with his little maiden played,
Whilst the fond parents, friends thro’ life,
Dreamed in the future man and wife.
And full of innocent delight,
As in a thicket’s humble shade,
Beneath her parents’ eyes the maid
Grew like a lily pure and white,
Unseen in thick and tangled grass
By bee and butterfly which pass.




XXII


‘Twas she who first within his breast
Poetic transport did infuse,
And thoughts of Olga first impressed
A mournful temper on his Muse.
Farewell! thou golden days of love!
‘Twas then he loved the tangled grove
And solitude and calm delight,
The moon, the stars, and shining night —
The moon, the lamp of heaven above,
To whom we used to consecrate
A promenade in twilight late
With tears which secret sufferers love —
But now in her effulgence pale
A substitute for lamps we hail!




XXIII


Obedient she had ever been
And modest, cheerful as the morn,
As a poetic life serene,
Sweet as the kiss of lovers sworn.
Her eyes were of cerulean blue,
Her locks were of a golden hue,
Her movements, voice and figure slight,
All about Olga – to a light
Romance of love I pray refer,
You’ll find her portrait there, I vouch;
I formerly admired her much
But finally grew bored by her.
But with her elder sister I
Must now my stanzas occupy.




XXIV


Tattiana was her appellation.
We are the first who such a name
In pages of a love narration
With such a perversity proclaim.
But wherefore not? – ‘Tis pleasant, nice,
Euphonious, though I know a spice
It carries of antiquity
And of the attic. Honestly,
We must admit but little taste
Doth in us or our names appear
(I speak not of our poems here),
And education runs to waste,
Endowing us from out her store
With affectation, – nothing more.




XXV


And so Tattiana was her name,
Nor by her sister’s brilliancy
Nor by her beauty she became
The cynosure of every eye.
Shy, silent did the maid appear
As in the timid forest deer,
Even beneath her parents’ roof
Stood as estranged from all aloof,
Nearest and dearest knew not how
To fawn upon and love express;
A child devoid of childishness
To romp and play she ne’er would go:
Oft staring through the window pane
Would she in silence long remain.




XXVI


Contemplativeness, her delight,
E’en from her cradle’s earliest dream,
Adorned with many a vision bright
Of rural life the sluggish stream;
Ne’er touched her fingers indolent
The needle nor, o’er framework bent,
Would she the canvas tight enrich
With gay design and silken stitch.
Desire to rule ye may observe
When the obedient doll in sport
An infant maiden doth exhort
Polite demeanour to preserve,
Gravely repeating to another
Recent instructions of its mother.




XXVII


But Tania ne’er displayed a passion
For dolls, e’en from her earliest years,
And gossip of the town and fashion
She ne’er repeated unto hers.
Strange unto her each childish game,
But when the winter season came
And dark and drear the evenings were,
Terrible tales she loved to hear.
And when for Olga nurse arrayed
In the broad meadow a gay rout,
All the young people round about,
At prisoner’s base she never played.
Their noisy laugh her soul annoyed,
Their giddy sports she ne’er enjoyed.




XXVIII


She loved upon the balcony
To anticipate the break of day,
When on the pallid eastern sky
The starry beacons fade away,
The horizon luminous doth grow,
Morning’s forerunners, breezes blow
And gradually day unfolds.
In winter, when Night longer holds
A hemisphere beneath her sway,
Longer the East inert reclines
Beneath the moon which dimly shines,
And calmly sleeps the hours away,
At the same hour she oped her eyes
And would by candlelight arise.




XXIX


Romances pleased her from the first,
Her all in all did constitute;
In love adventures she was versed,
Rousseau and Richardson to boot.
Not a bad fellow was her father
Though superannuated rather;
In books he saw nought to condemn
But, as he never opened them,
Viewed them with not a little scorn,
And gave himself but little pain
His daughter’s book to ascertain
Which ’neath her pillow lay till morn.
His wife was also mad upon
The works of Mr. Richardson.




XXX


She was thus fond of Richardson
Not that she had his works perused,
Or that adoring Grandison
That rascal Lovelace she abused;
But that Princess Pauline of old,
Her Moscow cousin, often told
The tale of these romantic men;
Her husband was a bridegroom then,
And she despite herself would waste
Sighs on another than her lord
Whose qualities appeared to afford
More satisfaction to her taste.
Her Grandison was in the Guard,
A noted fop who gambled hard.




XXXI


Like his, her dress was always nice,
The height of fashion, fitting tight,
But contrary to her advice
The girl in marriage they unite.
Then, her distraction to allay,
The bridegroom sage without delay
Removed her to his country seat,
Where God alone knows whom she met.
She struggled hard at first thus pent,
Night separated from her spouse,
Then became busy with the house,
First reconciled and then content;
Habit was given us in distress
By Heaven in lieu of happiness.




XXXII


Habit alleviates the grief
Inseparable from our lot;
This great discovery relief
And consolation soon begot.
And then she soon ’twixt work and leisure
Found out the secret how at pleasure
To dominate her worthy lord,
And harmony was soon restored.
The workpeople she superintended,
Mushrooms for winter salted down,
Kept the accounts, shaved many a crown[23 - The serfs destined for military service used to have a portion of their heads shaved as a distinctive mark.],
The bath on Saturdays attended,
When angry beat her maids, I grieve,
And all without her husband’s leave.




XXXIII


In her friends’ albums, time had been,
With blood instead of ink she scrawled,
Baptized Prascovia Pauline,
And in her conversation drawled.
She wore her corset tightly bound,
The Russian N with nasal sound
She would pronounce a la Francaise;
But soon she altered all her ways,
Corset and album and Pauline,
Her sentimental verses all,
She soon forgot, began to call
Akulka who was once Celine,
And had with waddling in the end
Her caps and night-dresses to mend.




XXXIV


As for her spouse he loved her dearly,
In her affairs ne’er interfered,
Entrusted all to her sincerely,
In dressing-gown at meals appeared.
Existence calmly sped along,
And oft at eventide a throng
Of friends unceremonious would
Assemble from the neighbourhood:
They growl a bit – they scandalise —
They crack a feeble joke and smile —
Thus the time passes and meanwhile
Olga the tea must supervise —
‘Tis time for supper, now for bed,
And soon the friendly troop hath fled.




XXXV


They in a peaceful life preserved
Customs by ages sanctified,
Strictly the Carnival observed,
Ate Russian pancakes at Shrovetide,
Twice in the year to fast were bound,
Of whirligigs were very fond,
Of Christmas carols, song and dance;
When people with long countenance
On Trinity Sunday yawned at prayer,
Three tears they dropt with humble mein
Upon a bunch of lovage green;
Kvass needful was to them as air;
On guests their servants used to wait
By rank as settled by the State.[24 - The foregoing stanza requires explanation. Russian pancakes or “blinni” are consumed vigorously by the lower orders during the Carnival. At other times it is difficult to procure them, at any rate in the large towns. The Russian peasants are childishly fond of whirligigs, which are also much in vogue during the Carnival. “Christmas Carols” is not an exact equivalent for the Russian phrase. “Podbliudni pessni,” are literally “dish songs,” or songs used with dishes (of water) during the “sviatki” or Holy Nights, which extend from Christmas to Twelfth Night, for purposes of divination. Reference will again be made to this superstitious practice, which is not confined to Russia.“Song and dance,” the well-known “khorovod,” in which the dance proceeds to vocal music.“Lovage,” the Levisticum officinalis, is a hardy plant growing very far north, though an inhabitant of our own kitchen gardens. The passage containing the reference to the three tears and Trinity Sunday was at first deemed irreligious by the Russian censors, and consequently expunged.Kvass is of various sorts: there is the common kvass of fermented rye used by the peasantry, and the more expensive kvass of the restaurants, iced and flavoured with various fruits.The final two lines refer to the “Tchin,” or Russian social hierarchy. There are fourteen grades in the Tchin assigning relative rank and precedence to the members of the various departments of the State, civil, military, naval, court, scientific and educational. The military and naval grades from the 14th up to the 7th confer personal nobility only, whilst above the 7th hereditary rank is acquired. In the remaining departments, civil or otherwise, personal nobility is only attained with the 9th grade, hereditary with the 4th.]




XXXVI


Thus age approached, the common doom,
And death before the husband wide
Opened the portals of the tomb
And a new diadem supplied.[25 - A play upon the word “venetz,” crown, which also signifies a nimbus or glory, and is the symbol of marriage from the fact of two gilt crowns being held over the heads of the bride and bridegroom during the ceremony. The literal meaning of the passage is therefore: his earthly marriage was dissolved and a heavenly one was contracted.]
Just before dinner-time he slept,
By neighbouring families bewept,
By children and by faithful wife
With deeper woe than others’ grief.
He was an honest gentleman,
And where at last his bones repose
The epitaph on marble shows:
Demetrius Larine, sinful man,
Servant of God and brigadier,
Enjoyeth peaceful slumber here.




XXXVII


To his Penates now returned,
Vladimir Lenski visited
His neighbour’s lowly tomb and mourned
Above the ashes of the dead.
There long time sad at heart he stayed:
“Poor Yorick,” mournfully he said,
“How often in thine arms I lay;
How with thy medal I would play,
The Medal Otchakoff conferred![26 - The fortress of Otchakoff was taken by storm on the 18th December 1788 by a Russian army under Prince Potemkin. Thirty thousand Turks are said to have perished during the assault and ensuing massacre.]
To me he would his Olga give,
Would whisper: shall I so long live?” —
And by a genuine sorrow stirred,
Lenski his pencil-case took out
And an elegiac poem wrote.




XXXVIII


Likewise an epitaph with tears
He writes upon his parents’ tomb,
And thus ancestral dust reveres.
Oh! on the fields of life how bloom
Harvests of souls unceasingly
By Providence’s dark decree!
They blossom, ripen and they fall
And others rise ephemeral!
Thus our light race grows up and lives,
A moment effervescing stirs,
Then seeks ancestral sepulchres,
The appointed hour arrives, arrives!
And our successors soon shall drive
Us from the world wherein we live.




XXXIX


Meantime, drink deeply of the flow
Of frivolous existence, friends;
Its insignificance I know
And care but little for its ends.
To dreams I long have closed mine eyes,
Yet sometimes banished hopes will rise
And agitate my heart again;
And thus it is ’twould cause me pain
Without the faintest trace to leave
This world. I do not praise desire,
Yet still apparently aspire
My mournful fate in verse to weave,
That like a friendly voice its tone
Rescue me from oblivion.




XL


Perchance some heart ’twill agitate,
And then the stanzas of my theme
Will not, preserved by kindly Fate,
Perish absorbed by Lethe’s stream.
Then it may be, O flattering tale,
Some future ignoramus shall
My famous portrait indicate
And cry: he was a poet great!
My gratitude do not disdain,
Admirer of the peaceful Muse,
Whose memory doth not refuse
My light productions to retain,
Whose hands indulgently caress
The bays of age and helplessness.




Canto the Third


‘Elle était fille, elle était amoureuse’

    Malfilatre




I


“Whither away? Deuce take the bard!” —
“Good-bye, Onegin, I must go.” —
“I won’t detain you; but ’tis hard
To guess how you the eve pull through.” —
“At Larina’s.” – “Hem, that is queer!
Pray is it not a tough affair
Thus to assassinate the eve?” —
“Not at all.” – “That I can’t conceive!
‘Tis something of this sort I deem.
In the first place, say, am I right?
A Russian household simple quite,
Who welcome guests with zeal extreme,
Preserves and an eternal prattle
About the rain and flax and cattle.” —




II


“No misery I see in that” —
“Boredom, my friend, behold the ill – ”
“Your fashionable world I hate,
Domestic life attracts me still,
Where – “ – “What! another eclogue spin?
For God’s sake, Lenski, don’t begin!
What! really going? ’Tis too bad!
But Lenski, I should be so glad
Would you to me this Phyllis show,
Fair source of every fine idea,
Verses and tears et cetera.
Present me.” – “You are joking.” – “No.” —
“Delighted.” – “When?” – “This very night.
They will receive us with delight.”




III


Whilst homeward by the nearest route
Our heroes at full gallop sped,
Can we not stealthily make out
What they in conversation said? —
“How now, Onegin, yawning still?” —
“‘Tis habit, Lenski.” – “Is your ill
More troublesome than usual?” – “No!
How dark the night is getting though!
Hallo, Andriushka, onward race!
The drive becomes monotonous —
Well! Larina appears to us
An ancient lady full of grace. —
That bilberry wine, I’m sore afraid,
The deuce with my inside has played.”




IV


“Say, of the two which was Tattiana?”
“She who with melancholy face
And silent as the maid Svetlana[27 - Svetlana, a short poem by Joukovski, upon which his fame mainly rests. Joukovski was an unblushing plagiarist. Many eminent English poets have been laid under contribution by him, often without going through the form of acknowledging the source of inspiration. Even the poem in question cannot be pronounced entirely original, though its intrinsic beauty is unquestionable. It undoubtedly owes its origin to Burger’s poem Leonora, which has found so many English translators. Not content with a single development of Burger’s ghastly production the Russian poet has directly paraphrased Leonora under its own title, and also written a poem Liudmila in imitation of it. The principal outlines of these three poems are as follows: A maiden loses her lover in the wars; she murmurs at Providence and is vainly reproved for such blasphemy by her mother. Providence at length loses patience and sends her lover’s spirit, to all appearances as if in the flesh, who induces the unfortunate maiden to elope. Instead of riding to a church or bridal chamber the unpleasant bridegroom resorts to the graveyard and repairs to his own grave, from which he has recently issued to execute his errand. It is a repulsive subject. Svetlana, however, is more agreeable than its prototype Leonora, inasmuch as the whole catastrophe turns out a dream brought on by “sorcery,” during the “sviatki” or Holy Nights (see Canto V. st. x), and the dreamer awakes to hear the tinkling of her lover’s sledge approaching. “Svetlana” has been translated by Sir John Bowring.]
Hard by the window took her place.” —
“The younger, you’re in love with her!”
“Well!” – “I the elder should prefer,
Were I like you a bard by trade —
In Olga’s face no life’s displayed.
‘Tis a Madonna of Vandyk,
An oval countenance and pink,
Yon silly moon upon the brink
Of the horizon she is like!” —
Vladimir something curtly said
Nor further comment that night made.




V


Meantime Onegin’s apparition
At Larina’s abode produced
Quite a sensation; the position
To all good neighbours’ sport conduced.
Endless conjectures all propound
And secretly their views expound.
What jokes and guesses now abound,
A beau is for Tattiana found!
In fact, some people were assured
The wedding-day had been arranged,
But the date subsequently changed
Till proper rings could be procured.
On Lenski’s matrimonial fate
They long ago had held debate.




VI


Of course Tattiana was annoyed
By such allusions scandalous,
Yet was her inmost soul o’erjoyed
With satisfaction marvellous,
As in her heart the thought sank home,
I am in love, my hour hath come!
Thus in the earth the seed expands
Obedient to warm Spring’s commands.
Long time her young imagination
By indolence and languor fired
The fated nutriment desired;
And long internal agitation
Had filled her youthful breast with gloom,
She waited for – I don’t know whom!




VII


The fatal hour had come at last —
She oped her eyes and cried: ’tis he!
Alas! for now before her passed
The same warm vision constantly;
Now all things round about repeat
Ceaselessly to the maiden sweet
His name: the tenderness of home
Tiresome unto her hath become
And the kind-hearted servitors:
Immersed in melancholy thought,
She hears of conversation nought
And hated casual visitors,
Their coming which no man expects,
And stay whose length none recollects.




VIII


Now with what eager interest
She the delicious novel reads,
With what avidity and zest
She drinks in those seductive deeds!
All the creations which below
From happy inspiration flow,
The swain of Julia Wolmar,
Malek Adel and De Linar,[28 - The heroes of two romances much in vogue in Pushkin’s time: the former by Madame Cottin, the latter by the famous Madame Krudener. The frequent mention in the course of this poem of romances once enjoying a European celebrity but now consigned to oblivion, will impress the reader with the transitory nature of merely mediocre literary reputation. One has now to search for the very names of most of the popular authors of Pushkin’s day and rummage biographical dictionaries for the dates of their births and deaths. Yet the poet’s prime was but fifty years ago, and had he lived to a ripe old age he would have been amongst us still. He was four years younger than the late Mr. Thomas Carlyle. The decadence of Richardson’s popularity amongst his countrymen is a fact familiar to all.]
Werther, rebellious martyr bold,
And that unrivalled paragon,
The sleep-compelling Grandison,
Our tender dreamer had enrolled
A single being: ’twas in fine
No other than Onegin mine.




IX


Dreaming herself the heroine
Of the romances she preferred,
Clarissa, Julia, Delphine[29 - Referring to Richardson’s Clarissa Harlowe, La Nouvelle Héloïse, and Madame de Stael’s Delphine.], —
Tattiana through the forest erred,
And the bad book accompanies.
Upon those pages she descries
Her passion’s faithful counterpart,
Fruit of the yearnings of the heart.
She heaves a sigh and deep intent
On raptures, sorrows not her own,
She murmurs in an undertone
A letter for her hero meant:
That hero, though his merit shone,
Was certainly no Grandison.




X


Alas! my friends, the years flit by
And after them at headlong pace
The evanescent fashions fly
In motley and amusing chase.
The world is ever altering!
Farthingales, patches, were the thing,
And courtier, fop, and usurer
Would once in powdered wig appear;
Time was, the poet’s tender quill
In hopes of everlasting fame
A finished madrigal would frame
Or couplets more ingenious still;
Time was, a valiant general might
Serve who could neither read nor write.




XI


Time was, in style magniloquent
Authors replete with sacred fire
Their heroes used to represent
All that perfection could desire;
Ever by adverse fate oppressed,
Their idols they were wont to invest
With intellect, a taste refined,
And handsome countenance combined,
A heart wherein pure passion burnt;
The excited hero in a trice
Was ready for self-sacrifice,
And in the final tome we learnt,
Vice had due punishment awarded,
Virtue was with a bride rewarded.




XII


But now our minds are mystified
And Virtue acts as a narcotic,
Vice in romance is glorified
And triumphs in career erotic.
The monsters of the British Muse
Deprive our schoolgirls of repose,
The idols of their adoration
A Vampire fond of meditation,
Or Melmoth, gloomy wanderer he,
The Eternal Jew or the Corsair
Or the mysterious Sbogar.[30 - Melmoth, a romance by Maturin, and Jean Sbogar, by Ch. Nodier. The Vampire, a tale published in 1819, was erroneously attributed to Lord Byron. Salathiel; the Eternal Jew, a romance by Geo. Croly.]
Byron’s capricious phantasy
Could in romantic mantle drape
E’en hopeless egoism’s dark shape.




XIII


My friends, what means this odd digression?
May be that I by heaven’s decrees
Shall abdicate the bard’s profession,
And shall adopt some new caprice.
Thus having braved Apollo’s rage
With humble prose I’ll fill my page
And a romance in ancient style
Shall my declining years beguile;
Nor shall my pen paint terribly
The torment born of crime unseen,
But shall depict the touching scene
Of Russian domesticity;
I will descant on love’s sweet dream,
The olden time shall be my theme.




XIV


Old people’s simple conversations
My unpretending page shall fill,
Their offspring’s innocent flirtations
By the old lime-tree or the rill,
Their Jealousy and separation
And tears of reconciliation:
Fresh cause of quarrel then I’ll find,
But finally in wedlock bind.
The passionate speeches I’ll repeat,
Accents of rapture or despair
I uttered to my lady fair
Long ago, prostrate at her feet.
Then they came easily enow,
My tongue is somewhat rusty now.




XV


Tattiana! sweet Tattiana, see!
What bitter tears with thee I shed!
Thou hast resigned thy destiny
Unto a ruthless tyrant dread.
Thou’lt suffer, dearest, but before,
Hope with her fascinating power
To dire contentment shall give birth
And thou shalt taste the joys of earth.
Thou’lt quaff love’s sweet envenomed stream,
Fantastic images shall swarm
In thy imagination warm,
Of happy meetings thou shalt dream,
And wheresoe’er thy footsteps err,
Confront thy fated torturer!




XVI


Love’s pangs Tattiana agonize.
She seeks the garden in her need —
Sudden she stops, casts down her eyes
And cares not farther to proceed;
Her bosom heaves whilst crimson hues
With sudden flush her cheeks suffuse,
Barely to draw her breath she seems,
Her eye with fire unwonted gleams.
And now ’tis night, the guardian moon
Sails her allotted course on high,
And from the misty woodland nigh
The nightingale trills forth her tune;
Restless Tattiana sleepless lay
And thus unto her nurse did say:




XVII


“Nurse, ’tis so close I cannot rest.
Open the window – sit by me.”
“What ails thee, dear?” – “I feel depressed.
Relate some ancient history.”
“But which, my dear? – In days of yore
Within my memory I bore
Many an ancient legend which
In monsters and fair dames was rich;
But now my mind is desolate,
What once I knew is clean forgot —
Alas! how wretched now my lot!”
“But tell me, nurse, can you relate
The days which to your youth belong?
Were you in love when you were young?” —




XVIII


“Alack! Tattiana,” she replied,
“We never loved in days of old,
My mother-in-law who lately died[31 - A young married couple amongst Russian peasants reside in the house of the bridegroom’s father till the “tiaglo,” or family circle is broken up by his death.]
Had killed me had the like been told.”
“How came you then to wed a man?” —
“Why, as God ordered! My Ivan
Was younger than myself, my light,
For I myself was thirteen quite;[32 - Marriages amongst Russian serfs used formerly to take place at ridiculously early ages. Haxthausen asserts that strong hearty peasant women were to be seen at work in the fields with their infant husbands in their arms. The inducement lay in the fact that the “tiaglo” (see previous note) received an additional lot of the communal land for every male added to its number, though this could have formed an inducement in the southern and fertile provinces of Russia only, as it is believed that agriculture in the north is so unremunerative that land has often to be forced upon the peasants, in order that the taxes, for which the whole Commune is responsible to Government, may be paid. The abuse of early marriages was regulated by Tsar Nicholas.]
The matchmaker a fortnight sped,
Her suit before my parents pressing:
At last my father gave his blessing,
And bitter tears of fright I shed.
Weeping they loosed my tresses long[33 - Courtships were not unfrequently carried on in the larger villages, which alone could support such an individual, by means of a “svakha,” or matchmaker. In Russia unmarried girls wear their hair in a single long plait or tail, “kossa;” the married women, on the other hand, in two, which are twisted into the head-gear.]
And led me off to church with song.”




XIX


“Then amongst strangers I was left —
But I perceive thou dost not heed – ”
“Alas! dear nurse, my heart is cleft,
Mortally sick I am indeed.
Behold, my sobs I scarce restrain – ”
“My darling child, thou art in pain. —
The Lord deliver her and save!
Tell me at once what wilt thou have?
I’ll sprinkle thee with holy water. —
How thy hands burn!” – “Dear nurse, I’m well.
I am – in love – you know – don’t tell!”
“The Lord be with thee, O my daughter!” —
And the old nurse a brief prayer said
And crossed with trembling hand the maid.




XX


“I am in love,” her whispers tell
The aged woman in her woe:
“My heart’s delight, thou art not well.” —





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notes


Примечания





1


Ruslan and Liudmila, the title of Pushkin’s first important work, written 1817–1820. It is a tale relating the adventures of the knight-errant Ruslan in search of his fair lady Liudmila, who has been carried off by a kaldoon, or magician.




2


Written in Bessarabia.




3


In Russia foreign tutors and governesses are commonly styled “monsieur” or “madame”.




4


Les Aventures du Chevalier de Faublas, a romance of a loose character by Jean Baptiste Louvet de Couvray (1760–1797), famous for his bold oration denouncing Robespierre, Marat and Danton.




5


À la “Bolivar”, from the founder of Bolivian independence.




6


M. Breguet, a celebrated Parisian watchmaker – hence a slang term for a watch.




7


Talon, a famous St. Petersburg restaurateur.




8


Paul Petrovitch Kaverine, a friend for whom Pushkin in his youth appears to have entertained great respect and admiration. He was an officer in the Hussars of the Guard, and a noted “dandy” and man about town.




9


Denis Von Wisine (1741–1792), a favourite Russian dramatist. His first comedy The Brigadier, procured him the favour of the second Catherine. His best, however, is the Minor (Niedorosl). Prince Potemkin, after witnessing it, summoned the author, and greeted him with the exclamation, “Die now, Denis!” In fact, his subsequent performances were not of equal merit; Jacob Borissovitch Kniajnine (1742–1791), a clever adapter of French tragedy; Simeonova, a celebrated tragic actress, who retired from the stage in early life and married a Prince Gagarine; Ozeroff, one of the best-known Russian dramatists of the period; he possessed more originality than Kniajnine. Oedipus in Athens, Fingal, Demetrius Donskoi, and Polyxena, are the best known of his tragedies; Katenine translated Corneille’s tragedies into Russian; Didelot, sometime Director of the ballet at the Opera at St. Petersburg.




10


Istomina – a celebrated Circassian dancer of the day, with whom the poet in his extreme youth imagined himself in love.




11


In Russia large fires are lighted in winter time in front of the theatres for the benefit of the menials, who, considering the state of the thermometer, cannot be said to have a jovial time of it. But in this, as in other cases, “habit” alleviates their lot, and they bear the cold with a wonderful equanimity.




12


“Tout le monde sut qu’il (Grimm) mettait du blanc; et moi, qui n’en croyait rien, je commencai de le croire, non seulement par l’embellissement de son teint, et pour avoir trouvé des tasses de blanc sur la toilette, mais sur ce qu’entrant un matin dans sa chambre, je le trouvais brossant ses ongles avec une petite vergette faite exprès, ouvrage qu’il continua fièrement devant moi. Je jugeai qu’un homme qui passe deux heures tous les matins à brosser ses ongles peut bien passer quelques instants à remplir de blanc les creux de sa peau”. (Confessions de J. J. Rousseau)




13


Refers to Dictionary of the Academy, compiled during the reign of Catherine II under the supervision of Lomonossoff.




14


Elvine, or Elvina, was not improbably the owner of the seductive feet apostrophized by the poet, since, in 1816, he wrote an ode, “To Her,” which commences thus: “Elvina, my dear, come, give me thine hand,” and so forth.




15


The milkmaid from the Okhta villages, a suburb of St. Petersburg on the right bank of the Neva chiefly inhabited by the labouring classes.




16


The midsummer nights in the latitude of St. Petersburg are a prolonged twilight.




17


Refers to Mouravieff’s Goddess of the Neva. At St. Petersburg the banks of the Neva are lined throughout with splendid granite quays.




18


A street running parallel to the Neva, and leading from the Winter Palace to the Summer Palace and Garden.




19


The poet was, on his mother’s side, of African extraction, a circumstance which perhaps accounts for the southern fervour of his imagination. His great-grandfather, Abraham Petrovitch Hannibal, was seized on the coast of Africa when eight years of age by a corsair, and carried a slave to Constantinople. The Russian Ambassador bought and presented him to Peter the Great who caused him to be baptized at Vilnius. Subsequently one of Hannibal’s brothers made his way to Constantinople and thence to St. Petersburg for the purpose of ransoming him; but Peter would not surrender his godson who died at the age of ninety-two, having attained the rank of general in the Russian service.




20


Refers to two of the most interesting productions of the poet. The former line indicates the Prisoner of the Caucasus, the latter, The Fountain of Baktchiserai. The Salguir is a river of the Crimea.




21


The barshtchina was the corvee, or forced labour of three days per week rendered previous to the emancipation of 1861 by the serfs to their lord. The obrok was a species of poll-tax paid by a serf, either in lieu of the forced labour or in consideration of being permitted to exercise a trade or profession elsewhere. Very heavy obroks have at times been levied on serfs possessed of skill or accomplishments, or who had amassed wealth; and circumstances may be easily imagined which, under such a system, might lead to great abuses.




22


From the lay of the Russalka, mermaid of the Dnieper.




23


The serfs destined for military service used to have a portion of their heads shaved as a distinctive mark.




24


The foregoing stanza requires explanation. Russian pancakes or “blinni” are consumed vigorously by the lower orders during the Carnival. At other times it is difficult to procure them, at any rate in the large towns. The Russian peasants are childishly fond of whirligigs, which are also much in vogue during the Carnival. “Christmas Carols” is not an exact equivalent for the Russian phrase. “Podbliudni pessni,” are literally “dish songs,” or songs used with dishes (of water) during the “sviatki” or Holy Nights, which extend from Christmas to Twelfth Night, for purposes of divination. Reference will again be made to this superstitious practice, which is not confined to Russia.

“Song and dance,” the well-known “khorovod,” in which the dance proceeds to vocal music.

“Lovage,” the Levisticum officinalis, is a hardy plant growing very far north, though an inhabitant of our own kitchen gardens. The passage containing the reference to the three tears and Trinity Sunday was at first deemed irreligious by the Russian censors, and consequently expunged.

Kvass is of various sorts: there is the common kvass of fermented rye used by the peasantry, and the more expensive kvass of the restaurants, iced and flavoured with various fruits.

The final two lines refer to the “Tchin,” or Russian social hierarchy. There are fourteen grades in the Tchin assigning relative rank and precedence to the members of the various departments of the State, civil, military, naval, court, scientific and educational. The military and naval grades from the 14th up to the 7th confer personal nobility only, whilst above the 7th hereditary rank is acquired. In the remaining departments, civil or otherwise, personal nobility is only attained with the 9th grade, hereditary with the 4th.




25


A play upon the word “venetz,” crown, which also signifies a nimbus or glory, and is the symbol of marriage from the fact of two gilt crowns being held over the heads of the bride and bridegroom during the ceremony. The literal meaning of the passage is therefore: his earthly marriage was dissolved and a heavenly one was contracted.




26


The fortress of Otchakoff was taken by storm on the 18th December 1788 by a Russian army under Prince Potemkin. Thirty thousand Turks are said to have perished during the assault and ensuing massacre.




27


Svetlana, a short poem by Joukovski, upon which his fame mainly rests. Joukovski was an unblushing plagiarist. Many eminent English poets have been laid under contribution by him, often without going through the form of acknowledging the source of inspiration. Even the poem in question cannot be pronounced entirely original, though its intrinsic beauty is unquestionable. It undoubtedly owes its origin to Burger’s poem Leonora, which has found so many English translators. Not content with a single development of Burger’s ghastly production the Russian poet has directly paraphrased Leonora under its own title, and also written a poem Liudmila in imitation of it. The principal outlines of these three poems are as follows: A maiden loses her lover in the wars; she murmurs at Providence and is vainly reproved for such blasphemy by her mother. Providence at length loses patience and sends her lover’s spirit, to all appearances as if in the flesh, who induces the unfortunate maiden to elope. Instead of riding to a church or bridal chamber the unpleasant bridegroom resorts to the graveyard and repairs to his own grave, from which he has recently issued to execute his errand. It is a repulsive subject. Svetlana, however, is more agreeable than its prototype Leonora, inasmuch as the whole catastrophe turns out a dream brought on by “sorcery,” during the “sviatki” or Holy Nights (see Canto V. st. x), and the dreamer awakes to hear the tinkling of her lover’s sledge approaching. “Svetlana” has been translated by Sir John Bowring.




28


The heroes of two romances much in vogue in Pushkin’s time: the former by Madame Cottin, the latter by the famous Madame Krudener. The frequent mention in the course of this poem of romances once enjoying a European celebrity but now consigned to oblivion, will impress the reader with the transitory nature of merely mediocre literary reputation. One has now to search for the very names of most of the popular authors of Pushkin’s day and rummage biographical dictionaries for the dates of their births and deaths. Yet the poet’s prime was but fifty years ago, and had he lived to a ripe old age he would have been amongst us still. He was four years younger than the late Mr. Thomas Carlyle. The decadence of Richardson’s popularity amongst his countrymen is a fact familiar to all.




29


Referring to Richardson’s Clarissa Harlowe, La Nouvelle Héloïse, and Madame de Stael’s Delphine.




30


Melmoth, a romance by Maturin, and Jean Sbogar, by Ch. Nodier. The Vampire, a tale published in 1819, was erroneously attributed to Lord Byron. Salathiel; the Eternal Jew, a romance by Geo. Croly.




31


A young married couple amongst Russian peasants reside in the house of the bridegroom’s father till the “tiaglo,” or family circle is broken up by his death.




32


Marriages amongst Russian serfs used formerly to take place at ridiculously early ages. Haxthausen asserts that strong hearty peasant women were to be seen at work in the fields with their infant husbands in their arms. The inducement lay in the fact that the “tiaglo” (see previous note) received an additional lot of the communal land for every male added to its number, though this could have formed an inducement in the southern and fertile provinces of Russia only, as it is believed that agriculture in the north is so unremunerative that land has often to be forced upon the peasants, in order that the taxes, for which the whole Commune is responsible to Government, may be paid. The abuse of early marriages was regulated by Tsar Nicholas.




33


Courtships were not unfrequently carried on in the larger villages, which alone could support such an individual, by means of a “svakha,” or matchmaker. In Russia unmarried girls wear their hair in a single long plait or tail, “kossa;” the married women, on the other hand, in two, which are twisted into the head-gear.