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Auto Da Fay
Fay Weldon


The one and only Fay Weldon tells the story of her turbulent and controversial life.From the 1930s to the 2000s, Fay Weldon has seen and lived our times. As a child in New Zealand, young and poor in London, unmarried mother, wife, lover, playwright, novelist, feminist, anti-feminist, spag-bol-cook, winer-and-diner, there are few waterfronts that she hasn’t covered, few battles she hasn’t fought. An icon to many, a thorn-in-the-flesh to others, she has never failed to excite, madden, or interest. Her life and times cover love, sex, babies, blokes, poverty, work, politics, and not a few Very Famous Names.Moving from New Zealand to London to Scotland, from the UK to points east and west, Weldon has sipped, gulped, and sometimes spat out the things that make us what we are today.Note that it has not been possible to include the same picture content that appeared in the original print version.









Auto Da Fay

Fay Weldon














Table of Contents


Cover Page (#u7da346ee-896f-50ec-b937-4a071fe82b35)

Title Page (#ufc1e7d95-5384-5fd0-931f-6eb9542ca170)

Pre-name (#u191c2bc7-2c1e-5fd2-9102-092ef366e839)

Franklin Fay (#uf3a27cb3-9d2a-50ee-b393-899c0fde2432)

The House That Once Was (#u3f1203cc-6c0a-5219-a166-f2361bfdee07)

Fay Franklin (#ued83d605-0815-515b-9715-20651392db76)

Second Chances (#ube428dee-bc19-5772-b398-bcfb7f7b8f1e)

Patterns (#u26642105-e48d-5ac2-972e-e901ea81de92)

Missing Mothers (#u1295ba63-91a2-58e7-8e67-7ced902d178d)

Cranmer Square (#ub9788c76-aa45-5ba2-a617-293441c0cedc)

Via Panama (#u4c7ea73e-536d-5924-a4d3-32be05059bed)

Margaret, Jane’nFay (#uf3648ebf-832e-538a-89ca-78f3e20d222d)

Convent Girl (#u78e3cfca-21ce-5b35-bfce-3d5371a015ab)

Sin and Guilt (#u4b0b3d81-ad98-56b0-8064-144d9ed8702d)

Convalescent (#uf39d4b16-80bc-5f7d-adf1-64b240152dee)

Jane and Fay (#ua0f9b7f8-e65b-5018-8993-396a3ad458b4)

The Doctor’s Daughters (#ue9ef053d-9617-509d-be58-b9a42c75c5ea)

Wartime (#u315690a8-9661-5bb0-b6fa-dac3b8644dfc)

Playground Narrative (#ua428ada0-4922-5e2c-97f0-e23797f889aa)

A Burning Bush in Hagley Park (#u47e487c6-a64e-551b-992c-2bfa47d811e4)

Granddaughter (#ufb031857-4771-574f-8154-d3f4e2b4c953)

Home Truths and Great Writers (#ufda46fb0-22e5-5717-8af9-802068670a0c)

Family Scandal (#u80e1db61-6337-5725-838f-8819b4c8a8e6)

The Inheritors (#u1825e995-8342-5d73-892a-1bc894204ca2)

Stepdaughter (#u9b509e26-bc4d-59a9-9ecf-2c040716880e)

Schoolgirl (#u3d002efe-c1d1-5e3e-8472-64033167992b)

Chicken-Licken (#u6f3b69b9-b0cd-52e3-be29-92556783ae34)

Refugee (#u7c3ec82c-0966-5814-87f6-960f4f834394)

Immigrant (#ua3f6ca4f-88ec-5e37-852b-1bd3922e88f4)

Frozen (#u64e00294-a784-57b2-a912-faa5d7ff428d)

Servant Girl (#u98c5a22b-022e-522c-b6c4-26651d0803e8)

Scholarship Girl (#u8228ac66-79f3-5fe7-902a-cf88c015b7a0)

Sister-in-law (#uf3a73d3b-465d-5d46-87ea-84a96ca49115)

Rejected (#u658f09f8-8578-53b9-8e38-6c9ecf0001d2)

Among the Dispossessed (#u18b5103f-fdc7-5152-9cec-69f1fcf9dfc5)

Orphan (#u0a8440ea-48f5-5b8b-9da3-a1779f3122f7)

Student (#u5c55d44f-ef9b-5cbe-9398-cf959ccf5e52)

Men with Feet of Gold (#uff9ec5d3-3549-5c0f-9497-17b451445ab3)

In Another Part of Town (#u2968e0d9-46e6-5e91-a143-762ab403a181)

A Sentimental Education (#ua2b6ba53-359f-58d2-af77-3c22df426ce2)

Dreams, Ghosts, Places and Terrors (#u0a434ef0-47e9-502e-9578-d726f8cb27a6)

Love, Money and Other Practicalities (#u4058d08e-f674-562a-b5fe-57468ab01d05)

The Real World (#uddb00815-3c58-57cd-98d7-fb9499320833)

Lost Girl (#u06073aa1-01a3-527f-b495-39843ed50169)

Security Risk (#u3e4475ce-caa2-5438-9963-abe4815f4070)

Pregnant (#u14a2560a-d998-5c23-915e-fe2773cb38a6)

Flight (#uaa9c0b93-f9c4-5729-a7a6-7b6ed8f4ab5c)

Fay Davies (#u3a4bf894-3f08-59bf-8df2-1fd0508c28c5)

New Mothers (#u7dbf2e08-6cbb-58cc-99e3-3fc35e6d29ca)

Haunted (#uca6747aa-061d-5e0f-a06f-1896571bc7e8)

Out of the Frying-pan (#u735c133e-4bee-5711-b26c-180f6b552f32)

Davies/Bateman (#u59b1ef90-1521-5ac8-8df2-b574099e375d)

Mrs Bateman (#uf8e452ed-3da8-5164-9fb5-3c7236e7f883)

Sent Out (#ub75f3a1d-80d7-5686-95ca-0cc4dc28eb25)

Running Away (#ucbd38cdf-d1d5-5bc7-9410-fd4c9aa0ea28)

Fay Bateman (#u0087aed5-5d51-578c-9ea4-0ed868131311)

Hopeless in Love (#u072afd88-7ce9-5dcd-abee-bd798703968d)

Work Among the Poets (#u33e808ea-8ded-5618-a52d-79508bf49b03)

Juggling (#u08cb71d0-59e1-5d02-8f4d-3c40b76f9293)

Stepping Over the Cook (#uccdc4ae3-3141-599c-82e3-9aa8edd8471d)

Doubt and Destiny (#ud2b7da18-f397-51d7-b787-e69231ccfed1)

Love at First Sight (#ue9b8af48-62cb-532b-874d-e0d5fe5f208b)

At Sea (#uae9d15f0-f77c-5721-96cd-a9640dce8440)

Moving In (#u729fb622-9d1f-52fc-86ed-349b9f4dc726)

A Career is Born (#u13b75438-396b-5906-870e-bddabcc41e10)

Change (#ub1729d24-bcab-58e9-969b-2b3c7577f353)

Clutter (#uaaf8e1da-3e59-5937-9c9e-e76be15efd9e)

Making Good (#ub5c30f23-6d77-5337-83a7-647904c62820)

Fay Weldon (#u512c9b32-22a3-5603-a4f3-9603ad03fc6f)

Fay Weldon (#ua60598b0-e140-5b95-a137-d880e30e17ab)

From the reviews for Auto Da Fay: (#ub78736d9-2c5d-57af-8382-4e66aa8f91c2)

By the same author (#ua5e9b7d9-017d-5326-97c5-5624667a8d92)

Copyright (#ud153997b-e456-591b-b23e-523f8afc7761)

About the Publisher (#uf491d9be-8b79-5438-b7db-78243dd7b843)




Pre-name (#ulink_9c14d3f7-23df-516e-8103-da08a4e9c4f5)


I long for a day of judgment when the plot lines of our lives will be neatly tied, and all puzzles explained, and the meaning of events made clear. We take to fiction, I suppose, because no such thing is going to happen, and at least on the printed page we can observe beginnings, middles and ends, and can find out where morality resides. Real life tends to fade out into entropy, all loose ends, and grief for what should have been, could have been, had things turned out just a little differently. Yet probably the life that was lived was the best that could be done: even, to the outsider, better than could have been expected.



This is an attempt to narrate a real life, my own, and to find the pattern within it. The pattern can’t really be completed, of course, until death, when autobiography so rudely turns into biography, but so far as I can do it, I will.



There seems to be a general overall pattern in most lives, that nothing happens, and nothing happens, and then all of a sudden everything happens. You are swimming out to sea, you’re rocking gently in the wake of a wave, all seems tranquil, but water is mounting beneath you, unstoppable, and suddenly you are the wave, breaking and crashing, sucking back into a maelstrom – and then all is tranquil again.



When I was three months in the womb, in a period no doubt of nothing happening and nothing happening except a general warm all-pervasive dullness, an earthquake in Napier, New Zealand, had my mother Margaret running from the house with my two-year-old sister Jane in her arms. The year was 1931. My mother was twenty-three. Our house stayed upright but the grammar school opposite and the hospital down the road, both made of brick and not New Zealand’s usual wood, collapsed. Everything else seemed made of matchsticks. My mother, in search of my father, one of the town’s few doctors, ran past the grammar school and saw arms and legs sticking out of the rubble. But with a small child in your arms, what can you do for others? Everyone else was running too, some one way, some another: the ground was still shaking and changing and whether you were running into more danger or less how could you be sure? But still she ran.



All the water swept out of Napier harbour that day and never came back: the town had to be entirely rebuilt, and became the Art Deco gem it is today.



Dr Frank Birkinshaw, my father, was too busy with the injured to take care of his young wife. He was a man of great charm, tall, well built, blue-eyed, adventurous and impetuous – at the time in his mid-thirties. Margaret was small, dark, fastidious and very, very pretty, with high cheekbones, big brown eyes and a gentle manner. The Birkinshaws were recent immigrants from England. He was from the North, had joined the army when he was sixteen, been invalided out of the trenches, and qualified as a doctor in the face of many obstacles. She was a bohemian from the softer South, an intellectual by birth, breeding, and temperament: her father a novelist, her mother a musician. She kept the company of Evelyn Waugh and his gang of friends, she was at home in literary soirées and in fashionable nightclubs, not in this harsh pioneering land. But she was also clever, determined and tough and failing to find my father, she left word for him, and by nightfall she and Jane had taken refuge in the tented city that went up overnight on the hills above Napier. The town was uninhabitable.



The stars had never seemed so bright, my mother said, as if nature were showing off its beauty to make amends for the terrible thing it had just done. But the lice, she added, were very active. I have met others who mention these two things about the tented town, the brightness of the stars and the liveliness of the lice. And they smile and seem to prefer not to go into detail. Perhaps licentiousness reigned: it would not be surprising; the ordinary answer to death is to create new life, and the normal inhibitions of small town life had been suddenly and drastically removed.



My mother was rescued from her makeshift tent by a sheep farmer and his wife, grateful patients of my father. They took her and little Jane to their homestead, where there was, my mother said, mutton for breakfast, mutton for dinner and mutton for tea. She helped around the farm, and cooked and ate the mutton with gratitude. I inherit this gift from her, I daresay, in that I do what is under my nose to be done, without too much lamentation.



Although the ground shook and trembled for weeks after the initial quake, meals continued to be served in the cookhouse, which had a tall brick chimney. My mother lived in fear of it collapsing and killing everyone inside, but no one would listen to her. She was dismissed as an alarmist. She was right, of course. There was another bad shock. ‘I felt the trembling begin beneath my feet. I snatched Jane from her cot on the veranda and ran for open space but I was flung to the ground by what seemed a wave of dry land. I saw the hedge flick first one way and then the other. And then I watched the chimney fall into the cookhouse and destroy it. I always knew it would. I had already seen it happen.’ As it fell out, dinner had finished just minutes before, and no one was killed, though for a time meals had to be eaten in the open air.



I have not inherited my mother’s gift for prophecy: true, as you grow older you may begin to know what is going to happen next, but this can be put down to experience, not second sight. It is not a happy gift to have: because of it, for one thing, my mother never learned to drive, seeing too many scenarios of disaster ahead for comfort, too conscious of what might be going on over the brow of the hill. My father was very different: he was over-confident: he saw to the pleasures of the here-and-now and let the future go hang. I was born more like him than her, in this respect. She prophesied that it would land us both in trouble, and she was right.



There was no word from Frank for three months. My mother became alarmed. He knew where she was. It was true that, post-earthquake, communications were near-impossible: civil structures had broken down, there was no working telephone system for a time and no post – but surely in three months he could have managed some kind of message? Perhaps in the second big shock the earth had swallowed him up? Perhaps he’d run off with another woman? Women were always after him. Perhaps he had amnesia, and didn’t remember he was married? Or perhaps this was just the way men were? She had no friends of her own age to talk to. The Birkinshaws had not been long in Napier: she’d been too busy adjusting to pioneer manners to make friends: in London people left calling-cards in the front hall: not here, where luxuries like hall-stands were rare.



The truth was hard to avoid: that here she was alone, penniless, on the wrong side of the globe, with no past, no future, just the shaky earth beneath her feet and two children, one born, one yet unborn, and no one to look after them but herself. Pregnant, she must for the time being be dependent upon the comfort of strangers. But once I was born, somehow, she would get us back to London. There were advantages to having no husband – at least you could make your own decisions. In the meanwhile she had better make herself useful and help in the kitchens and try to hold her tongue when her hosts started rebuilding the cookhouse chimney just where it had been before. It did not do for ‘homies’ – immigrants – to put on airs or offer advice.



She made mutton stew for the farmhands. Trim and cut the meat, brown in beef dripping – better than mutton fat – add onions and carrots, stew till the meat is on the point of disintegration, thicken with flour and serve. She learned to make the basic cake which accompanied my childhood. The weight of an egg in sugar, the same in butter, a cup of liquid, a cup of flour, and never close the oven with a bang or it sinks. This is the same sensible basic cake which she now has every evening for supper in her retirement home seventy years on. Sometimes, for variety, they put sultanas in it, sometimes not. She looks at it and shakes her head. How can they make something which ought to be so light, so solid?



She would write home, of course, though it hurt her pride. Margaret had married, at nineteen, in the face of a great deal of advice to the contrary. A letter could go no faster than the ship which carried it: five or six weeks to get to London – via Panama or Suez – and the same for a reply to come back, and supposing Frank turned up in the meantime? Her parents would send her money if they could, but supposing they couldn’t, all she would succeed in doing was worry them. Because back home in London, needing no earthquake to achieve it, or only those of the emotional kind, the Jepson family too had collapsed in disarray.



Her father Edgar, at the age of sixty-nine, had made his mistress Lois pregnant. Her mother Frieda, unable to bear it any longer, had fled the marital home and gone to be with her own mother, Mary Francis Holmes, widowed and in San Francisco. Frieda, now in her early fifties, had no income of her own and lived by her mother’s courtesy, and anything Edgar could afford. It was not much. Edgar was a prolific writer: he wrote seventy-three novels in all – light but popular: Lady Noggs Assists, The Reluctant Footman, The Cuirass of Diamonds and so on – but hard as he worked, his age was beginning to tell against him, public taste was changing, and the financial depression of the times affected everyone. Now he must do the decent thing and marry Lois, and he would have another child to keep.

Nor could there be any support, either financial or moral, from my mother’s elder sister Faith, whom Margaret had loved dearly and greatly depended upon during her childhood. Faith had gone ‘mad’, and was now locked up in the lunatic asylum where she was to live out the rest of her short days. Only their big brother Selwyn, then a fashionable young man about town, already making a good living selling articles and short stories, was prosperous enough to offer any help. But it seemed doubtful that he would. He had been very much against Margaret marrying Frank and it was his general principle that if people made their own beds, they should lie in them.



I have a photograph of Selwyn at this period. A wraith of cigarette smoke curls from an elegant ivory holder. He does not look the kind of young man to see earthquakes as an excuse for failure. In the Second World War he was to become a major in the SOE, in charge of recruitment, his task to find and send agents to a likely death in occupied France. I think he became kinder then: certainly he was to develop an air of benign consideration, and to be of great help to us, until my mother quarrelled with him over a matter of principle. But as it was, my mother chose to write to Edgar.



No sooner had she done so, of course, than through the post came a letter from Frank. He was apologetic: he had been looking for work and hadn’t liked to write until he had something good to report. Now he had. This was the Thirties, the depression had hit New Zealand badly: there was massive unemployment, and the professions were not immune. But he had finally found a job as houseman in the hospital at Palmerston North, a township further inland. True, it was a live-in job, there were no married quarters, and he had had to pretend he was single, but he had found her and Jane lodgings in a nearby boarding-house.



My poor mother: out of the frying-pan into the fire. She had her husband back, at least when he could slip out unnoticed from the hospital, and all the energy and exhilaration that accompanied his presence, but it wasn’t enough. She was lonely, traumatized, uncomfortable because I kicked a lot, unable to sleep at night because of the trains which in those days ran through the middle of the town, Jane’s crying and the landlady’s suspicions about her respectability. When a letter finally arrived from Edgar telling her to come back home, no matter what, and enclosing money for the fare, she took ship back to England.



She did not stay in London because now Lois was installed in the family home as Edgar’s new wife, and Margaret saw it as an act of disloyalty to her mother to stay there. It would upset Frieda too much when she heard of it, which she would undoubtedly do. Instead my mother went to Frank’s parents, Herbert and Isabel Birkinshaw, then living in Barnt Green, outside Birmingham. And that’s how I happened to be born, on 22 September, 1931, in a nursing home in the village of Alvechurch, Worcestershire, and not in Napier, New Zealand, as everyone had expected.




Franklin Fay (#ulink_5f8006da-b5c2-53cb-a636-4e2e8bc6cf11)


Before I was so much as named Edgar had drawn up my horoscope. I was never to meet him, other than for a few weeks when I was newly born. He was a Balliol man, a classicist, a collector of Chinese antiquities, something of a dandy, neat, small of build and a favourite of the ladies, as the euphemism went. Like many of the literati of the time, he was greatly interested in the occult; a fashion, or habit, or curse, kick-started by Annie Besant and the Theosophists, side-winding into the Cabbala and diabolism and ending with Aleister Crowley, Number 666, the Beast, with whom the movement expired from its own excesses.

Edgar was a good friend of Arthur Machen, writer of ‘stories of horror and evil’ and a member, with W. B. Yeats and Crowley, of the Order of the Golden Dawn, a secret society dedicated to cabalistic magic. I do not think Edgar was very serious about any of this. In his autobiography (Memories of a Victorian, written in 1933, and dedicated to ‘his wife’, by whom – poor Frieda! – he must mean Lois) he complains that ‘in these degenerate and sinister days few are at pains to learn how they stand with the stars’ but notes that he himself is pleased to be born under the sign of Libra – ‘for they have fine hair, and a beard less bristly to have than the beards of any of the other children of the universe, and write a more lucid prose’.

I was born at 5.30 in the afternoon, when the sun was just moving out of Virgo into Libra, and it was hoped I too would have the gift for lucid prose, though according to Edgar the position of the stars made this marginal. I certainly have fine hair, which has proved very difficult and costly over the years.



It was Arthur Machen who introduced my grandfather to the practice of astrology. Edgar taught my mother, my mother taught Jane, and Jane declined to teach me. But my mother had Teach Yourself Astrology on her shelves, in a bright yellow jacket, next to The Cloud of Unknowing and The Writings of St Teresa of Avila, and I have a clear vision of myself, at the age of twelve, sitting on the lawn of the Christchurch Girls’ High School on a sunny day, with an ephemeris of the planets’ places and some blank horoscope forms, successfully drawing up the chart of a school-friend. I did a handful of these for my classmates and then no more. They seemed to offer a fair enough representation of the temperament of my subjects but what was the point, since they themselves were sitting next to me? And casting horoscopes – or even reading palms, another party trick – left me with a strangely unpleasant feeling of remoteness and passivity: as if (a contemporary simile) one had taken too many painkillers in order to get rid of toothache, and one’s liver was affected. In other words I got to feel ‘spooked’ – a teenage word but the only one available – which is the normal punishment for dabbling in the occult, and a sure sign one should stop. I do not watch horror films on my own in the house. To acknowledge the devil is to bring him nearer; best to ignore him.

I read Machen’s novel The Hill of Dreams around that time, and still carry in my mind its feeling-tone; and the description of the aura of evil which sweeps one evening over an English landscape which has a terrifying past of cruelty and massacre, centred on a Roman fort. That novel was published in 1907, a year later than Kipling’s collection of stories and poems, Puck of Pook’s Hill, very much on the same theme, but seeing evil and horror where Kipling saw good and the human capacity for renewal. I wish it had been the other way round: it is not right for evil to have the last word.

My sister Jane had a ‘blessing’ by Arthur Machen in a frame upon the wall until my mother took it down. She never liked it. The blessing, given to baby Jane on the occasion of her christening, consisted of a sheet of parchment, in the middle of which was a paragraph in tiny writing in a language and script no one recognized. I was probably fortunate I did not receive one too.



In my father’s absence my mother named me Franklin. The registrar wrote ‘boy’ in the ‘sex’ column, and then had to cross it out and write ‘girl’. I was to feel vaguely apologetic about this later; my parents had a girl already and would obviously want a boy and I had failed them. My mother – Mrs Bored of Barnt Green, no doubt – had been studying numerology, a way of divining the future through the relationship of names to numbers, while she waited for the birth. Franklin Birkinshaw, she discovered, ‘came out the same’ as William Shakespeare. My being born a girl had left her unprepared. But Franklin was a most auspicious name. And was not ‘lin’ the female diminutive, and was not Frank my father? Franklin still made perfect sense to her, and she hoped to others.



Alas, it did not, no doubt least of all to my father when she first showed him the new baby. It was going to be, he reckoned, citing the registrar as evidence, too confusing for others. They took in time to calling me Fay, I hope not after Fay Wray, the screaming heroine of so many horror films, but you never know. If it was, I grew up to be a sunny enough child, if only in defiance, though there were to be King Kongs enough in my life. I was left with the name Franklin on official documents, while being Fay at school. But it was Franklin only at the Christchurch Public Library. They would not recognize Fay, though I pleaded. I had to sign my full name, Franklin Birkinshaw, every time I took out a book, while the Beryls and the Dulcies, the Meryls and the Aprils, looked on askance, and the librarians shook their heads and took pleasure in wondering aloud what kind of parents I must have. Thus I started out in a state of ambivalence. I took out library books as Franklin and read them as Fay.



Names are important. I was only to become a writer when I added Weldon to the Fay. Other names had intervened, leaving me stranded, if often entertained, and occasionally scared. But Weldon was the one which best suited. It lengthens with the years, of course. This morning I signed a document under the name Fay Franklin Weldon Fox. With every change of name comes a change in fortune. I never took to numerology, all the same. No change in fortune should be seen as magic, only as a function of altering views of the self. As babies, of course, we are helpless, dependent upon our mothers’ expectations, and in my case these were perhaps too high.



Edgar and Selwyn, father and brother, did not want Margaret to go back to New Zealand. It was too far away: the ends of the earth: things had not gone well for her there. If she went back to Frank, who was to say how she would ever afford to get home again? It was not as if her husband was particularly good at keeping even a roof over her head. They were quite right, of course. In March, 1938, shortly before he died, Edgar wrote a brief note to Frieda in California. He has moved house to spare himself the stairs. He gives his new address. ‘There is nothing else in the way of news,’ he writes. ‘Margaret seems stuck in New Zealand, and I wish she wasn’t…’ He hopes that Frieda’s giddiness has stopped. ‘Perhaps the spring will be helpful.’ And then – ‘I have sold some sword guards to a North American and I send you the cheque. You must buy a spring frock with it.’ He finishes, ‘With best love, E.’ It is a poignant letter. He would do better for her if only he could, one reads between the lines, and perhaps even still loves her, only Lois and her pregnancy came between. His obituary in the Telegraph, found yellowed between the pages of his second volume of autobiography, Memories of an Edwardian, reads ‘He was a distinctive craftsman of remarkable personality, whose many friends included practically all the literary men of any note during the past half-century.’ My mother cried when a letter came to us in Christchurch to say he had died, and Jane and I cried to keep her company, though we did not know what we had lost.

But my mother, back in 1931, was not to be dissuaded by family advice. It was her duty to go back to her husband; she had promised to go back and besides, she loved him. ‘You have no idea,’ she said to me once, ‘what fun your father was in the early days. What light he brought with him into a room.’



She had not given the new land a fair chance, she told Edgar and Selwyn. New Zealand was a better place to bring up children than foggy, smoky London. And besides, things had changed. Her father, old enough to be great-grandfather not father to a new baby, was with a woman not her mother. The good days were over. And as Margaret embarked on the liner which was to carry her back to her unchancy husband, with little Jane clutching her hand and myself at five weeks held against her, and appreciative porters buzzing around with her trunks and cases, she must have felt a certain relief. At least she would not have to stay around to witness the sorry state to which two generations of Free Love and the Life Force had brought her family. To see the shadow of itself which 120 Adelaide Road, once so full of wit, energy and creativity, music and laughter, had become.




The House That Once Was (#ulink_c304b902-1ca3-5db0-8b77-3d1a05cac82d)


Terrible things had happened at Adelaide Road in the past, of course they had. It was not in anyone’s nature to play safe – neither in the Jepsons’, nor the Holmeses’. Where there are angels there are devils as well, and sometimes they both take up residence in the one person. At one time Edgar had installed Lois in the house over the way, and Frieda had been summoned in the middle of the night to help her rival through a miscarriage. It would be a rare wife these days who would put up with such a thing, but wives were more helpless then, and besides, the doctrine of Free Love was offered by the bohemians of the time as an excuse for a great deal of hurtful activity.



It was in its name that my seventeen-year-old Aunt Faith was seduced by her mother’s brother, to the destruction of her life but with no apparent difference to his. Men are great theorists and when in full pursuit of ends which to them seem noble but are simply not, it’s an unwise woman who allows herself to be persuaded. Body blows can be dealt to family life, and a family seem to reel and recover, but not for long. The next soft tap can bring it tumbling down.



But while it stood how well it stood. Houses have heydays, just as people do, and that of 120 Adelaide Road ran for twenty years, from 1910 to 1930. In the good days Edgar would write in his study, Frieda play the piano, the nanny look after the three children, and the cook and maid who lived and worked in the basement in times of plenty, looked after everything else. There were literary parties to give and attend, nightclubs to go to, and the talk was of socialism, Free Love, eugenics, and Fabianism. The household income was erratic, and entirely dependent on the skill of Edgar’s pen. The carpets might stop at the first landing, yesterday’s cold rice pudding turn up in today’s soup (a habit of Frieda’s, my mother would complain) but there was comfort and conversation and good cheer. It was true that at one time Edgar tried to forbid talking at meals, following the example of Joseph Conard, but the attempt was doomed to failure. ‘Joseph Conard was a very bad-tempered man,’ said Frieda, ‘and hated his children. He said it was they who had driven him mad. Edgar could be moody and difficult, but at least he liked his children, and when it came to it, liked to hear what they had to say.’



There were twelve bedrooms in the house and the children could take their pick of them. All were unheated, all contained a bed, a rug, a mirror and a wardrobe and that was all, so it made very little difference which one they chose. They moved on every night, trying not to hurt the feelings of particular rooms by leaving them out.



During the four years of World War I, from 1914 to 1918, Londoners went cold and hungry and were bombed by German Zeppelins and that was the end of the cook and the maid. They left to take up war-work, which was better paid than domestic service. ‘I am not surprised,’ my mother said. ‘They lived in and had one afternoon a week off and were at our beck and call night or day.’ Frieda took over the cleaning and cooking and Edgar’s life continued easily enough. He was able to write of that time, in his Memories of an Edwardian, published in 1937, that ‘the war was the chief thing in one’s mind but it made little change in the routine life of a civilian past the age of active service. Bacon and eggs came to my breakfast: beef or mutton to my dinner with quiet punctuality; I did my day’s writing; I went down to Central London to play bridge at the Omega, or poker at the Savage.’ But presently he and his friend the poet Walter de la Mare were seconded to work for the Ministry of Food. Walter was put in charge of sugar rationing and Edgar produced The Win the War Cookery Book and a notable advertising poster, carrying a picture of a loaf of bread and the simple slogan, ‘Eat less bread’.

Many years later I tried to persuade the Smirnoff client to run the slogan, ‘Vodka makes you drunker quicker’, but they wouldn’t go with it. Too simple and to the point, though research had shown that people choose vodka rather than other spirits because it does indeed make them drunker quicker. Advertising must be seen to work, but not at the expense of the dignity of the client. Effectiveness and profit come a long way down a client’s list of requirements.

In his Memories Edgar speaks of Frieda thus. ‘I fell desperately in love with a lady in London…she had a greater natural charm and a better figure than any other woman I ever met. When we met she had just finished her training for the concert stage and had given one concert in Paris…Her father was Henry Holmes, the only English violist who ever enjoyed a European reputation, and her mother was a daughter of William Gale, a Royal Academician so old he must have been a contemporary of Benjamin West. As a child she had been used to go to tea at Holman Hunt’s.’ In fact Frieda and her sister Sylvia had as young girls sat as models for the painter, having the strong, rather noble features and the plentiful hair the Pre-Raphaelites so admired.

I was not to meet my grandmother Frieda until 1941, when after her mother’s death at the age of ninety-nine, she travelled from California to New Zealand, to join Margaret and ‘help with the children’. At her own request she was known to us all as Nona, that being Italian for grandmother. And this is what I shall call her from now on, because this is how I think of her.



She too suffered many changes of name: born Frieda Holmes, she became Frieda Jepson on marriage: Susan Jepson at her children’s request (Frieda being too Northern and too bleak for her, according to Edgar), and then she became Nona, because she couldn’t bear – as many women can’t – to be addressed as ‘Granny’ by her descendants. I think she was happiest as Frieda Holmes. My mother was Margaret Jepson, and then Birkinshaw, and that was that. She had a clearer personality than Nona or myself.



The run-up from Holmes to Jepson, for my poor grandmother, and no doubt for my great-grandmother, Mary Francis Holmes, was troubled, indeed traumatic. Edgar puts it like this in his Memories of an Edwardian. ‘We had been engaged but a little while when her father grew tired of England. It irked him to be at loggerheads, owing to his advanced views, which were almost those of Shelley, but rather more erotically practical, with the Council of the Royal College of Music, in those days a very stuffy and hypocritical band. It was said of them that they pooled the female students. He betook himself therefore to the city of Berkeley in California, and became its Musical Dictator, and when he died the inhabitants set up his statue in one of their public places.’

Which was all very well for Henry Holmes. Men have one name and stick to it. They go their own way, not having to absorb others on the way. Henry Holmes and Havelock Ellis, the sexologist, had seen fit to circulate a pamphlet extolling the virtues of Free Love and the dangers of standing in the way of the Life Force, and had included the Archbishop of Canterbury in their circulation list. Unfortunately, the Archbishop actually read it. The ensuing scandal was such that Henry had lost his post at the Royal College, and was obliged to flee to California, dragging poor Mary Francis and her teenage twins, Herriot and Hjalmar, with him. Nona, at the time a young concert pianist in Paris, a pupil of Clara Schumann and with one concert already under her belt, smeared by the scandal, was offered no more work. She married Edgar instead. He had to persuade her. ‘She had a theory that we were happier as we were,’ he writes, ‘but I did persuade her.’ I fear she was easily persuaded. She no longer had a home and what alternative was there? So from the age of six to the age of ninety-six she played the piano for between six and eight hours every day, but seldom to an audience.



This was the first of the three great blows that the Life Force, that male conceit, was to deal Nona during the course of her life. The second was when her daughter Faith was discovered in love and in bed with her Uncle Hjalmar. Free Love was for the paterfamilias, on the whole, not for the rest of the family. The ensuing mayhem was to drive Faith into a mental home, where she died some fifteen years later. Edgar visited her weekly, but Nona went into a denial so profound that she blotted Faith, poor Faith, out of her consciousness entirely. When she was in her eighties, and I showed her a photograph of her three extraordinarily beautiful children, taken in about 1912, she could still see only two of them. And the third blow from the Life Force was when Edgar made Lois pregnant, and Nona was back to where she began, living with her mother.



It was hard for the family to see what Edgar saw in Lois. She was conventional and without any noticeable grace or talent, at least compared to Nona. She was a great complainer, about everything from her marriage, to the weather, to the state of her electric blanket. But perhaps her very difference from Nona was a relief to Edgar. She could look after herself. She made demands. ‘We never quarrelled,’ wrote Edgar of Nona, in 1937, by which time he was married to Lois, and their daughter Jennifer was six, ‘I do not believe that she could quarrel…When we were young we were always hard up, and she had but a poor time of it. She never complained, not once. Sometimes she would look wistfully at a frock or a hat in a shop window, or at a hansom when she was tired, and that wistfulness I do not forget.’ Perhaps that passage was written as a subtle reproach to Lois, as a suggestion that she mend her ways, and do as well in this respect as his first wife. Writers are not above sending coded messages to their spouses in their books.



In my teenage I went to the same school as Jennifer, but she was my aunt and the same age as me, though in a junior year, so it seemed prudent for us to ignore each other’s presence, and no one ever knew we were related. We both still live within a mile of Adelaide Road, and these days enjoy a cordial relationship.



Nona’s home collapsed when she was eighteen, thanks to her father Henry’s behaviour, and so, homeless, she married Edgar. Her daughter Margaret’s home collapsed when she was eighteen, thanks to her father Edgar’s behaviour, and so, homeless, she married Frank. My mother collapsed her own house the month I turned eighteen, and left me homeless, and had there been a suitor around I’m sure I would have married him, but there wasn’t. I just hung around for a couple of years, rendered myself pregnant and thereby drew my mother back to me, and Jane did the same.



I made a real effort to break the run of compulsive behaviour – doing unto others as you have been done – and desist from rendering my own children homeless just at the wrong moment, but did not altogether succeed. Jane did it to hers by dying. The Life Force, once it’s set going, runs through families for generations, and causes terrible havoc. ‘I blame Arthur Machen,’ said Nona to me one day. ‘He cast too many spells.’ But I daresay Freud could have produced a more rational answer, and Arthur Machen frightened himself by his own necromancy, my mother said, and though he never lost his allegiance to the Old Gods of his native Wales, concluded that they had lost their powers in the new world, and there was no point in dabbling.



My mother was not sent to school. That is to say when she was five they tried to take her and she refused. Her father came downstairs from his study wearing his silk dressing-gown and smoking a cigarette in an ivory holder, and said, ‘What can be the matter with little Margaret. She’s making such a noise!’

‘She won’t go to school,’ Nona said.

‘Do you not want to go to school?’ Edgar asked his daughter.

‘No,’ she replied.

‘Then don’t send her,’ he said and turned and went up the stairs again. And that was the end of my mother’s formal education, apart from a couple of terms at the Slade School of Art when she was fifteen. She told me she knew at the time it was a major life decision and she had chosen wrongly. Her failure to go to school made her over-respectful of authority, I think, and she never felt permitted to lie when she filled in a form, though brave enough in other respects, and she never learned to deal with what she didn’t like: all the important things one learns at school. They tried her again at the age of nine, but after a week of lessons she refused to go any more. She already knew everything they were trying to teach her.



Edgar’s account of it runs thus: ‘My daughter Margaret at the age of nine refused to go to school because it bored her, and it proved to be the wise course. Neither Susan or I [alas, for the poor forgotten Frieda, now subsumed into wife and mother ‘Susan’] could conceive of any reason why she should go to school, and we raised no objection to her staying away from it. I do not know whether she regrets it…but she writes better if gloomier novels than Selwyn or I, both of whom suffered seven years’ schooling apiece, and if you doubt my judgement, read her Via Panama.’

In the three weeks after my birth, after Margaret had succumbed and gone to stay at Adelaide Road with her father and her new stepmother, and before she took the ship back to my father, Edgar and she managed to write a book between them, Miss Amagee in Africa. ‘I shouldn’t have gone to stay with them,’ my mother said later. ‘It hurt Nona very much.’ But her own attitude to her mother was ambiguous. Her sister Faith had been betrayed by Nona, she sometimes hinted that Nona had been too fond of Frank: the clamour for emotional justice and the need to love battled it out.

Miss Amagee in Africa, of course, shows no sign of emotional stress: it is a stirring adventure tale about a brave American woman outfacing lions in Africa, written on the hoof, as it were, with wonderful descriptions of a landscape which neither writer had ever seen. I can only imagine that Lois was left to look after Jane and myself, and Jennifer too, while Edgar and Margaret worked. If so much was to get written in so short a time, someone had to look after the children.

And then it was time for Margaret to go home, though no one wanted her to go – except, I daresay, Lois. Frank was waiting impatiently for his wife and children to return. He had found a practice in the South Island, inland from Christchurch, at a township called Amberley, in the heart of the flat wheatlands of the Canterbury Plain. It was going to be all right, he assured her in his letter. He was starting a radio station. And he was standing for parliament as the socialist candidate.




Fay Franklin (#ulink_3c4d9bc1-87d0-516d-9f97-44e45ac0ce0b)


Of Amberley, I remember the hot wind blowing off the mountains, day after day, and a bare flat landscape, and a lot of sheep there was no escaping. I remember being dressed up as Little Miss Bo Peep for a fancy-dress party. I remember the creaking of the windmill which pumped our water, and the hot dust beneath the macrocarpa hedge which you had to wriggle through to get to play with the children next door. I remember the milk being warm when it came from the cow, and wishing it wasn’t. I remember the day I learned to read – I was three – and the way the letters suddenly made sense, and the excitement of that. I remember thinking now I could catch up with Jane but of course I never could. I remember my father coming home with a big new gold car, and how proud he was of it. It was a Voisin, imported from France; it had a starting handle and running boards on which we were allowed to stand. It was a magic car: I was sure it could fly, one day it would take off into the sky. But my father had a trick which I hated: he would stop the car in the middle of a dry river bed and tell us how we had to beware them, how people would camp the night in them, and be swept away in the darkness as the flood swept down from the melting mountain snows.



I was frightened, he knew I was frightened, why did he want to make it worse? Even today I still get panicky when driven through even the shallowest ford in the soft English countryside. ‘Can’t we go the long way round?’ I plead, but we never can. My experience of men in cars has always been that if you don’t want them to do something, they will. It is when they are behind a wheel that they most fear the control of women and children.



I remember my mother turning cartwheels on the lawn, white legs flashing, short skirt whirling, and being overwhelmed with admiration. None of my friends’ mothers turned cartwheels. They wore pinnies and made apple pies. We were different. I became aware that we were homies. We came from a far-off place called England, and didn’t really belong here. This made you both better and worse, before you even began. Sometimes people didn’t even understand what you said. Then you felt stupid. You wanted to speak like your friends, but your mother wanted you to speak as she did and was quite cross when you didn’t. You wanted to say ‘yiss’ but she wanted you to say ‘yes’. So you learned to speak two different languages, one for home, and the other for your friends. The picture books came from England, though, and showed children and their parents who were more like you than the other families around. You could read the stories to your friends and they liked that. People were like the pages of books. There were more and more of them, a page behind every page, and everyone with something new to say, and you never wanted it to stop.



In retrospect it is clear that my father took to life in the outback with enthusiasm, my mother decidedly less so. She had escaped the emotional stress of her family circumstances but at some cost, though at least there weren’t any earthquakes down here in the South. The earth stayed steady beneath her feet and my father and she did indeed have a radio station to play with, or at least several hours’ a week broadcasting time. My mother wrote radio plays, and even in these benighted parts found people enough to perform them, and an appreciative audience, and made friends: my father lectured on socialism and lost quite a few. New Zealand was an advanced country in social terms – first in the world with votes for women, first with an embryo national health service – and always, like my father, hungry for improvement, but actual socialism was viewed askance, particularly in rural areas.



My father was tireless and energetic: he wrote a detective serial for the local newspaper which went on for more than a hundred episodes. He wanted to stop but he couldn’t because he didn’t know who had done the murder. He was like a hotel guest who wants to leave but can’t because he has no money to pay the bill. The longer he stays the worse things get. In the end my father offered a five-pound prize for anyone who could solve the puzzle, and someone turned up who did. There is always a reader out there who knows better than the writer, and just as well.



In my father’s footsteps, I wrote a serial for a woman’s magazine in the Eighties: The Hearts and Lives of Men. It was meant to go on for twelve episodes but ran for forty-nine before the editor called enough, other writers wanted their space on the page back. I was happy to finish: I had already had to divorce and remarry my hero and heroine once so that the eventual ending would stay feasible. To do it again would be absurd. The serial was about a lost child, little Nell, who must in the end be reunited with her parents and bring them to their senses.

This endeavour went on for nearly a year. A courier would call at the door at one o’clock every Thursday to collect the latest instalment, which I had most likely written on the train that morning. In those days I lived in Somerset but had an office in London. I marvelled at how trusting the editor was: had there been a train strike, had I been ill, he would not have been able to collect his instalment. I think he had a vague idea that the story was already written and all I was doing was cutting it up into bits and handing it to him section by section, out of meanness. Even editors don’t seem to understand the make-it-up-as-you-go-along school of writing which I inhabit. But I am responsible in my own way: I couldn’t be ill or have a holiday for forty-nine weeks, and I wasn’t and didn’t. The episodes, restructured, were eventually published in novel form, and when it was I was quite pleased with it, though I missed the ‘story so far’ sections, which I had loved writing. As you move through a story it is interesting to see how your own view of it changes, and how you see fit to describe those who inhabit it. But the central premise of the story held, that like calls to like and most of us are given second chances, and that virtue is more often rewarded than we think.




Second Chances (#ulink_49c6b5dd-8749-5e2d-a573-2bdf394d7f3c)


New Zealand, for my father, was a second chance, and perhaps that was why he took to the new land with such joyful ease. Its very air suited him. He had contracted rheumatic fever in the trenches of World War I and nearly died from it. The smogs and fogs of London were no good for him. He had run away from home in 1914 to join the army, in response to Lord Kitchener’s pointing finger and ‘Your country needs you!’ He was sixteen but pretended to be eighteen. In those days it was possible to lie about your age: now we are all so closely monitored and registered it is near-impossible. Life is much duller as a consequence. One’s instinct is to hide from the state. I was always taken aback by the way schools asked to see my children’s birth certificates – supposing there was something there that I wanted them not to know? What business of theirs was my offspring’s parentage? Bad enough that school was compulsory – one could overlook that, because the children evidently so badly wanted to go – but what did they hope to find out? And where was I meant to find these bits of paper anyway, four or five years after the birth? As it happened I managed on all four occasions to fail to provide the required documentation, and no one ever followed up the initial request, but just assumed the children had the names and ages they said they had.

My father came from yeoman stock: his mother Isabel was a Garbutt, from a family who had farmed sheep in Northumbria for generations. His father Herbert was a Henderson on his mother’s side: the family had been ‘in wool’ for as long as anyone could remember, but had diversified into carpets, and were ‘in trade’ which was not quite the thing. The Garbutts, who now included bishops among their ranks, saw Isabel as a cut above Herbert. He was spoken of as a bully, and Isabel as a saint for putting up with him. And she was indeed the sweetest, gentlest thing. My half-sister Barbara takes after her, and her daughter Naomi, though sweetness seems to have by-passed the rest of us, become too diluted in the genes. On the one occasion I met Herbert, in 1946, he seemed perfectly pleasant and gave me half-a-crown so I will not add to the slurs.



But he did seem to be anxious that his four children would not succeed, and almost to spite him, they all did. He took Frank away from St Edward’s Grammar School in Birmingham and apprenticed him to an engineer, when that was what he specifically didn’t want to be. Sheona, the oldest, was given away in infancy to be brought up by an aunt, and grew up to marry her cousin, an eye surgeon, and to became a poet. For fifty years, until her death in her late Nineties, a poem by Sheona Lodge, delicate and lyrical, appeared regularly in the American Fly Fisher’s Journal. The second daughter, Mary, was active in politics, married Michael Stewart, later to be Foreign Secretary in Harold Wilson’s government, and both ended up on the Labour benches in the House of Lords. Bill became a much respected dentist in the Midlands: once mysteriously married to someone who ‘ran off’, and whose name he would not have mentioned in the house. That was not so unusual a response at the time; the world was full of things too painful to be mentioned, because there was nothing to be done about them. Infidelity, illegitimate children, insanity, cancer – it seemed impolite to God to mention them, pointing the finger because he had failed to make a perfect universe. As cures became available, of course, one by one, they could be talked about, and now are, almost to exhaustion, as if we are making up for lost time.



So my father ran away from his apprenticeship and my not very pleasant grandfather, and was sent to the front line in France, but within the year was invalided out of the mud and slime of the trenches. Next he was posted to Arabia, where the air was all too dry. But he became T. E. Lawrence’s driver: he had a Rolls-Royce to play with, adapted to desert use and armed with a machine gun, which he coaxed up and down impossible sand hills. I think he enjoyed himself very much. He once showed me a battered leather-bound copy of Shakespeare’s Romeo and Juliet, inscribed to him by Lawrence himself. He told me he was captured by Bedouin but saved himself by offering them jam labels, which he told them was money and they believed him. It just so happened that he collected jam labels, there being lots to collect in a desert filled with soldiery who had to eat. They blew about the sand hills.

This part of The War he talked about: he would never speak about the trenches. Perhaps the time spent there was too traumatic: too full of exploding bodies for words to encompass. It made him neurotic. Those who have been soldiers often are: from time to time they behave compulsively. Those who are damaged feel the need to pass it on: those who are hardened try to harden others. Soldiers who emerge from wars are often cheery enough: they have learned the art of living in the present: they’re good at that – today’s friend can be tomorrow’s corpse. Just sometimes they shake and shiver and are cruel to others, and want them to suffer too. Ron Weldon, my second husband, was an ex-soldier, like so many of the generation after my father’s. He had spent time clearing bloated bodies from streams in Burma: he didn’t mention this for a good twenty-five years into the marriage, when he started getting nightmares and handing them on.



After the Armistice Frank went to London and with the aid of demob money and contributions from his maiden aunts in Newcastle, studied medicine at University College Hospital. In 1922 he visited a nightclub and there met and charmed Edgar and Susan Jepson, who took him under their wing. Before long he was sleeping on their sofa, and had begun his assiduous courtship of their daughter Margaret, then a girl of sixteen.



Doors opened to my father. It was a life he had not known before. Those who have a natural and spontaneous response to books, paintings, music and the life of the mind are lucky: the gift of their enthusiasm strikes through class barriers: they find mentors. ‘He was rather rough at the time,’ my mother said of him. ‘He’d been a soldier for years: he’d had no education. He swore dreadfully. He had no money: he slept on other people’s floors and ended up on ours. His aunts came down to visit him and threw up their hands in horror at what they found.’



Perhaps the gift for standing in front of the right door runs in families? When Edgar gravitated to Nona, back in the 1890s, a new world opened up for him, and it suited him down to the ground. Here was the gossipy bohemia of the day: forget the waspish writers and intellectuals, here were painters and musicians, and another kind of delinquency. ‘Through Frieda,’ he wrote in his Memories, ‘I came into the Bloomsbury Group of the day.’ He picked up the ball and ran with it.

Thirty years later Frank was to find himself in the same situation. All he had to date was the copy of Romeo and Juliet from T. E. Lawrence; now Edgar and Nona offered him the culture he was starved of, and he realized he had finally come home. When that home collapsed, he carried the daughter off as a trophy. Another generation on and history repeats itself. My mother’s world, by the virtue of war, divorce, poverty and circumstance had shrunk to subsistence level, and my world with it. Forget the arts and the life of the mind, what about the rent? But go to a party one night, just as Frank had been to a nightclub, and all of a sudden, there you are, back in your natural place: in my case Primrose Hill in the Sixties, the abode of the writers and painters. Go down to the launderette and run into the kind of people who hung out in these parts. Ted Hughes and Sylvia Plath, Patrick Caulfield, Kingsley Amis and Elizabeth Jane Howard, Adrian Mitchell, R. D. Laing and the George Mellys, Tom Maschler the publisher, Mel Calman and Michael Ffolkes, cartoonists, Alan Sharp and Lukas Heller, screenwriters, ANC activists by the handful, Bernice Rubens and David Mercer, and down in Gloucester Crescent Alan Bennett and Jonathan Miller, and as many names as you care to drop, rising young artists and writers all. And the parties we gave were many and wild, and not so different from those at Adelaide Road, except the beer was made in the bath, and the bath was lidded and in the kitchen, and I don’t think Nona would have stood for that. With a permanent place in the lover’s bed, comes a permanent place in their circle. Actual marriage cements it.




Patterns (#ulink_a916867a-b08d-57a2-99bf-cb2aacb9749d)


I am very conscious of the patterns our lives make: of interconnecting cogs and wheels, of coincidence which is no coincidence but fate, of the quiet sources of our energy. All things connect. The lost wedding ring turns up on the day of the divorce; the person you happen to sit next to on the Tube happens to be your new boss. Destiny intervenes. We assume we are playing the lead, but turn out to be bit-part players in someone else’s drama. Nothing is without result.



Even the maiden aunts, Madge and Augusta, who helped Frank become a doctor, were major players in his story, for all the quiet seclusion of their lives. They lived in Newcastle, in a house in which almost nothing had changed since the beginning of the century. Antimacassars protected the armchairs: oil lamps provided the only lighting.



In my student days, when I would hitchhike down from St Andrews in Scotland to St Ives in Cornwall, their house made a useful stopping-off point. The Aunts, who by then were in their nineties, provided a fine refuge from the hunger and tribulations of the open road, especially in winter time. Their ancient maid May lived with them. Most social inequalities had been evened out by the passage of the years, but not all. They would share the warmth of the fire but if more coal were needed it would be May who went to fetch it, and she was the one who got up to make the tea, though she was even more doddery than they. There would be a candle to light you to the unheated spare room, where the bed was so high you had to climb up into it. A flowered china chamber pot was placed beneath it. Springs would creak if you moved: the mattress sagged. The sheets were linen and cold, and the pillow was stiff, but the weight of the many blankets was reassuring. After you had been a little while in the bed it would begin to steam with damp, which was oddly pleasant. In the morning ice crystals would have formed on the inside of the windows. You would put bare feet out onto cold lino, dress as fast as you could and make for the kitchen, where a purple-knuckled May would be making breakfast. The tea would be hot and sweet.



The aunts would give you some money to help you on your way, and wave goodbye from the door as you set out on the road, and you would worry that this was the last time you would ever see them. It seemed a miracle that they existed at all: this was the stuff of fairy-stories, as if they came into existence only to facilitate your journey. When you ceased to see them, they would cease to be.





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